The China Africa Project is a multimedia resource dedicated to exploring every aspect of China’s growing engagement with Africa.  Through a combination of original content and curation of third-party material from across the Internet, the CAP’s objective is purely informational.  None of the blog’s authors or producers have any vested interest in any Chinese or African position.

'wether ritualized or not, art contains the rationality of negation. in its advanced positions, it is the great refusal- the protest against that which is. the modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking and recreating their factual existence. but these modes of negation pay tribute to the antagonistic society to which they are linked. separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion.'
herbert marcuse

Follow 👉 Cinema Hotel Studios. We are a team fully dedicated to Cinema and the music within. Classical pieces, Soundtracks, Ambients and Instrumental melodies. 

We bring cinematic atmospheres to each listener, and beloved fans to the Cinema & TV screens experience.  

Sonorities from the elegant retro 60s sounds till nowadays art of creating movie scores. 
"Cinema Hotel Studios, is for (film) music lovers". 
Thanks for joining us, we welcome you!

Geopolitical Economy Report is an independent news outlet that provides original journalism and analysis to understand the changing world.

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Spotify Versions in the links below.

Full FLAC Doom Eternal Soundtrack (in order)
https://soundcloud.com/datdoomguy/sets/doom-eternal-official-flac

DwayneLawrence is following