Linear System - Recorded at Techno Tuesday Amsterdam 02.08.2022 - Melkweg Amsterdam.

Tracklist:
Oscar Mulero - Intentionally False (Shifted Remix ) 
Milton Bradley - Emotional State Of Shock 
Oxygeno - Agony 
Milo Raad - Bad Luck 
Lewis Fautzi - Inwards 
Takaaki Itoh - Duster 
Bas Mooy - Pyro 
Exium - 96.1 Mhz 
Exium - Atheris 
Lag - Kontrola (Bas Mooy Remix) 
UVB - 3000 Years Of Lies 
Bas Mooy - Fantoompijn 
Oscar Mulero - Friday Thirteen 
Reeko - Methodical 
DJ BOSS - Atmolam 
DEAS - Construction 
No.Name - Cosmic Dance 
Alarico - Spit 
Franz Jäger - Animales 
Males Moses - Fast Funkl 
Mathys Lenne - 206 Turbo 
Alarico - Rattling 
No.Name - Sampling 
Audio Unit - Pulsar 
Abi Lönnberg - Pax International 
Diablo Dezco - Hooligan 
Boyconstrictor - Dat Kan Simpler 
Loktibrada & Rumenige - Kandies 
Alarico - Unreleased 
James Ruskin - Fallen

Techno Tuesday Amsterdam events organized by InDeep'n'Dance Records
www.indeepndance.com
www.facebook.com/technotuesdayamsterdam

Linear System - Recorded at Techno Tuesday Amsterdam 02.08.2022

Naked Lunch PODCAST #346 - A.PAUL & DEXTRO

Let the madness begin with episode 003 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

Now we’re getting into the meat of my collection, and some manic tracks that really defined the sound I was touring with between 2000 and 2004. A few of these also appeared on my 2001 mix “High Heel Techno.” Some pretty beat up vinyl required lots of TLC but they come through sounding as clean as ever. I close it out focusing on the mad genius called Invexis from Germany.

This episode features music from: Gennaro Le Fosse; Gaetano Parisio; The Advent; Andreas Kremer; Paul Damage; Invexis & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 003

Not letting up the gas on episode 004 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

Consider this an extension to the last episode with equal intensity, with more tracks from “High Heel Techno” as well as my 2002 followup “No Carrier” with most tracks falling between 2000 and 2002.

Featuring music from: Deetron; DJ Shufflemaster; Clemens Neufeld; Stigmata; Michael Forshaw; Umek & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 004

Stream / Download: https://ffm.to/tr544

Tokyo's Drunken Kong are back with a powerful raw techno EP. Three tracks that all feature phat grooves and powerful energy that have become accustomed to from Drunken Kong!

Drunken Kong Rhythmic High EP, Tronic, Released 2025-09-24

Rhythmic High EP

Wild Within

Prince may have passed but you know he'd want you to dance to this. 

The Look (A Prince Tribute) channels the funk, glamour and electric charisma that defined his sound and spirit. From the purple lights to the power of the stage this track captures the pulse of the man who turned confidence into an art form.

🌐 Website: https://pastorfussyc.at
📺 YouTube: https://www.youtube.com/@PastorFussycat
🎶 Top 100 Music Videos: https://www.youtube.com/playlist?list=PLVdJpQ66BjcS-9MON1JXBwUPz4lq5cNdl
🎧 Spotify: https://open.spotify.com/artist/2Uo1m8EzyLiLLgKHm0NHA3
🛒 Merch: https://pfc-shop.fourthwall.com

The Look (A Prince Tribute)

FREE DL

ALL NIGHT [SSR001] (Free DL)

This was Perc & Ansome Hybrid during Awakenings Festival 2019! Listen to their full set from the 30th of June 2019.

-------------------
Upcoming Awakenings events:
https://awak.enin.gs/33Chuse

Website: www.awakenings.com 
Facebook: facebook.com/awakenings/ 
Instagram: www.instagram.com/awakenings/ 
Twitter: www.twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent

Perc & Ansome Hybrid(live) @ Awakenings Festival 2019 (30-06-2019)

Adriana Lopez @ DGTL Madrid   23.11.19

One-Hundred-Seventy-Nineth Hate Podcast with Rebekah.

Birmingham born, Berlin-based  DJ, Producer, Live Act, and Label Owner Rebekah is the multifaceted artist leading the way in today’s techno scene.

Undoubtedly one of the most revered names in techno, Rebekah boasts a string of notable releases on the likes of Mord, Soma, CLR, and Elements, and has been highly regarded by the likes of Chris Liebing, Bas Mooy, Paula Temple, Perc and many more throughout the course of her career. She’s earned her respected reputation over recent years, with her relentlessly heavy sound winning her titles such as DJ Mag’s Best Producer in 2018, and featuring as their January cover star in 2019. She launched her highly successful live set in late 2018 which was named by Resident Advisor as one of the best performances of ADE 2018.

Her affiliation with music and DJing began by chance after a teenage Rebekah stumbled upon a techno night held at her local haunt in Birmingham, Que Club. After her indoctrination to not only techno but the Birmingham sound itself, Rebekah pursued her calling and returned to college to study production, followed years later by a move to Berlin spurred on by the attention surrounding her 2012 remix of Matador’s ‘Blond Slackers’.

From early releases on Naked Lunch, Coincidence and Cult Figures, Rebekah went on to pique the attention of techno heavyweights, including Chris Liebing with whom she released her ‘Cycles’ EP via his CLR imprint in 2013. Her relationship with CLR continued into 2015 with her ‘Distant’ EP which came after a sublime three-track EP on Sleaze and first release on Soma Records, followed by her 13 track LP for the label in 2017, 'Fear Paralysis’.

Since then, Rebekah has released with the likes of Modularz, Perc Trax, Mord and Elements, her party-series-come-label which has homed releases from Lag, noneoftheabove, Storb, and A Birth Defect. Fast forward to 2019 and she’s released a third EP on Soma Records ’Murder In Birmingham’, a homage to her hometown, and has released multiple remixes on the likes of Emika Records and her Elements imprint. Not to forget her heavy touring schedule, which has seen her play in at least 50 countries, and counting. 

Initially unveiled in 2018, her live show made its global debut at some of the world's best and most renowned electronic music festivals and clubs, with her performances receiving accolades from dance music media and fans alike. Later in the year, the haunting techno artist hosted her own ‘Rebekah Invites’ event during ADE, which featured artists such as DJ Stingray, Dasha Rush, Parrish Smith, and Dark Chambers. 

2020 will see Rebekah delve into some exciting projects, including a highly anticipated solo release on her Elements label and an already brimming tour schedule featuring appearances in all corners of the globe including Tokyo, Toronto, Seoul, Amsterdam, and Rome, to name a few.

Download available.

Follow Rebekah here:
https://soundcloud.com/rebekah
https://www.instagram.com/djrebekah/
https://www.facebook.com/rebekah.music.page/
https://www.residentadvisor.net/dj/rebekah

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

HATE Podcast 179

Rebekah - HATE Podcast 179

Naked Lunch PODCAST #318 - SCHIERE

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.