November 10 2023
Limited Edition in Portland.
Home on the fringe of night life, family, goodness. 
Gathering No. 70.
If you know you know.

Live at Limited Edition

Vladimir Ivkovic All Night Long at 70th Limited Edition Portland

https://www.nts.live/shows/tilly/episodes/tilly-22nd-july-2024

NTS - Tilly W/ Alicia Carrera 22.07.24

Inaugural upload to Tender Radio, where we will post seasonal mixes and live guest DJ sets, amongst other things.

First up - a selection of releases from 2024 that were on high rotation at Tender, compiled into 2 hours of listening to soundtrack your day.

Please enjoy~

With Tenderness, 
Steph and Nik

Tender - Best of 2024

Last but not least, @biancalexis on closing duties for June’s Balearic Sunday. It is a super positive ride from disco to acid and right into the night everybody couldn’t help but dance to. Thanks to the wonderful crowd on the floor. 

☝️ Next dates on July 27th and August 24th.

This live recording is from: Balearic Sunday June 2025
June 22, 3 to 10 pm
objekt klein a, Dresden
with Bianca Lexis, Melizards and Philipp Demankowski

🌴 Website: www.balearicsunday.com
🌴 Telegram: t.me/balearicsunday
🌴 Insta: www.instagram.com/balearic_sunday
🌴 Spotify Playlist: spoti.fi/3WR8ICM
🌴 Soundcloud Playlist: bit.ly/sc-balearic-sunday

Bianca Lexis - Balearic Sunday June 2025

Trushmix 241 presents Darcy Mahady the avid record collector and DJ originally from Australia now a resident of Berlin. A now decade long foray into the world of DJing has seen Darcy share music all over the world. Calling Berlin home since 2022, he can equally be found taking care of music in one of the city’s smoked out dive bars, helping host weekly coppi sessions or throwing parties under the lately banner.

For Trush he made a 1 hour and 38 minutes mix of house music with a touch of electro and some elements of Italo in the mix! Deep moods and grooves some UK, NY and Detroit classic rollin' it hard! Mix it mix it flix it flix it!

Music from the top!
Enjoy the mix!


Trushmix 241 - Darcy Mahady

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-22nd-july-2025

Pender Street Steppers w/ Khotin 220725

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: www.gofundme.com/f/help-refuge-wo…-community-radio

New Massage Fundraiser Special - Telephones & Special Guests - 06 Aug 2025

Every step forward destroys what is left behind

RESONANCE

1st with @prodsean_
2nd with @goonrixhebk
3rd with @modhunna
4th with @dtmlife864
5th with @jttalktoem & @99lxud
6th with @yungstxxzy
7th with @prodchxse
8th with @drayfuel
9th with @drayfuel
10th with @springghbk
11th with @realtgwog
12th with @goonrixhebk
13th with @izzyturntfr
14th with @realtgwog
15th with @yungstxxzy
16th with @kvmasoul
17th with @realtgwog
18th with @realtgwog
19th with @fvsionzrare

Halfway done with the year of 2025 christmas samples will officially be my last samples for 2025, 2026 we goin crazy ☃️

itsalwaysrayy & friends december samples again 2025

Harvey Sarcastic Disco Volume 2

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 023: Jonah Sharp

Music From Memory