Part 3 of my 6-hour set at Eagle in Wilton Manors, FL
By hour two we are frying up chuletas in the rainforest

With music from: Sydney Blu; Jerome Sydenham; Datagroove; Victor Calderone; AJ Lora; Rui Da Silva & more.

Eagle (Sept 2021, Part 3: Shaking)

Tracklist:

Moire ft Demigosh: Know Me (Hypercolour)
Olympic Pool Maintenance League: Calculous Exchange (Mord)
Focus Puller: Multiple Directives
Call Super: The Mess (The Trilogy Tapes)
NX1: SR1 (Semantica)
UVB: Second Life (Mord)
James Ruskin: Izzygan (Tresor)
Ruskin & DVS1: Page 4 (Blueprint)
Bored Young Adults: But We Need This Bench (The Trilogy Tapes)
Focus Puller: Accountability
Nørbak: Es Wird Wieder Passieren (Mord)
Dustin Zahn: Wet Hot Heat (Blueprint)
Blawan: My Guide To Dancing On Carpet (Ternesc)
Exium: Erosion 2 (Mord)
UVB: Mixtion (Mord)
A Thousand Details: Loyalty Of Sheep (Mord)
Milo Raad: Mood Swings (Mord)
Oscean: Spacion (Tresor)

Staple Diet Sessions: Session 17

Hello my dear friends! I have your Club Room episode here for you with some incredible new music from Girls Of The Internet in a Tee Mango remix, Keinemusik (&ME, Rampa, Adam Port) feat Ali Love, Maribou State, James iD, Avison, Diego Infanzon, Kaspar Björke in a 1-800 Girls remix, Laurence Guy plus my track Underwater (feat. Dabrina) for HE.SHE.THEY and a new remix I made of GPU Panic. Enjoy…

	01.	Anja Schneider - Underwater (feat. Dabrina)
	02.	Girls Of The Internet - Time (Tee Mango Remix)
	03.	Keinemusik (&ME, Rampa, Adam Port) - Confusion feat Ali Love
	04.	Maribou State - Mother
	05.	James iD - What I Should Have Said
	06.	Avison - Baby
	07.	GPU Panic - Glimpse Of Me (Anja Schneider Remix)
	08.	Diego Infanzon - The Revival
	09.	Kaspar Björke - Glassy ( 1-800 Girls Remix)
	10.	Avison - Where I Wanna Be
	11.	Laurence Guy - Your Good Times Are Here

Clubroom 186 with Anja Schneider

Set by @The Reason Y

https://soundcloud.com/thereasonyberlin

The Reason Y DJ Set @ AMANO EASTSIDE BERLIN

Please like/ subscribe to my channel to support more me doing more mixes!
www.twitch.tv/funkdvoid

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Eyes Closed - Carl Haze
Essex - Bleak
Funk D'Void-Masque-(DaveToon-Rmx) - funk d'void
B-One (Gary Beck Remix)- William Arist
Echo - Harvey McKay
Access (Original Mix) - Jay Lumen
Conga (Original Mix) - Uncertain
Must Do It (Original Mix)- Hertz Collision, Gene Richards Jr
Liquid Pressure (Josh Wink Interpretation)- Shlomi Aber
Metamorphosis (Shawn Rudiman Remix) - Vince Watson
Brain Teaser (Remix) - Unknown Artist
Acine - ROD
Go (Original Mix)	- Childov
Dance - Carl Haze
Voyager - Steve Parker
Dalbana (Vince Watson Retro Reshape)- Nick Stoynoff
The Way You Move (Roy Davis Jr. Chicago Boogie Mix) - Gourment De Funk
Curse These Metal Hands (Original Mix)- Hugo Mari
Space Rockers MASTER - Renato Cohen 
U Got 2 (Extended Mix) - Mambo Brothers
Where the sun rays fall	 - Ootkeen

If In Doubt Bang It Out

And on this techno beat I will build my temple. This declaration of creative awareness must have gone through the mind of the Spanish DJ Anika Kunst on more than one occasion since she started out as a DJ in 2003. Whenever she deejays in Barcelona or Ibiza (the two places she lays her hat when she isn’t touring), you can tell that her techno, equally influenced by German and American sounds, is the cornerstone of her sets. Well, you can tell if you are one of those weird people on the dance floor who has time to pay attention to what is playing and isn’t dancing. Because the charismatic creator of Chapter Records won’t let you look at her whilst she is looking at you: she deejays with her eyes on the dance floor. She reads the audience, manipulates the mood and reads the night. She rules.

Db Artists Musique Podcast - 099 - Anika Kunst

5 Hours recording of my Night Dimension Party in April 2022

Dj Jauche - Night Dimensions April 2022 (with Desney Bailey)

Drop that Synth (Original Mix) MASTER

Este proyecto reúne 10 pistas inéditas, creadas en diferentes etapas y nunca publicadas oficialmente. Una colección que recorre sonidos entre el tech house, el deep tech y el latin tech, mostrando distintas facetas de mi proceso creativo durante los últimos años.

Estas piezas quedaron fuera de mis lanzamientos oficiales, pero forman parte de la historia que me llevó hasta donde estoy ahora. Con este compilado cierro un ciclo y dejo atrás esta etapa sonora para centrarme en un nuevo camino, con un enfoque más definido y una visión renovada sobre mi música.

Un punto final antes del próximo comienzo.

Tu Sabe [Bora Bora 2025] - JOTA (ES)

Rock With

G Flame 2017 DJ Mix  Deep TEK 001

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.