Amsterdam, NL 18 March 2022

Gaetano Parisio - Themis (Conform - CNFR29)
Andc - Persecution (West Rules - WR020)
Jeroen Search - Modules (CDr)
Mark Broom - 100% Juice (Sampler Mix) (Rekids - REKIDS198)
Gaetano Parisio - Lumen (Conform - CNFR29)
Planetary Assault Systems - Rip the Cut (Luke Slater Remix 1) (Mote Evolver - MOTE063)
Richie Hawtin - Minus Orange (A. Mochi Re-Edit) (CDr)
Truncate - The Drill (Truncate - TRUNCATE24)
New Order - Blue Monday (Factory - FAC 73)
Burglar Tom - Arrabiata (Burglar - BURGLAR002)
Ritzi Lee - Plugged In (Mord - MORD 076.2)
Robert Hood - Bond Solid (K7 Records - K7376DTM)
Jeroen Search - Karuna (Figure SPC - FIGURE SPC Z)
Damon Wilde - Rotary (Slam Archive Edit) (Soma Quality Recordings - SOMA525D)
Oxygeno - Bad Habits (Lost verses - LV002)
Dave Clarke Feat. Mark Lanegan - Charcoal Eyes (Glass Tears) (Terence Fixmer Remix) (Skint - 4050538334098)
Anthony Rother - Youth (Datapunk - DTP 15-3)
Ryan McKay - Drumworks (BEK Audio - BEK038)
Steve Bicknell - Defence Mechanism (KR3 Records - KR3001)
Fran Hartnet - 2000 Machines (Aurora. - AT001)
Dimi Angélis - Polemics (ANGLS - ANGLS010)
Beton feat. Dj Deeon - Keep Breathin (Twin Turbo - TT051)
Robert Hood - Museum (M-Plant - MP315)
Tenzella feat. Mark Broom - SPV3 (We Are The Brave - WATB083)
Planetary Assualt Systems - Shine (Token - TOKEN100)
Drumcell, Thomas Hoffknecht - Arrp (Tool Edit) (CLR - CLR099)
Cortechs, Richie Hawtin, Mental Resonance - Close Combined (Core Resonance) (Plus 8 Records - PLUS8137)
Fall Shock - Synthetica (Black Asteroid Remix) (Manic Depression - CDr)
Terence Fixmer - Body Parts (Planete Rouge - PLR2201)
Makaton - Age of Consent (Disconnekt Records - DNR002)
Regis - Hablame (Downwards - LINO 8.2)
Paul Nazca - Mal Assor (CDr)
Vakat - Inner Peace (Secession - SCSSN008)
Elyas - Transmutation (Seclusion - SEC008)
Smash Robots - Untitled B1 (Smash - SMASH001MM)
Elyas - Transmutation (Seclusion - SEC008)
Luca La Rocca - Float (Planet Rhythm - PRRUKD22113)
Yant - Take The Reins (Token - TOKEN106)
Mark Broom - Game (Rekids - RSPX 35)
Gary Beck - Video Siren (Bek Audio - BEK015)
Truncate - The Eve (Truncate - TRUNCATE22)
Oscar Mulero - Covered In Sand (KR3Records - KR3006)
Dave Clarke - The Wolf (The RRKS 2053 Remix) (CDr)
Kr!z - Scorpion's Tail (Voltage - VOLT001DIGI)
T99 - Anasthasia (Dave Clarke Remix) (Arkham Audio Records - ARKIO05)
Perc - RS 220 (Rude Trax - RDTRX 001)

Shelter Amsterdam, NL 18-03-2022

Shelter Amsterdam 2022 (Exclusive)

Old-skool banging techno set by DJ Rush from 1999 recorded at the legendary club F.U.S.E. in Brussels, Belgium.

Tracklist:
Christian Smith - Mojito [Tronic - TR-015]
Hiroaki Iizuka - Tera
Aural Emote - Theoretical
?
Ben Sims - Theoretical [Tresor - 131]
Marco Carola - Confusion [Zenit - 003]
?
South Operations - Draining Faces EP
A. Paul - Nebulae (The Advent Remix) [onh.cet - 008]
Miro - Frequence Man [Adrenacrome - AD 0046]
Clemens Neufeld - Impact [Planet Of Drums - LC10]
Soul Destroyaz - Luftcontroller [Synewave - SW44]
Visco Space - ...Saves The World (A1) [Konsequent - KSQ 005]
Pounding Grooves - Pounding Grooves 11 (A) [Pounding Grooves - PV11]
Nuccle vs. H - Platform [Analog Movement Creations - AMC03]
Chronobios - K-2 [Treibsand Recordings - TBS001]
Russian Roulette - Hammer Me Hard [High Octane Recordings - HOR014]
?
Reducer - User Killer X 3 (A1) [Instillation - ins01]
DJ Rush - Amazon Farewell [Dark House Music - DHM009]
Soul Destroyaz - 1st Light [Synewave - SW39]
DJ Rush - Grind Me Baby [Session Recordings - SESS 003]
DJ Rush - Control Yourself [Djax-Up-Beats - DJAX-UP-317]
Bassoon - The Clones [Delirium Red - DELRED 034]
Cronical Re-Form - Convertion [Re-load Records - REL 992102]
Pounding Grooves - Pounding E.P. (B1) [Tortured Records - PAIN 020]
Nino, Stanley Hottek - U5057#01 [Planet Pump - PLP-09]
The Subjective - Tremmer [Rotation Records - rot97009]
Raoul Delgardo - Steelworks (B2) [Sheep Records - SH016]
Pitch Invasion - In The Box [Core - CORE 002]
DJ Rush - Session [Session Recordings - SESS 003]
L.S.K. - HNX-Plattform Tanzort - [TANZORT 02]
Rudi Smultem - Burnt Bits (B) [Infected - INF 001]
Inigo Kennedy - Preliminary Statements (A1) [Asymmetric - ASY001]
The Advent - Sketch O Matic [Tresor - 124]
Oxigen - Kryptonit [Gigamusic - GIGA 06]
WJH - Stringtools [Federation Of Drums - fod 6.6]
Andreas Krämer vs. Kay D. Smith - Killa Instinct [Construct Rhythm - CR015]
Surgeon - Over Kosovo [Phuture Trax - 4KLP 001]
User - 003A (A) [00A - 003A]
The Advent - Reactor [Kombination Research - KR010]
Headroom - Tuker [Planet Rhythm Records - PRRUK024]
Antog & Fandango - Drug Dispensor [Infected - INF 002]
Slobodan - Fears [Compound - COMP 02]

DJ Rush - Live at Fuse (1999-11-20)

Not letting up the gas on episode 004 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

Consider this an extension to the last episode with equal intensity, with more tracks from “High Heel Techno” as well as my 2002 followup “No Carrier” with most tracks falling between 2000 and 2002.

Featuring music from: Deetron; DJ Shufflemaster; Clemens Neufeld; Stigmata; Michael Forshaw; Umek & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 004

LIFE UNIT - is my monthly recorded home session, to watch on https://www.facebook.com/erroldix / or on https://www.youtube.com/c/ErrolDix_channel/ - get your download here...

ERROL DIX pres. LIFE UNIT 56. JAN 2025

Lost In Time

Generic Groove

Buy link: Khazad Records: Various Artists Vol.07 [KHAVA07] | Various Artists | Khazad Records
Artists: Jehra
Label: Khazad Records 
Catalog Number: KHAVA07
Release Date: 01/08/2025
Format: Digital
Mastering: Mickey Nox

PREMIERE: Jehra - Stop Watch [KHAVA07]

Kodiak Club

Playlist: http://www.mixesdb.com/db/index.php/2000-08-13_-_Jeff_Mills,_Carl_Cox,_DJ_Rush_@_1200_bpm_Hafentunnel-Rave,_Phase_2_%28Clubnight%29

Jeff Mills @ Hafentunnel-Rave Phase 2-Cocon Club-Frankfurt 13-08-2000

Isaiah Major aka Dj Rush is an American DJ, producer and entertainer from Chicago. Known for his alias Major Rush, Russian Roulette and The Drum Major. Rush made his way into the Dj business and never limited himself. He quickly found his way to Berlin, Germany and his career kicked off into high gear. Not only have his Dj skills and music selection moved and impressed fans all over the globe, his songs have made such a big impact on the dance scene with anthems like “Mutha Fucking Bass”, “Get On Up”, “I Believe” and the list goes on and on.

https://www.residentadvisor.net/dj/djrush
https://www.facebook.com/Isaiah.Major/
https://twitter.com/imajorrush?lang=en

twitter.com/slamdjs
facebook.com/Slam.soma
slam-djs.com 
iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850

Slam Radio is produced at www.glowcast.co.uk 
For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

DJ Rush

#SlamRadio - 312 - DJ Rush

Speedy J Berghain 24/11/12

For the full Awakenings experience head over to our website:
awak.enin.gs/3ihvLSu

Website: www.awakenings.com
Facebook: www.facebook.com/awakenings/
Instagram: www.instagram.com/awakenings/
Twitter: www.twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent

Speedy J | Awakenings Festival 2020 | online weekender

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.