Apokalypsa #11 - Bobycentrum - Brno Czech Rep - 06-09-2002

From 20:00 hrs

Michael Burkat Live @ Apokalypsa #11, Bobycentrum, Brno Czech Rep 06-09-2002

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Rising through the Berlin’s underground is a new force to be reckoned with. Originally from Antwerp and since the past 6 years based in Berlin she delivers the rough sound of Germany's capital, not coming short on groovy and Detroitesque tracks, STEYA packs a serious punch. Her first releases in 2021 on RAW's Third Eye compilation followed by the recent BCCO V/A set the foundation for many more productions to come in the next months and years.

Follow STEYA
SoundCloud: @steya_music
Facebook: https://www.facebook.com/steya.music
Instagram: www.instagram.com/steya_music

Follow 6AM Group 
Website: www.6amgroup.com 
Facebook: www.facebook.com/6amgroup 
Twitter: www.twitter.com/6amgroup 
Instagram: www.instagram.com/6amgroup 
SoundCloud: @6amgroup 
YouTube: www.youtube.com/6amgroup

Global Vibe Radio 309 Feat. STEYA (RAW, IMF)

aesztetik008 - Dirty Grooves

For this TAEC event we'r bringing you a special one. We are setting up our favorite selectors into head to head format. Let's see what's gonna happen!
Atomik b2b Cvrdwell
Aga2l b2b Indirect Movement
Katamii b2b Switch Nollie

AGA2L b2b Indirect Movement (Closing set at Aether 18.08.23.)

In our 74th series, we have Bob Semp, Based in the Amsterdam area, Bob Semp is a techno enthusiast on a journey through the world of electronic sound since 2016. Crafting a unique blend of beats, from fast minimal to raw, his music invites listeners on an emotional sonic journey.

We highlight his "Dynamo Drive EP" for Children of Tomorrow and as well "Autopilot EP" for R3volution.

Enjoy his session!

Session: https://bit.ly/45LBaus

Follow the artist here:
-Soundcloud: https://soundcloud.com/bobsemp
-Instagram: https://www.instagram.com/rdv_audio/
And follow us here:

-Soundcloud: https://soundcloud.com/audio_magnitude
-Instagram: www.instagram.com/audiomagnitude
-Facebook: https://www.facebook.com/audio.magnitude
Artwork : Marta Belev Photography


Enjoy his session!

Audio Magnitude Podcast Series #74 Bob Semp

More bread & butter beats on episode 007 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

I’m especially fond of the first track on this one. Infectious locked grooves like these would spawn spontaneous breakdance circles, fueling my mixing to get more and more manic on three decks, leaving us all feeling kinda twisted by the end. Nearly half of these tracks are Scandinavian, but I can personally attest this was that midwestern jackin’ rave sound!

Featuring music from: Alex Bau; Henrik B; Jon Nuccle; Zzino; Guy McAffer; Jörg Henze and more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 007

Esta semana, el 808 Basic Mix de Radio Castilla-La Mancha recibe la visita de Raho, uno de los nombres más destacados de la escena techno mundial. Davide Raho, originario de Lecce (Italia), ha labrado una trayectoria imparable desde sus comienzos como pinchadiscos en los principales clubes de su ciudad natal.

Tras conquistar las cabinas de renombrados espacios como Guendalina Club y EGG London, su música ha resonado en festivales de prestigio internacional como Awakenings y Ultra. Productor prolífico, ha firmado trabajos para sellos históricos como OFF Recordings, Planet Rhythm y Kneaded Pains.

Raho, cuyo sonido se caracteriza por bajos potentes, grooves hipnóticos y una marcada influencia ácida y oscura, ha contado con el apoyo de figuras icónicas como Carl Cox, Amelie Lens y Richie Hawtin. Con EPs constantes y nuevas producciones en camino, su ascenso en la escena global es imparable. Una cita imprescindible para los amantes del techno.

+ en 808radio.es

808 Radio: Basic Mix 176 - Raho

Iconic Icelandic techno mainstay Exos returns to Mutual Rytm with his fifth LP, ‘Sweet Dreams’

The 12-track record is the first album on SHDW's influential label and explores the past, present, and future of techno.

Planet X label head and 20-year scene veteran Exos, hailing from Iceland, draws on his native country's influences in his work, which explores the interplay between light and dark, warmth and cold. His high-octane sounds over the last 20 years have appeared on vital imprints like Tresor, X/OZ, and, of course, Mutual Rytm, with his releases for the label having been extremely well received, garnering support from the scene’s key DJs. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s style. This new album follows Exos’s inaugural X- Release, the Infrared 10", the Icebreaker 12" from last year, and his track on the latest Federation of Rytm IV compilation. It's a real journey through all facets of his sound, including a trip back to his dub techno roots, ambient explorations, and emotional vocal pieces with lifelong memories fused into sounds that reflect the artist’s decades spent in Iceland.

‘Sweet Dreams’ opens with an atmospheric intro in the form of a 28-year-old collaboration with his father. This full- bodied analogue ambient piece is rich with the mysterious tones of the Nord Modular and was recorded during their shared studio days at D17 in Reykjavík. The title track is a hypnotic, linear groove with icy synth modulations and glistening melodies. 'Hinn Víðförli' then brings dub warmth while 'State of Mind' recalls the spirit of the legendary Reykjavík club 'Thomsen', a cornerstone of Iceland’s late 90s underground scene. 'Glaður og Reifur' and
'Fögur er hlíðin'pay homage to the echoes of ancient Viking heritage, 'North of January' conveys the cold of Exos's homeland, and 'Hvarvetna' brings textured percussion and darker undertones before '101 After Dark' slows to a bass-heavy broken beat exploration of texture and post-dubstep pressure.

After the heady and atmospheric sound of 'The Dolphin Oracle', another key collaboration comes with 'Freefall', an emotional breakbeat piece featuring vocalist Amelia Rodriguez,' who also lends her voice to 'Shock', a magnificent track that channels Exos’s modern techno energy. The album closes with a haunting paradox, 'Paradise Lost,' questioning whether our sweet dreams are truly moments of bliss or simply reflections of what we’ve already left behind. The three bonus digital cuts oﬀer sleek minimalism, punchy deep techno, and suspenseful ambient.

Exos's Sweet Dreams LP is set to release on Mutual Rytm on December 19, 2025.

GTG Premiere | Exos - State Of Mind (Thomsen 98 Mix) [MR041]

#techno #acidtechno
Artist: Greyhawk
Title: Thigmomorphogenesis (Original Mix)
Release: Thigmomorphogenesis
Label: Beep
Release Date: Dec 24, 2025
Pre-order Date: Dec 15, 2025
 ⁨ @beatport : https://www.beatport.com/release/thigmomorphogenesis/5706803
 ⁨ @Spotify : https://recordu.lnk.to/Thigmomorphogenesis
All links: https://linktr.ee/greyhawk

Thigmomorphogenesis

Thigmomorphogenesis (Original Mix)

Proxy

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AnD @ Soenda Indoor 07-11-2015

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.