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dylan

Tracks 2

Live Recording of DJ Frankie Bones in San Diego, California on Friday, July 5th at a secret underground event by Underground Mafia.

Frankie Bones - Live in San Diego 7-5-2013

Performed live at Club Fabrik - Madrid, Spain - 12.19.2009

Fabrik (2009)

// ᴀʟʙᴇʀᴛ ᴢʜɪʀɴᴏᴠ | ᴘᴀɴᴢᴇʀᴛʀᴀɪɴ ᴇᴘ [ᴄʀɢ⁰²⁶] 
• ᴘᴀɴᴢᴇʀᴛʀᴀɪɴ 
• ᴛᴜɴɴᴇʟ 
• ᴊᴏʏ ʀɪᴅᴇ 
• ꜱʜᴏᴏᴛᴇʀ

@albertzhirnov

https://clergyrecords.bandcamp.com/album/albert-zhirnov-panzertrain-ep-crg026

Albert Zhirnov | Panzertrain EP [CRG026]

Cristian Varela Peperoni Markantonio GrooveRMX

Familie Ground - Bag Dan (original mix)  KSL Rec OUT SOON!!!
www.familieground.com
info@familieground.com

Familie Ground - Bag Dan (original mix)  KSL Rec OUT SOON!!!

Familie Ground - Eko Pack (Original Mix) - KSL Rec OUT SOON!!!
www.familieground.com


Familie Ground - Eko Park (Original Mix) - KSL Rec OUT SOON!!!

Familie Ground - Saturday Night Original Mix - KSL 012 Rec OUT SOON!!!
www.familieground.com


Familie Ground - Saturday Night Original Mix - KSL 012 Rec OUT SOON!!!

Recorded live at Industrial Copera - Granada, Spain - 01.16.2010

Industrial Copera (2010)

PF0007 Mezmeric - Nocturne Ep. Incl. Patrick Dsp & Saimon rmx.

PF0007 - Nocturne - Saimon - Remix

Jes-One and I decided to go back to back, track for track.  What happened next was banGin.

TRACK 4 TRACK

Tried a different thing with this one. No pretension at all, Hope you enjoy it!

Available as a free download through hypeddit.
https://www.youtube.com/watch?v=BRJkO8vgfwg&ab_channel=NN


Mastering: @znzl

I Feel Love [NN Edit]

Free Download

.FREE DL. Donna Summer - I Feel Love [NN Edit]

This is an original track I produced with Brooklyn's John Davison, a whiz with the keyboards.  It's influenced by the soulful, melodic tech-house that used to come out of the UK and Germany - labels like Forensic, etc.

Dylan Drazen feat. John Davison - The Fifth Day

Loved hearing this cut in a classic set and had to find the vocal to mess with. The original is of course way better but I kinda like this one and thought I would share.

Ben Sims & Adam Bayer - Remanipulated By Metapattern

Check out the following links to the other Tom Hades and Rhythm Converted channels.

Youtube:
http://bit.ly/15Lc7Ic

Like Tom Hades on Facebook: http://facebook.com/tomhades.official

Like Rhythm Converted on Facebook:
http://facebook.com/rhythmconverted

Subscribe on iTunes : 
http://bit.ly/15YCrzb

More info and updates: http://tomhades.com

Let me know what you think and use: #THRC on twitter and FB

Thanks and enjoy this full hour Techno Music!

[Podcast syndicated by syndicast.co.uk. For info to broadcast this podcast on your own radio please get in contact with Syndicast : contact@syndicast.co.uk]
----


Tom Hades - Rhythm Converted P

Rhythm Convert(ed) Podcast 263 with Tom Hades (Classics pt2 - Liege)

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Secret Cinema & Egbert – Maximaal - Drumcode - DC159

http://www.tomhades.com
https://soundcloud.com/ben_long 
https://www.beatport.com/label/driving-forces-x-files/36304

Ben Long & Tom Hades joined forces on a rainy afternoon in Tom's studio. Playing around with the hardware and modular synths made the guys bring up the name: Night Riders. This release is a result and out now on Driving Forces their sub-label: X-files

Support this release

Ben Long & Tom Hades (Night Riders) - Night Riders [Driving Foreces X-Files]

Check out the following links to the other Tom Hades and Rhythm Converted channels.

Youtube:
http://bit.ly/15Lc7Ic

Like Tom Hades on Facebook: http://facebook.com/tomhades.official

Like Rhythm Converted on Facebook:
http://facebook.com/rhythmconverted

Subscribe on iTunes : 
http://bit.ly/15YCrzb

More info and updates: http://tomhades.com

Let me know what you think and use: #THRC on twitter and FB

Thanks and enjoy this full hour Techno Music!

----

The show is syndicated worldwide by Syndicast (www.syndicast.co.uk)
If you are interested in airing the show please register your radio station here: syndicast.co.uk/distribution/regi…ion/radio-station



Tom Hades - Rhythm Converted Podcast 270 with Tom Hades (Live from Bachblyten Festival - Germany)

Rhythm Converted Podcast 270 with Tom Hades (Live from Bachblyten Festival - Germany)

What was originally created as a promotional requirement for a small gig in Budapest became one of my more talked about mixes during the hard techno years.  I don't play like this anymore, but I can still appreciate the insanity.

In 2002, I wrote:
"this little promotional mini mix CD was given to the first 100 entrants into the coldwar party in budapest, hungary on december 14, 2002. it's unsettlingly hard."

recorded at tetanus studio, december 2002 - brooklyn 

AeoX - Nuclear Winter - Null 
Boss - Jahoda - Palica Vonzvreca 
Andreas Kremer - Rock Them (DJ Boss rmx) - Lifeform 
Dylan Drazen - Baba - Remains 
Simon Krach - Current Value - Null 
Polytechnique - Free Mind - Salpeter 
Next Level feat. Dylan Drazen - Doch - Unreleased 
Henrik B - Seven A - Illgo Rhythm

20 Minutes of Hell (2002)

aha..

techno set performed live at code, madrid, spain, 06.2007

Ortin Cam - Godlovesugly - Pocket 
Steve Porter - Nordica - Fade 
Victor Calderone - Let Me Set You Free - Ultra 
Ignition Technician - Worq - Wedafuqawi 
Ivan Devero - Brasylia - White 
Carl Falk - Cuidado - Hard As Funk 
Darkrow - Ribesada (Carl Falk Remix) - Code 
Chriss Zimmer - Lost Generation - Cutz 
Peppelino - Area 51 - White 
Dynamix & Miss Michie - Revolution And Rise (Simon Digby Remix) - White 
Tim Davila - Flying Skunk - White 
Peppelino - Alienator - Butterfly Effect 
Odessa Soundfreaks - Memories - White 
DJ ESP - Window Of The Soul - White 
Dylan Drazen - Beacon (2007 Remix) - Lost In House 
Groundhogz - Sparx (Nana Killa Remix) - Kamikaze 
Dias Mallon - Rainbow (Tim Davila Remix) - Brazil Underground 
Phantom Force - Vaporize - Expedition 
Shudder Sounds - Say Yes - Cutz 
Shandro - Document 133 (Tim J Remix) - Soup

Anticlub (2007)

Aries was one of the first techno clubs in Spain.  It was only open for a few years but the gigs were always intense.  This is the club where it all began.  Valladolid is the birthplace of the Spanish techno scene.

Recorded live at Aries, Valladolid, Spain - 10.07.2000

Aries (2000)

Full & luxurious techno set recorded at a Jetlag event in Madrid.

Recorded live at Jetlag Events - Madrid, Spain - 10.11.2004


Manuel Fuentes - Northern Darkness - Fast Food 
Player Eighteen 
SF & KB - Buggin' On Lionel - Patterns 
Valentino Kanzyani - Sala Global - Recycled Loops 
Warren Fellow - Rushing To The Middle Of It - Smoke 
Loop Killaz - Voodoo Slut - Wet Musik 
Hertz - Bonafide - Wet Musik 
Remerk - Something That You Can Do With Your Fingers - Expanded 
Dylan Drazen - Beacon (rmx) - Remains 
Patrik Skoog - Bleed - Humanoid 
Headroom - Solar - Patterns 
Player Eighteen 
Eric Sneo - Going On - Terminal M 
Chris Liebing - String Theory (Picotto & Ferri rmx) - clr 


Jetlag (Part 1) (2004)

Here's a sampling of the re-edits and remixes Leon and I worked on for "Quintannum - 5 Years of Lost In House."

Coming soon to Beatport.

A.Paul - Poltergeist (Annihilated Mix)

Contained within this eleven-track compilation is a collection of tracks submitted to Drumcode as demos but which didn’t have other tracks to be partnered with to make up a classical Drumcode EP. Such was the quality and quantity of these stunning one-off tracks that the idea of making them into a compilation was born primarily for practical reasons. As the project grew the idea became a theme and the theme evolved into a finished project – A-Sides - which tells both the story of Drumcode’s recent past with familiarly high-octane tracks from Adam Beyer, Alan Fitzpatrick, Joseph Capriati, Gary Beck, Gregor Tresher and Dustin Zahn & Rachel Palmer but also gives a glance into what is to come as the likes of Patrick Siech, Luigi Madonna, Roberto Capuano, Dhillon and Manic Brothers get their chance to contribute to the shaping Drumcode’s future.

DC97 02 Adam Beyer - Be Quiet - clip

Jeff Mills & Frankie Bones - Live @ Panoramix, France 8-8-98
No need to much words for this 2 ,but i will say something about 1 of them guess who ;)

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his stripped-down, almost industrial DJ sets, Mills is the latest in a long line of Detroit-bred talent to take on an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood before moving to New York in 1992 to pursue more vigorously his solo and DJ career (with a resident spot at the legendary Limelight and a recording contract with the noted German label Tresor). (Although rumors of bad blood between the early UR crew have been denied by all involved, Mills' decision to split was apparently total, with Banks all but repudiating his involvement with Mills and Mills distancing himself from the continuing political militancy of Banks and the UR organization.) 
Mills' UR-related releases (including "The Punisher" and "Seawolf") are stripped-down and erratic, fusing elements of hardcore acid and industrial techno to the sparse Detroit aesthetic. Not surprisingly, his post-UR sound hasn't eased a bit, although UR's penchant for the four-track has been replaced by higher-quality production.

Prior to his involvement in UR, Mills was a DJ at Detroit public radio station WDET (he was also studying architecture at the time), spinning everything from Meat Beat Manifesto and Nine Inch Nails to Chicago house and underground Detroit techno. He began producing in the mid-'80s, working with Tony Srock on the project the Final Cut.

Jeff Mills & Frankie Bones - Live @ Panoramix,  8-8-1998

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.