Recorded live at Club 77 10.11.22

Evolved from Phil Smart’s innovative and well received ‘Slow Dance Experiment’ concept, Tempo Comodo is a new party series further exploring the slower realms of danceable beats. From 70bpm downtempo to midtempo chug, anything under 120bpm is fair game as long as it's made for dancing! Getting down to slower tempos opens up a whole new world of space, rhythm and movement. Come and join the slow dance revolution as we venture deep into a diverse musical universe of varied subgenres, influences and styles. Expect slo-haus, post-nudisco, chillrave, chuggy low-slung grooves, and any slo-mo superlative you can throw into the mix.

TEMPO COMODO #2 | Phil Smart

From the Archives: an old all night long set at the late and legendary semi-illegal venue here in Amsterdam called Cruqiusgilde. It was a wild vibe, so wild that the power shut off twice.

JP Enfant Live @ LET ME IN All Night Long (including Power Outs) 27-02-2016

The meat of the night features the nastiest tech, tribal, ny_drumz and jackin’ house I could dig out my library from over the past year, along with some fresh goodies, bookended every hour or so with a progressive breather. I hit them over the head with all kinds of energy and exactly what I’d want to feel if I were dancing in the middle of that sweaty mayhem.

With music from: David Tort; Siwell; Rossweisse; DJ Wady; Chris Child; Johnny Vicious & more.

Pig Dance 2 (Part 2: Furious Jumping)

"Enjoy 1 Hour of House music, with classic stuff and music of mine !
"

Tracklist
"Discosteps, Beau Soleil - Magic Place
Raje x Salameh - Simply Groove
Beau Soleil - Once Again
Joselacruz - The King Of Party
Joshwa - Mercy
Beau Soleil - Be Nice
Joselacruz - Eyes In The World
Otto Knows - Lover
Beau Soleil Remix - Dirty Bleed
Tony Romera, Low Steppa - Dance To The Music
Vittorio Brena, Beau Soleil - On The Dancefloor
Beau Soleil - Teach Me
David Morales, Who - Needin'U
Mochakk - Jealous
"

Deep Reflection EP9 By Beau Soleil

Deep house/house mix that devolves into techno

Maria Deep House Mix

This week on Drumcode live I have gone into the studio to create this new mix. Expect to hear tracks from Nicole Moudaber, Sidney Charles and Dense & Pika.

01. Nicole Moudaber - Somewhere in our Minds - Truesoul
02. Right On - Track For Bro [Tarde remix] - Say What?
03. Digitalism - Roller [Dense & Pika remix] - 
04. Saso Recyd - Rawer
05. PROJECT AKC - Maria - Intec
06. Chris Colburn - Destiny - Gastspiel
07. Timid Boy - Shout Her - SCI+TEC
08. Marco Faraone - Restrictions - Be As One
09. Christian Fischer - Holy Mountain [XHEI remix] - Boom Zwapp
10. Sidney Charles - MILO - Drumcode
11. DNGLS - Hooly [Len Faki Tool] - Anemone
12. Kimono - Stardust Mary - Kombination Research
13. Crackazat - Silent Sing [Tiger Stripes remix] - Local Talk
14. Dorisburg - Dimension Sculpture - Myth Music

DCR249 - Drumcode Radio Live - Adam Beyer Studio Mix

DL/Stream: https://TRX.lnk.to/2009TS

He’s a key focus for Toolroom & Trax as Tony zones in on creating a clear brand for his artistry. He is delivering super playable club music and in turn receives countless support from across the spectrum as one of the scene’s most played artists.

With music locked in on Solid Grooves, Edible and Issues, Tony has been paving a path towards the launch of his own label, House Delivery, set to launch towards the end of the year. Tony Romera is on full power right now.

2009

DL/Stream

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🛒 Buy from: https://lnk.to/GSR73RockTheParty

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Making his GOODSIDE debut this August, UK producer SSOL steps up with the tech house bomb ‘Rock The Party’. It’s a track built for sweaty basements, rooftop throwdowns, and 4am festival tents. If you’re ready for a groove that doesn’t quit, ‘Rock The Party SSOL’ has you covered.

SSOL comes armed with a serious pedigree. His great-grandfather Joe Loss was the man behind the iconic Joe Loss Orchestra, and SSOL brings that rich musical DNA straight into the modern dance world. After dropping weapons on Nervous Records, The Myth of Nyx, and Music Is Blaah!, he’s now locked in with the GOODSIDE crew.

‘Rock The Party SSOL’ shows why he’s catching global attention. Punchy drums. Rolling basslines. Hooky vocal chops. The kind of tech house groove that DJs like Acraze, R3HAB, Fedde Le Grand, and KSHMR have already thrown into their sets. It’s no surprise his catalogue has already racked up over 5 million Spotify streams.

This one is all about the dancefloor. The bounce is tight, the groove is addictive, and the energy is pure party mode. Picture peak-time in a packed warehouse, strobe lights cutting through the smoke, and everyone losing it to SSOL’s track ‘Rock The Party’.

We’re buzzing to welcome him to the GOODSIDE family with this heavyweight debut.

Stream ‘Rock The Party’ SSOL now or grab it on Beatport.

Buy / Stream

Ssol - Rock The Party [GOODSIDE]

Tomorrow Never Comes

Just Nin (He Cries At Night) Andre Lodemann Remix - Coyu - IV57 - Secret Weapons EP Part 7 - Innervisions
This Is How (Sterac Remix) - Yotam Avni - ovum
Dope - Butch - PLAY007 - Play It Say It
BuffaloBunch-BuffaloClub(Roule_Scratche1998 - Scrathce
IsItAllOverMyFace(GreenVelvet'sCrushMix)1994Cajual	Dajae	 - Cajual
Afrofuturism Dance - Philou Louzolo - BPWS001 - Banoffee Pies
Cocoua - UNER - Palua	Cadenza Publishing - EMI Music Publishing / Cadenza Records
RKDS010 B The Morning Song (Eqd) - RadioSlave - Rekids - Rekids
Drum Beats Vol 2 (Flute Beat) - Scott Grooves - Drum Beats Vol 2 - Beautiful Instruments
Sean Miller - Solstice (Original Mix) MASTER - Sean Miller - Ovum Demo - Ovum Demo
WeTribe-Hard_On	We Tribe	 - Tribal
What Do You Mean? - ZDS	Be EP - DFTD
Demons Tremble (Marlon D's Tremble the Demons Mix ) - Marlon D - Demons Tremble - Underground Collective Recordings
Phase 1 - Cardopusher - SRTX011 - Super Rhythm Trax
Plastikman - Gymnastiks - Richie Hawtin - From My Mind To Yours - Plus 8
Are you There Ben Klock RMX MSTR - Josh Wink - Ovum

Live @ Trade Miami Pt.2 - Profound Sounds 01.11.15

Magda Vs Tania Vulcano - live @ The End London Circoloco Party-23.03.2008

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.