Terminal V Podcast 036 - Naty Seres

Playing regularly at a club such as Berghain is one thing but to be inducted into a collective of artists such as Ostgut is quite another. That is exactly what Naty Seres has just accomplished. Naty’s productions combine a great many influences that have seen projects such as Atmophile Electronics and Never Not Now now all add to the unique sound palette she has at her disposal. So, without further ado we introduce the next generation of Ostgut and a true star in the making...

Full interview with Naty Seres - www.terminalv.co.uk/terminal-v-podcast-036-naty-seres

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>>> FOLLOW US >>>
Soundcloud - @terminalvfest

Tracklist...

Object Blue - (time to) WORK
Disx3 - Stigma 
Ø - Phase - Obscura (B-Line Enhanced Version)
Casseopaya - Carma In An Ocean Of Joy (DJ Misjah Remix) 
User - 06 B2 
The Advent - Recreations ( Danilo Vigorito Remix )
Backdraft - R U Ready (Part 2) 
The Chronics - From the Start (Hermeth Remix) 
Mall Grab - Reconnaissance 
StacEmp - On Da Block 
Clouds - Arkhangelsk Nightmare 
Two Sided Agency - Controlled Cycle 
Seraj - Envy 
Junk Project - Volume III
UFO95 - 2am
Bjarki & Kuldaboli - Karmageddon (deepfake mix)

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>>> FOLLOW US >>>
Soundcloud - @terminalvfest
Facebook - www.facebook.com/terminalvfest/
Instagram - www.instagram.com/terminalvfest/
Twitter - twitter.com/TerminalVFest
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Upcoming Terminal V events - www.terminalv.co.uk/events

Terminal V Podcast 36 || Naty Seres

#84 by https://soundcloud.com/nastyavogan?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Podcast series by Club Rote Sonne from Munich, Germany - www.rote-sonne.com

Nastya Vogan is a Kyiv-based electronic producer and composer, ∄ a resident of ∄. With a background in classical music, she opens
up an electronic space to channel different influences from rare
leftfield techno, electro and breakbeat to innovative electro-
acoustic performances with an orchestra.
She performed at different venues across Ukraine and beyond including Moscow’s NII, Brave Factory Festival and Схеma.

NASTYA VOGAN

Rote Sonne Podcast 84 | Nastya Vogan

Mix Series 036 by @rebeccagoldberg

Rebecca Goldberg is a producer, live performer, DJ and graphic designer from Detroit. Since her debut EP, 313 Acid Queen, she has been affiliated with the multidisciplinary arts collective, Detroit Underground. Rebecca is a seasoned radio DJ having mixed for FM and internet-radio shows hosted across the globe. She has released music and multimedia projects ranging from Detroit techno to avant garde electronic music. Carrying with her the tradition of Detroit Techno, Goldberg tours internationally as a DJ and live performer and has been featured at notable events from Detroit’s seminal Movement Festival to Tresor in Berlin.

Tracklist:
1. Rebecca Goldberg - Automated (Mark Broom Remix) [Phoq U Phonogrammen]
2. Josh Reeves - Yep (A. Morgan Remix) [Secession Records]
3. Stef Mendesidis - Core 33 [Planet X]
4. Rayme - Afterlife [unreleased]
5. Jeroen Search - The Chaos Chapter [Planet X]
6. Deniro - MPC Tracks 2 [Self Reflektion]
7. Acid Freq. - Thursday Night [Draconian Steps]
8. Rebecca Goldberg - Le Détroits [Detroit Underground]
9. RITCHRD - Rebirth [As You Like It Recordings]
10. Ken Ishii & Kamara - Powerplay [RSPX]
11. Archaic Revival - Immoral Rave [Detroit Underground]
12. Mark Broom - Rainbow Bridge [Rekids]
13. Rebecca Goldberg - Staying On [Phoq U Phonogrammen]
14. Andy Toth - Temporal Distortion [Interdimensional Transmissions]

Support the artist

Mix Series 036 - REBECCA GOLDBERG

Dirty Epic welcomes aboard @ireenamnes for its seventy-eighth episode of Amplify Series.

Ireen Amnes is a producer, DJ and founder of the label and event series Under My Feet. Rooted in industrial - noise and experimental, her live hardware and DJ sets are moody and unpredictable, often exploring different mixtures of intensity.

Based in Berlin, Ireen's musical odyssey commenced as a singer and instrumentalist in metal bands, eventually weaving her signature style into the world of electronic music. 

Within her own productions, Ireen's music transcends with distorted aesthetics, melancholic atmospherics, and deconstructed rhythms, evident in recent works such as a collaboration with Drew McDowell of Coil; her latest EP on Tresor Records; the collaborative EP  'Unravelling' alongside Kamikaze Space Programme and the new live project with Infinity Division fka Minimal Violence ’s.a.t.i.n.’.
Her first full-length LP 'In The Land Of Silence,' released in 2020 through Sonic Groove Experiments, received critical acclaim, with reviewers praising the emotional depth conveyed through moving melodies and rumbling drones.

Ireen’s live shows have seen her play venues like Berghain, Funkhaus, Iklectik, Macao, and Kraftwerk. As a DJ, she has performed in iconic spaces such as Tresor, Basement, Warehouse Elementenstraat, Fold, and countless other European clubs and DIY parties.
She frequently shares stages with esteemed artists like Drew McDowell, Hiro Kone, Phase Fatale, Alessandro Adriani, and Chloe Lula, crafting sets that captivate audiences with an unpredictable and eclectic journey through the intricate realms of electro, wave, industrial, techno, and experimental music.

Regardless of the genre Amnes’ music does (or doesn’t) fit into, its intense dynamism, nuance, and emotive power represent the expressions of a deeply complex and passionate artist.

LINKS:

IREEN AMNES:
Soundcloud: @ireenamnes
Facebook: www.facebook.com/ireenamnes/
Instagram: www.instagram.com/ireenamnes/
Bandcamp: ireenamnes.bandcamp.com
RA: ra.co/dj/ireenamnes

DIRTY EPIC:
Website: www.dirty-epic.com
Merch: shopby6am.com/collections/dirty-epic-collection
Facebook: www.facebook.com/DirtyepicLA
Twitter: twitter.com/dirtyepicla
Instagram: www.instagram.com/dirtyepicla/

Amplify Series 078 - Ireen Amnes

In March 2014 we teamed up with London crew Oscillate Wildly and welcomed New York techno stalwarts The Bunker for a 2 room 3 crew collab affair.

It was an honour to welcome Sherard Ingram AKA DJ Stingray to this one and it completed a series we coined the "Drexciya effect' after previously having Ultradyne, Dopplereffekt & Arpanet play live at past parties. He did not disappoint.

Really digged this line-up at the time and it holds up well now 10 years later imo. Up until about an hour ago i thought we only had the main room audio for this party but it turns out we do indeed have room 2's as well which is great news as every set played on the night was great so I'm sure we'll see more sets put up from this one so stay tuned.

PLEX x OSCILLATE WILDLY - [08.03.14] - RM1 [Plex]

[PLEX ARCHIVES #25] - DJ Stingray - [08.03.14]

We're back with another mix to kick off March, and this month we have one of Dublin's most accomplished techno artists Peter Sweeney aka Rustal. 

A man who is just as comfortable behind a set of decks as he is performing live with his hardware set up, Rustal has performed at some of the most prestigious clubs across Europe including the hallowed ground legendary club Tresor.

If straight up techno is your thing, then this is the mix for you, enjoy !

Rustal - https://soundcloud.com/rustal
- https://www.instagram.com/rustal_dub/?hl=en

Coda Mix 030 - Rustal

Youtube: https://www.youtube.com/watch?v=ddjfaSHz9QA

El 16 de febrero, celebramos el 10º aniversario de Distopia Club en Bilborock (Bilbao) con los DJs Aiken, Kika 1000 Landa, Manglés y visuales de @camile_duhart_vj

MANGLÉS. Sus sesiones son sinónimo de viaje. Propone un discurso diferente e innovador, en el que se habla de transportar y sorprender la energía de la pista de baile y anticiparse a ella. Residente del @lannaclubchannel3236  referente desde hace 10 años en la escena Techno mundial.

MIX-A! Distopia Club 10º aniversario: MANGLÉS

Shadow State proudly presents its Year Two Compilation, a powerful statement of our continued evolution. This handpicked selection features raw, hypnotic, dark, and hard-hitting techno that shaped our second year. Dive into this uncompromising collection and experience the next chapter of our underground techno journey.

Next (Original Mix)

Giuseppe Bottone - Biosafety (Original Mix)

i can feel u holding me in your arm

Things were getting hot and heavy in Spain, and the music was getting relentless.

Performed April 1999 in The Cervix, Brooklyn

 side a

Martial - Meteorite Wave - Taka 
Oxia - Fresh - GoodLife 
Grain - B2 - Fat Cat 
Sapiano and the Partycrashers - Body Parts - Klang 
Punisher - Extinction - Seismic 
Chris Jackson - Make 'Em Work - Resource 
Visco Space - Part 3 - Konsequent 
Pitch Invasion - In The Box - Core 
Petter Fripp - Structural Pump 
South Operations - Draining Faces - Evil Deception 
Cari Lekebusch - This Way - Access 58 
Olga + Josef - A1 - OJ 002 
M. Lloyd - The Jump - Sub Octave 
Clemens Neufeld - Impact - POD 10 
Smith & Selway - Thunder - Primate 
Raoul Delgardo - Steelworks - Sheep 

 side b

Alba Patera - Tog - Monoïd 
Umek - Halcion - XS 
Inigo Kennedy - Preliminary Statements - Aesimetrik 
Cio - Talkin' With Juanito - Ongaku 
Oszillator5 - S8084#02 - Planet Pump 
VCO - Mind Test - Thrust 
Stanlee - Klangphase - Planet Pump 
Icepack - Schwama - Solid 
P. Leroy - Outlast - Gelstat 
Tomito Satori - Manalive - Exhibit 
Olga + Josef - A2 - OJ 002 
Clemens Neufeld - Inappropriate Relations - Spiel-Zeug Schallplatten 
Musicolor - Violet - Musicolor 
Photonic - Impact - Universal Prime Breaks

dd19 - The Matrix (1999)

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.