EPM Podcast 141 comes from UK producer, Blueprint label runner and DJ James Ruskin. A bastion for British Techno, Blueprint Records was originally founded in 1996 by James and the late Richard Polson and since then has continued to be at the forefront of cutting-edge labels. Entering its 25th year with a series of 3 12” EPs we are also delighted to have James involved with our own 20th celebrations this year with his track ‘There Was A Time’ as showcased in this new mix. Taking a more restrained and experimental techno path this set sees Ruskin bring the likes of VC-118A, Surgeon, Mal Hombre, Bambounou, Kerrie, Planetary Assault Systems (PAS), Shifted, Vril, Anodyne and more into the frame. 

Consistently releasing quality material through Blueprint since the label's mid-'90s foundation, Ruskin has also issued several full-lengths and EPs through German institution Tresor, including 2001's ‘Into Submission’ and 2008’s ‘The Dash’. In addition to releasing collaborations with Surgeon and Oliver Ho, Ruskin has also worked with Regis (Karl O'Connor) as O/V/R, and produced more experimental, IDM-leaning material with Mark Broom as the Fear Ratio with several albums featuring on Manchester’s iconic Skam label as well as the duo’s new Deadhand moniker which recently saw an EP released on Seagrave feat. DJ Prime Cuts and rapper Sensational. As a series of EP releases drops as part of the label’s 25 year celebrations and with several album projects in the pipeline, 2021 sees James firmly back in the production hot seat. Watch this space…

The Truncate and Ruskin EP ‘Sketch’ is out now whilst the Ruskin and Broom EP ‘Basement Jams 2’ (Blueprint) is released 11 June and EPM20 – EP1 (EPM) 28 May.

To read to the exclusive interview click here https://s.epm-music.com/3h4Ga42 

EPM Podcast 140 – Tracklist

James Ruskin - Drums Eyes
Shifted - This I Know
Surgeon - Berlin Disease
Two Shell - LabBaby
VC-118A - Lost
Mal Hombre - Periapsis
Bambounou - Craig Py
Kerrie - False Idols
Ruskin & Broom - Zone
PAS - Say It Loud
Truncate & Ruskin - Sketch 3
See Mask - Breathing Method
James Ruskin - Hang Up
Vril - Alte Seele
Skee Mask - Collapse Casual
Anodyne - We Are Not Ok (Primary Node Remix)
James Ruskin - There Was A Time
Ruskin & Broom - Latch
Mal Hombre - Aphellion
HLX-1 - Come To Me (13130 Space Project Remix)
Truncate & Ruskin - Sketch 1
Kaap - Razor
Rian Treanor	 - Vacuum Angle
Code 6 - Tempest
Ruskin & Broom - Twister
Anodyne - We Are All We Have (Autechre Mix)

RELATED LINKS:
https://soundcloud.com/epm-music/epm-podcast-141-james-ruskin 
https://www.mixcloud.com/EPM-Music/epm-podcast-141-james-ruskin/ 
https://www.epm-music.com/podcast
https://www.facebook.com/BlueprintRecordsLdn/ 
https://blueprintrecords.databeats.com/ 
https://blueprintrecords.bandcamp.com/ 
https://www.epm-music.com/podcast 

For more information about EPM’s digital distribution and other services
http://epm-music.com

 EPM podcast # 141 - James Ruskin

EPM Podcast # 141 - James Ruskin

Lunes 21 de Marzo de 2022

Ya esta disponible MEDELLIN TECHNO PODCAST 103

Presentado por: DERAOUT

Invitados:

Richie b2b Odell 

https://soundcloud.com/ricardocarmona
https://www.facebook.com/odellofficial


#medellintechnopodcast #medellintechno #technopodcast #rc #ricardocarmona #odell #apartmusic #academiadecibel

MTP 103 - Medellin Techno Podcast Episodio 103 - Richie B2b Odell

100% Jeff Mills for the festive break

Featuring: 

X-101
THE PURPOSE MAKER
OUR MAN IN HAVANA
BLADE RUNNER
X-102
THE BEAT MASTER
BAD ROBOT
LIFE LIKE
STEAM PIT

And more . . . 

Jeff Mills for Xmas [mix]

Here comes episode 002 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

On this one we go a little deeper and darker to ramp things up because episode three is going to get a little nuts. But these more minimal tracks come through so warm and punchy. I’m very happy with the overall sound of these digital transfers.

This episode features music from: Olga+Jozef; Steve Stoll; Patrik Skoog; Mike Humphries; Raoul Delgardo; Fanon Flowers & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 002

Bounce

Confession III

Support: https://prtlwrx.bandcamp.com/album/this-is-where-ep

Duplicity is proud to present “Whispers (Slone Remix)” by Yeiks. Forthcoming on PRTL WRX August 12th

Support the artist(s):

Yeiks
SC: https://soundcloud.com/yeikses
IG: https://www.instagram.com/_yeiks/

Slone
SC: https://soundcloud.com/slone-techno
IG: https://www.instagram.com/slone_techno/

Support the label
SC: https://soundcloud.com/prtlwrx
BC: https://prtlwrx.bandcamp.com/
IG: https://www.instagram.com/prtlwrx/

Support

PREMIERE: Yeiks - Whispers (Slone Remix) [PRTL037]

One-Hundred-Second HATE exclusive podcast with François X

Download enabled.

Follow François X here:
https://soundcloud.com/francoisx
https://www.facebook.com/Francoisx
https://www.discogs.com/artist/132540-Fran%C3%A7ois-X
https://www.residentadvisor.net/dj/francoisx
http://www.francois-x.com/

Follow HATE on facebook: 
www.facebook.com/hatecollective/
www.instagram.com/hate_collective/

François X - HATE Podcast 102

Recorded live @ MODUL - Le Zoo, Geneva with Planetary Assault Systems
18.10.2019

Closing for Planetary Assault Systems live @ Le Zoo 18.10.2019

Stay Home Soundsystem 17
youtu.be/lC4gA8ImpK0

Jeroen Search x Speedy J live

Looking for the perfect beat.

@jeroensearch
@jochempaap

Youtube

SHS 17 Jeroen Search x Speedy J live

Like the mix ? Please click the ▶︎Repost◀︎ button so more people can hear it !
@carilekebusch | http://carilekebusch.com | http://h-productions.se 

Download https://bit.ly/2DcDpxG | Official page https://balance.hr

Tracklist:
01. Benjamin Mull - Tuomari (Cari Lekebusch Remix) - H-Productions
02. Epi Centrum - Wet - Trapez
03. Sleeparchive - Leave - Tresor
04. Jeroen Search - Mindset - Symbolis
05. Cari Lekebusch - Premonition 1 - H-Productions
06. Cari Lekebusch & Jesper Dahlback - Bongo Slush - H-Productions
07. Orion - Jack It - Absence of Facts
08. Cari Lekebusch & Jesper Dahlback - Kikomoto's Dream - H-Productions
09. Truncate - Untitled - Truncate
10. Cari Lekebusch - Hide and Seek 1 - H-Productions
11. TWR72 - Contact - TWR72
12. Cari Lekebusch - Gurgle - H-Productions
13. Cari Lekebusch & Jesper Dahlback - Detained Success - H-Productions
14. Cari Lekebusch - Full Spectrum 1 - H-Productions
15. Cari Lekebusch - No System 1 - H-Productions
16. Cari Lekebusch & Benjamin Mull - Fringilla - H-Productions
17. Andy Kres - Frekvens - KRS SLCT
18. Sin Sin - Circle of Light - Sin Sin Records
19. Rene Wise - Loud Colours - Mote-Evolver
20. Cari Lekebusch & Jesper Dahlback - It's a Boy! - H-Productions
21. Johannes Volk - Asphalt Flowers - Soldered Minds
22. Troy - TTFO - Klockworks
23. TWR72 - Dance - TWR72
24. Ausgang - Dust - Ausgang
25. Najel Monteiro - Havenstraat - Motech Records
26. Slank - Locust - Teksupport Records
27. Jeroen Search - Vector Sum - Symbolism Ltd
28. Arthur Robert - Fragrant - Figure
29. Cari Lekebusch - Bats In The Bellfry - H-Productions
30. Jay Clarke - In Dreams - Klockworks
31. YIM - Man In Two Suitcases (D2 mix) - H-Productions
32. 0-1-11 vs Lekebusch - A2 mix - H-Productions
33. G-Tech & C-Blast - Laughing Buddah
-

BFMP #557  Cari Lekebusch

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.