In these perilous times, our colors of choice are known, so 🇺🇦 shall prevail! #westandwithukraine 

With dedication, podcast no.45 comes from an artist with aspiring career, @LindseyHerbert who's at age 16 continues to drift towards the deeper realms of techno, constantly honing her craft as a DJ and getting involved with the thriving scene in San Francisco. Fast-forward to 2021 and Lindsey has truly become a recognized name in her city and beyond, in large part thanks to her unique signature sets— true journeys that explore alternating soundscapes laced together by dark, deep and heavy textures, as well psychedelic elements and ethereal melodies; and now her productions as well. With tour dates that have brought her to international venues playing beside top name DJs, she is an artist to watch.

Lindsey’s hard work over the years has paid off, gaining her residencies with San Francisco’s Robot Ears for six years, and more recently becoming the newest member of Direct to Earth in SF, as well as earning a spot on the roster of Berlin-based agency, Point Collective back in 2016. She has played coveted gigs in Detroit, Chicago, Athens, Istanbul, and throughout Germany, as well as her recent debut in the legendary Tresor Berlin and Gate Club in Batumi, Georgia.

Lindsey Herbert ■ Hapësira Podcast XLV

Lunes 28 de Noviembre de 2022

Ya esta disponible MEDELLIN TECHNO PODCAST 139

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MTP 139 - Medellin Techno Podcast Episodio 139 - Deraout

GEM FM 321 JOAQUIN RUIZ

·ANAØH Sesssiøns 013
Guest: Dj Dextro / Portugal

We are very happy to present one of the most active Portuguese Producers. His music is a fundamental part of the track list of the main DJs in the world.
With you... DJ Dextro!

·Follow DJ Dextro:
IG: https://bit.ly/3SsWFtv
FB: https://bit.ly/3Sxx9mU

@djdextro

ANAØH Sesssions 013 | DJ Dextro 06.02.24

Cukier is the resident and founder at Codeword, the underground techno event series in London and Berlin. Cukier’s sets fuse heady, hypnotic and driving techno with deep and emotive elements. DJing at FOLD since 2019, he recently closed at ELSE Berlin where Codeword launched its European debut featuring techno luminaries Efdemin and Kangding Ray. Cukier has also hosted and played alongside artists including Rødhåd, Fadi Mohem, JakoJako, Ignez, BLANKA and many more. A former resident on Threads Radio, he was recently a special guest on Tempelhof Radio’s ‘Honest Work’. In addition to his event series, Cukier is planning to expand Codeword’s musical imprint in H2 2024 and beyond. Stay locked for more.

SC: @cukier-codeword ( Soundcloud.com/cukier-codeword )
SC: @codewordmusic ( Soundcloud.com/codewordmusic )
IG: instagram.com/mckr.cw
IG: instagram.com/codeword_ 

TRACKLIST:


mu tate - was it holy (ft. Desireé Monique)	
Nastia Reigel - Trace 	
Scheermann - Nika		
D-Leria - Fragments
Altinbas - MT15	
YANT - Vortex Of Lincos	
Benales - Kinetic (Jancen Remix)	
Shlomi Aber - 	The Untold	
Eman  - Irafas	
Vinicius Honorio - Pitfall 	
Dustin Zahn - Temporary Vandalism		
Keith Carnal - Dark Clowns	
Doltz -	Pressure Point	
Jack Fresia - They Arrived And Made A Mess	
Angioma - Nightmare	
Dxrvo - Matter	
Obstructor - Paradigm Shift	
Ben Reymann - Drunken Games	
Gustavo Bassani - Sauna	
Dold - 	Rich String	
Yanamaste - 8 Tone	
Rill - Passionate Kisses	
Sterac - Coin Flippers	
Ryan James Ford - XTRa TaLL Tee	
Kangding Ray - Polar

ZUZANAH invites: CUKIER

Ramada

Pakard & West Code - La Suerte Del Peón

Butterflies (Jomarkho)

Read interview here: http://gouru.fr/podcast-80-interview-substance-dj-pete-en/

Tracklist:
01. Unknown Entity - Falling Through Black Holes
02. Ritual Malmö 01 - BEAR2007
03. Plukkk - Albuquerque (Operator Remix)
04. Ctrls - Onto Them
05. The Transhumans - Collapsing Human Relations
06. Mark Morris - Insane Rytmica (Original Mix)
07. Ipman -Regicide
08. Stanislav Tolkachev - Follow Me
09. Andrea - Machine
10. Disrupted Project - Mooged
11. Kuf - Ahmet
12. Joton - Natural Beginning
13. Regis - Careless Pedestrian
14. Gaja - Noys Lambent 
15. Amotik - Saat
16. Martyn - U1-U8
17. Padre ft. Jova - Chasing Mirrors (Lakker Remix) 

Submersive Podcast 80 - Substance aka DJ Pete

This mix is in a tie with "No Carrier" for my favorite techno mixes.  I believe 2001 was the renaissance period for European hard techno.  From the original description:

"With clubbier styled sounds fused together with the harder elements lately, the title "high heel techno" seemed apt, as my techno roots are firmly planted from watching the drag-queens do their thing on the Limelight club's dance floor in NYC. Back and forth, these thin, muscle-bound monsters would show each other who could strut their shit the best in 1992."

Performed January 2001 at Tetanus Studio, Brooklyn

Trace Element - Falling Logs - Elestik 
Frankie Vega - The End, a Means and False Imspirations - Remains 
Paul Nazca & Ultracolor - Loom - Scandium 
The Reaver - Potion No.6 - Glyph 
Do you like the way you feel when you shake? - A Squared 
Rino Cerrone - Optical Way - Relentless 
Signal Electrique & Noise Builder - A2 - OG 
Genie - Night Walker - Convolute 
DJ Ze Mig-L - Happy Tribe - Djax 
Dylan Drazen - Beacon - Remains 
Elastik Trikery - Beatbox - Insert 
Basic Implant - Brain Circle - Søk 
G-Man - 70-4 - Fieber 
Métier - Body Electric (James Ruskin mix) - Coda 
Gecko - Flugmaschiene - Delirium Red 
Rob Stow - Curve Pusher - Hydraulix 
Tuttle - EG Decay - Anlx 
Tekno Résistants - Cataclysme - Resistance3 
Michael Forshaw - Nerve Hammer - Red Seal 
Alex K. Katz - Seek + Destroy - Jerk 
G. McAffer & D. Preece - RAW 004 
Ural 13 Diktators - Chernobyl Reaction - Lazer Attack 


dd21 - High Heel Techno (2001)

Bring in 2018 with an hour of cutting edge, contemporary techno from none other than Inigo Kennedy. Follow the link for tracklist: https://mnmt.no/blog/nye-podcast-inigo-kennedy/

https://www.facebook.com/MonuMnt/

tracklist

MNMT 148: Inigo Kennedy

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.