Dylan Drazen

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Apokalypsa #23 - Bobycentrum - Brno Czech Rep - 30-06-2006

From 20:00 hrs

Line Up:

Valentino Kanzyiani
Dave Clarke
Live: Arkus P
Tobias Lüke aka O.B.I.
Toky & Dalo & Boss
Jerry
Spyro
Paul Hawk
Misa Salacova
DB Mike
Ronski Speed
Michael C
Maaskot
Jet Fever
Typhone
Levis

Valentino Kanzyani Live @ Apokalypsa #23, Gold Edition, Bobycentrum, Brno Czech Rep 30-06-2006

Apokalypsa #24 - Bobycentrum - Brno Czech Rep - 17-11-2006

From 20:00 hrs

Line Up:

I love Techno stage:

Marco Bailey
Eric Sneo
Felix Kröcher
Viper XXL
Weichentechnikk livePA
Schimek
KaiserSoze
SouthEast live
Grinning
Jamal Dj´s

I love Clubbing stage:

Orbith
Josef Sedlon
Martin Gredner
BB Mike
Louis&Guga
Jankec

Eric Sneo Live @ Apokalypsa #24, I Love Techno, Bobycentrum, Brno Czech Rep 17-11-2006

https://www.youtube.com/watch?v=FEIHsQ0F0oo

Explosion Fracture - Splinter (UA)

Radio al hilo de lo que sucedió en Madrid en el lustro que solapó el cambio de Siglo. Un relato de como la escena electrónica explosionó y dispersó las semillas de los árboles que hoy dan cobijo al jolgorio y a la electrónica de nuestro estrato. 

Un programa que narra las vivencias de los últimos fiesteros que pagaron el ropero en pesetas, de los últimos sin tener acceso generalizado a internet y los primeros en ver la ciudad plagada de clubs y de clubbers... es un programa sobre los años que hicieron de bisagra entre una era y otra. 

Nosotros pasábamos por ahí. Imberbes, tan inocentes como pícaros, y con el privilegio y la curiosidad de quien está descubriendo algo mientras que ese mismo algo se descubre así mismo. 

La banda sonora de todo aquello fue el Techno, el de verdad, del que gusta a propios y a extraños. Hipnóticos loops con provenientes estribillos directos al baile, la inconsciencia y a la psicodelia más tribal de todas. La selección musical es trackazo tras trackazo. 

En definitiva, es un programa sobre cómo la electrónica fraguó para siempre en la ciudad. Templos, himnos y fiesteros en masa llegaron para quedarse, y con ellos una manera de vivirla y de vivirse.

Electromagnética - El lustro dorado del Techno en Madrid

@musicbyemiliana
instagram.com/emilianamusic
---
twitter.com/circulaterecs
facebook.com/circulaterecs
beatport.com/label/circulate-records/57655

Tracklist:
PAYN - DOZ
MMCCCXCIX X NEGATIVE - SAQAR
KAHAN - MY ANCESTORS WILL BE PROUD
VRODAK - DETRIMENTAL
SUB TERRA - ODIUM
BMT - I’M THE D.E.V.I.L.
SLIME COCA - MAY TO STAY HERE
DOSTROIC - MENTAL CRUSH
SUB TERRA - INTERFECTOR
SUB TERRA - MEDUSA
SORENGA - INTRUDER
SUB TERRA - DREAD
SORENGA - A TRIBUTE TO EXALTATION
VESANIA - PARAPHER X SORENGA
TEGRON - HUMANITARIAN DESTRUCTION
DOSTROIC - NOT SO HUMAN
RUTHLESS - ONE NIGHT
KYK - OHM
ALDES - MENTAL REVOLUTION
DRAAG - PATH OF PAWN
EMBALMER - DRAGON MERIDIAN
GUTKEIN - SPYPICS
NARGREMI - DARK HOLE
BUZZI - HYPNOTIC ZONE
MAIN SNIFFER ENGINEER - STUPA
RHYSJELSON - DUB FROM HELL
MMCCCXCIX X NEGATIVE - SAQAR

Circulate Radio 035: EMILIANA

[SINÁPTICA PODCAST #28] – MANTRA

Enjoy the Mix? Click the [Repost] 🔁 button so more people can hear it!

By the age of nine the Polish musician had learnt both the keyboard and guitar, and by thirteen she had made her first production on her Commodore 64 - it was only a matter of time before she developed an interest in club music. After a step away to the US to focus on her studies in Psychology and radio broadcasting, she returned to Europe and got her breakthrough on the dance floor in the late 2000s.

With the release of ‘Papillon’ IN 2013, Klaudia Gawlas chiselled her place among the top rungs of the Techno world. Bookings for TimeWarp, Mayday, Nature One, Awakenings, Tomorrowland, Southamerica tour and sold-out shows followed and Klaudia kept on nurturing the ever-growing community of fans with every gig. 

Following her calling, headlining events, trooping together fans and topping the lists of DJ polls. Her Track ‘The Siren’ on Joseph Capriati`s Imprint Redimension opened some new doors. Releases and support from Dubfire on SCI+TEC and Nicole Moudaber`s Label MOOD established her reputation. And this year, she finally started her own label Illusion Recordings, with the highly anticipated single ‘YDK’.

Photo Credit to Thommy Mario

Tracklist:
Argy & Omnya - Aria (Danny Avila Remix)/ Promo
Tim Wermacht - I´m not losing (David Temessi rmx) DSR
2 Phase - Reality Shift / Bek Audio
Klaudia Gawlas & Gary Beck - Treasure / Bek Audio
Klaudia Gawlas - Canvas / Promo
Carmine Caputo, Fabio MC - Sonorus / Svaiz Rec
Luciid, Per Pleks - Feel the Darkness / Agony
Holy Priest, elMefti & Faceless - Fuck This / Revised Rec
Basswell, Onlynumbers - Fusion / Basswell
David Temessi, Schiere - Still I AM / DSR
Luciid - Paro Hour / Kneaded Pains
Klaps - This is what I do / Illusion Recordings

Follow Klaudia Gawlas
SoundCloud: @klaudiagawlas 
Facebook: https://www.facebook.com/KlaudiaGawlasMusic
Instagram: https://www.instagram.com/klaudia_gawlas/

Follow SIX AM Group 
Website: www.6amgroup.com 
Facebook: www.facebook.com/6amgroup 
X (Twitter): www.twitter.com/6amgroup 
Instagram: www.instagram.com/6amgroup 
SoundCloud: @6amgroup 
YouTube: www.youtube.com/6amgroup

Global Vibe Radio 390 Feat. Klaudia Gawlas

www.apaul.com
www.transforma.site

TRACKLISTING:

01. Pfirter - Obedience
02. Beat Therapy - Laminar Flow (A.Paul Remix)
03. JSPRV35 - Red Lights
04. Tress - Truxx
05. Dez, Random Noize - Cetaceo
06. Backbone - Ceasefire
07. Alessandro Grops - Cutoff
08. Linear System - Dubbing
09. Volster - Denial
10. DJ Dextro - Organismo (Pfirter Remix)
11. A.Paul - Unseen Worlds
12. A.Paul - Elon Vital
13. Alpha Particle Assembly - Murderous
14. Antony Doria - Change The Rythma 
15. Binny - Devil’s Orchestra
16. Oxygeno - Flames Around
17. Roll Dann - Irmaos no Cais
18. Cvrdwell - Bamboozled (Alarico Remix)
19. Lidvall - Lisi
20. Yrsen - Atlas
21. Stef Mendesidis - Magma

Naked Lunch PODCAST #354 - A.PAUL

This is the CLR Podcast 373 with a set by Juliet Fox. Enjoy!

Tracklist CLR Podcast 373 I Juliet Fox:

01.⁠ ⁠DJ Dexter - Interlink 
02.⁠ ⁠PS11, BCCO - Past Self
03.⁠ ⁠Regent - Occult 
04.⁠ ⁠Freedom Fighters, Modus (ISR), Unchartered Territory - Odyssey
05.⁠ ⁠Len Faki - Sexuality (My Reality) (Hardcore Mix)
06. Juliet Fox - Galactic Chaos
07. Michael Klein - Shizo (Industrialyzer Remix)
08. Deas - Fear
09. Rødhad, Peryl - KALLAIT 02 [230831]
10. Jack Fresia - Relativamente Positiva
11. Rocko Garoni - Resolution (ft. _Colina)
12. Juliet Fox - Rolling On The Dancefloor
13. William Marqs - No.0117
14. Dax J - Passing Clouds
15. Rkeat - Out of Bound
16. Nojre - Euphoria

CLR Podcast 373 I Juliet Fox

The Techno Files is a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

Inaugural episode includes music from: Ignition Technician; Paul Mac; Len Faki; Chris Liebing; Technosforza; DJ Olive & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 001

LEVS @ Kiosk Radio 26.06.2025

Andrei Morant - Transmissions (Virulent Remix) [Ill Bomb] **FREE DOWNLOAD**

Full stream of "Devine Right," taken from Dax J's 'Shades of Black' LP, which is scheduled for October 30 release via the Monnom Black imprint. 

Premiere:  Dax J - Devine Right

Project AKC delivers a massive techno gem to Dema's Redrum Music imprint.

https://soundcloud.com/projectakc / https://soundcloud.com/redrummusiclabel


Soundspace

Premiere: Project AKC - Bird Cage (Redrum)

This is Dylan's first attempt at creating a mixtape. He was 19 then, fresh and new full of ideas. Even then you could see he had his tastes set out - comparing the mixes from today to this one shows lots in common. Part one is hard and fast, while part two shows his early influences of the detroit style - the melodic and soulful techno sound from the early '90s. 

dd01 - No Hope (Part 1) - 1995

dd01 - No Hope (Part 2) - 1995

Things were getting hot and heavy in Spain, and the music was getting relentless.

Performed April 1999 in The Cervix, Brooklyn

 side a

Martial - Meteorite Wave - Taka 
Oxia - Fresh - GoodLife 
Grain - B2 - Fat Cat 
Sapiano and the Partycrashers - Body Parts - Klang 
Punisher - Extinction - Seismic 
Chris Jackson - Make 'Em Work - Resource 
Visco Space - Part 3 - Konsequent 
Pitch Invasion - In The Box - Core 
Petter Fripp - Structural Pump 
South Operations - Draining Faces - Evil Deception 
Cari Lekebusch - This Way - Access 58 
Olga + Josef - A1 - OJ 002 
M. Lloyd - The Jump - Sub Octave 
Clemens Neufeld - Impact - POD 10 
Smith & Selway - Thunder - Primate 
Raoul Delgardo - Steelworks - Sheep 

 side b

Alba Patera - Tog - Monoïd 
Umek - Halcion - XS 
Inigo Kennedy - Preliminary Statements - Aesimetrik 
Cio - Talkin' With Juanito - Ongaku 
Oszillator5 - S8084#02 - Planet Pump 
VCO - Mind Test - Thrust 
Stanlee - Klangphase - Planet Pump 
Icepack - Schwama - Solid 
P. Leroy - Outlast - Gelstat 
Tomito Satori - Manalive - Exhibit 
Olga + Josef - A2 - OJ 002 
Clemens Neufeld - Inappropriate Relations - Spiel-Zeug Schallplatten 
Musicolor - Violet - Musicolor 
Photonic - Impact - Universal Prime Breaks

dd19 - The Matrix (1999)

What was originally created as a promotional requirement for a small gig in Budapest became one of my more talked about mixes during the hard techno years.  I don't play like this anymore, but I can still appreciate the insanity.

In 2002, I wrote:
"this little promotional mini mix CD was given to the first 100 entrants into the coldwar party in budapest, hungary on december 14, 2002. it's unsettlingly hard."

recorded at tetanus studio, december 2002 - brooklyn 

AeoX - Nuclear Winter - Null 
Boss - Jahoda - Palica Vonzvreca 
Andreas Kremer - Rock Them (DJ Boss rmx) - Lifeform 
Dylan Drazen - Baba - Remains 
Simon Krach - Current Value - Null 
Polytechnique - Free Mind - Salpeter 
Next Level feat. Dylan Drazen - Doch - Unreleased 
Henrik B - Seven A - Illgo Rhythm

20 Minutes of Hell (2002)

Kobaya - Nucleo (Original Mix)

Hacían falta 3 tíos para hacer este directo: 2 tocando los temas y uno mezclando, los temas se tocaban en tiempor real con los patrones controlados por teclado y modulando el sonido con Phat Boy y AN1x, se sincronizaban las 2 cpus con MIDI, desde la MC303 lanzando el tempo a través de una caja de sincronización

Substuff live act´2000

My first live performance in Holland in three years, this set was played on 100% vinyl, comprised of my favorite techno from the last decade. I went through my entire record collection and found the best of the best. Apologies for the crappy sound quality; the turntables used at the event must have been shot, despite having new needles.



Dylan Drazen - Concept - Live at Ahoy, Rotterdam

Artist: Alan Fitzpatrick
Title: Skeksis For An Endless Night
Genre: Techno
Date: 07 November 2012


Alan Fitzpatrick - For An Endless Night

Jaime para los colegas, uno de los 5 putos amos del techno indiscutiblemente, uno de los forjadores del sonido del género como lo conocemos  y sobre todo un artista de que después del largo recorrido de su carrera se puede decir que nunca dejó de crear y mezclar algo tan altivo y sugerente como para que sigamos pendientes de él tanto tiempo después. Hablamos de su sello, Blueprint, de los colegas que le han acompañado en su caminazo y que tanto se han retro-alimentado entre ellos, y por supuesto de él y su obra.

Música con vocación de viaje temporal si viviste aquellos años dorados del techno en las discotecas que le daban espacio para mostrarse, si no estuviste allí, y no conoces la obra de Ruskin, nos das envidia, ya que escuchar por primera vez según que piezas musicales será un hito en la parte de tu oreja que manda mensajes de nuevoplacer a tu cerebro. 

Techno, techno normativo, del bueno, del atemporal, del que le gusta a esta kely, la cual está loca de contenta de seguir emitiendo nuestras conversaciones enmusicadas y enborrachadas de mahou y de puro amor por la música hacia ti.

Primer tele-electromagnética de una serie de ellos que atendiendo a las circunstancias conocidas por todos se van a suceder.

Salud y goce, os deseamos.

Consumer Patterns

Electromagnética - James Ruskin

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.