Resident Mix Series: 002 Joey Beltram

Check out my Tronic Radio on your favorite streaming platforms here: https://ssyncc.com/tronic-podcast

01.Nino Sebelic - Unknown 3 (Unreleased) 
02.Israel Toledo - Picka
03.Lindsay Herbert - Incoming Signal
04.DJ T-1000 - Klendathu (Hertz Collision Remix)
05.Isabel Soto - Flow State
06.Slight Function - State of Mind
07.Simina Grigoriu - Flight Tracker
08.Justyn Nell - Osmosis
09.DJ T-1000 - Darrk Mode (Unreleased)
10.DJ T-1000 - Streamline
11.Greg Gow - 35 Fathoms
12.Uncertain - Crush
13.Mark Broom - Tube
14.Dubfire - Bottom Dweller (Chris Liebing Remix)
15.Linear System - Spica
16.DJ T-1000 - Three One Three (Unreleased)

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Stream/Download

Tronic Podcast 594 with DJ T-1000

Tracklist
Dorisburg - Fumana Prophecy [Phonica Recordings]
Trovarsi - Ricochet [Delusional Records]
Yan Cook - Rose [Planet Rhythm]
Troy	- Voyage to Pollux	[Non Series]
Marcel Dettmann - Cycling Bits [Dekmantel]
Acaera - Passage [Edit Select]
Answer Code Request & Amotik - Led	[Delsin Records]
Gentian - Laughter Turns to Tears [Seven Villas]
Gentian - To Acknowledge Weakness [Seven Villas]
Ryan James Ford - Samenko Wardrobe [Marcel Dettmann Records]
DJ Hell - Robot Voices [DUAT]
Woo York - Uranium Echoes	[Dystopian]
Realize - Still Plugged In [Delusional Records]
Trus'me - Our Future (Answer Code Request Remix 1) [Prime Numbers]

Truncate Takeover 2025 DJ Contest Chris Miranda

Blank Code Podcast 173 – DJ Hyperactive live @ Scene 23
On September 8, 2014
We are excited to have DJ Hyperactive back on the podcast series with this 3 hour set recorded live from Scene 23.  The event took place on July 26th, 2014 at the Works in Downtown Detroit along side artists Angel Alanis and Deraout from Colombia.  DJ Hyperactive was born and raised on Chicago’s South Side. Rocking vinyl for over 30 years and soon jumped in the studio at the start of the 90s. His early output surfaced on his own imprint, Contact Records, along with releases on pioneering labels such as Drop Bass, Communique, Sounds, Analog, UC and the list goes on. In ‘97 DJ Hyperactive headed west to kick off the opening of Higher Source Records & Gear in Huntington Beach. This move also marked the start of 4 Track Records (now 4trk). After nearly a 20 year run in Los Angeles, he decided to return to Chicago and set up camp again.

After seeing chart topping success of Len Faki’s remix of Hyperactive classic “Wide Open” on Len’s Figure label and the release of his 25HRs in A Day ep with Raiz and Markus Suckut remixes on Los Angeles based Droid Recording run by Mr. Drumcell. Hyperactive’s current focus is set on a list of remixes and the re-launch of 4trk (vinyl + dig). Recent remixes include reworking of “The Word” by Luis Flores on Detroit based Blank Code Records and remix of Impact Unit’s “Silent Steps”. Upcoming remixes list consists of Manic Brothers “Sledge Hammer” on Sian’s Octopus label, Andre Morant’s “Signals”, and co-remix of Beltway w/Submerge both to see release on 4trk!

Blank Code Podcast 173 - DJ Hyperactive

Track List

1. Nothing Is Happening - Angel Alanis & Maria Goetz
2. Ruff Cut (Original Mix) - Exos
3. Targa - Kamen
4. Dope Shit - Angel Alanis & Maria Goetz
5. My Soul - Angel Alanis & Maria Goetz
6. Sensation of Raw (Original Mix) - Oscar Escapa, Lostrego
7. Navigator - Angel Alanis & Maria Goetz
8. One Finger - Dj Dextro_RE EDIT
9. Clap Your Hands - Justin Neal
10. Combination (Original Mix) - Mark Broom, Thomas Hoffknecht
11. As Clouds Vaporate (R.M.K Remix) - Qindek
12. Speleon (Ben Sims Remix) - Cave
13. Syndrome Control (Original Mix) - Gene Richards Jr
14. What i Want (Original Mix) - Marck D
15. INYOMOUF (FILTHYMIX) - Mezer (the architect)
16. Test ride - Angel Alanis & Maria Goetz

Angel Alanis - Maria Goetz - Spring Mix 2025

Interview: https://djmag.com/features/recognise-085-sol-ortega

Buenos Aires’ breakout techno star @sssolortega cuts thunderous grooves with an old school sense of swing for the Recognise mix series, and speaks to Claire Francis about hometown loyalty, staying true to her tastes, and nurturing a passionate underground community with her Máquina Latina party.

Interview

Recognise 085: Sol Ortega

Jamie Anderson was born in London and raised in a musical environment, eventually relocating to Bristol in the mid 80’s, where he continued training in improvisation with jazz pianist Dave Buxton for several years. Whilst performing in local bands and working in a Bristol record shop during the early 1990s, he developed a deep love for electronic music and turntablism, fusing elements of acid house, funk, Latin, and Detroit techno into his craft.

In 1997, Anderson founded the label Artform, making his solo debut with the Prototype EP. In 2001, he released his first full-length album Blue Music on NRK, followed by the mix CD Nite:Life 013 and key tracks such as “Black Sun,” “Player Hater,” and “Rebel Sound.” His productions and remixes also appeared on respected labels including Rotation, Cocoon, Fossil Archive, 100% Pure, and Flash Recordings.

Throughout the 2000s and 2010s, Jamie Anderson became a fixture on the global DJ circuit, performing at major international events and building a devoted following for his energetic DJ sets and live performances. He collaborated with fellow artists such as Jerome, Dave Angel, Jesse Rose, K. Alexi, Lee Pattison, and Owain K—releasing standout singles like “Body Jackin’” and “Cyclone,” and refining his signature groove-driven sound.

With his Artform Studio based in Berlin since 2014, Anderson continues to evolve his craft—collaborating with artists including Robert Owens, R.M.K., Daniel Haaksman, and Kapote on numerous high-quality studio productions. He remains active as a DJ, performing across Europe and around the globe.

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Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 658 - Jamie Anderson

@miia-magia live from RSO BERLIN 27.07.2025

Track list:
Franz Jäger & Agotot – Industrialization, Room Trax
Dextro – Correct Incorrect, Mutual Rytm
Minniemen – Time Warping, Groove Disorder
Sterope – Microcosme, PRTL WRX
Blink Manually – Orient Express, Point Nemo
Electic Rescue – Aygo (L'ombre Remix), Skryptöm
Orion – See It, H-Productions
Franz Jäger & Agotot – Defect System, Room Trax
Human Safari – The Labyrinth, Mutual Rytm
no.name – West, Room Trax
Ackermann – Try Battle The Best, Safe Space Records
Toms Due – Fly Over, Etruria Beat
The Miller – Roots (Cari Lekebusch Remix), H-Productions
Mamwadi – Infinite Loop, H-Productions
Ackermann - Step Up, Hotflush Recordings
Blaine Mason – The Laugh, H-Productions
Dold – Dub At Heart, Mutual Rytm
Dog on Acid – Another Night In The Ghetto, H-Productions
Mark Broom – Jungle, EPM Music
Cari Lekebusch – Voodoo Rims, H-Productions
Valo – Faraday's Bird, H-Productions
Barbosa – Glass Eye Fetish, Radiance
Uncertain – Escape, RSPX
Kurir – Endast Socker, Point Nemo
Exos – Icebreaker, Mutual Rytm
Mython & Karenz - Rancid, Autonome Records
Nørbak – Nove Zero Nove, Hayes Collective
Nørbak – Malta 6AM, Hayes Collective
Kmyle – Expansion, Skryptöm

Miia Magia @ HE.SHE.THEY., RSO BERLIN, July 27th 2025

Video:
https://www.youtube.com/watch?v=6xoN1Z2RXwU

Follow:
https://soundcloud.com/luke-slater

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Planetary Assault Systems - Stone Techno 2025 - ARTE Concert

This episode of Slam Radio is a live recording taken from our residency Return To Mono at the Sub Club in Glasgow, last month.

It was a fantastic night with our brilliant guest Phil Berg and RTM resident Kairogen down in that historic cellar 

We hope you enjoy !

#SlamRadio - 666 - Slam

Recorded live at this itty bitty but really respected and famous club in downtown Madrid called Specka in January, 2006.

Soul Preacher - Body Slave - Q Records
Hertz - Breaker (Brian Cox Rmx) - Sway
Soul Preacher - Tantra - Q Records
Ignition Technician - Burn All The Liars - Pro-Active
Klang & Dalek - Quetzalcoatl - Flesh
Marcilinho Cic - Made In Chaka - Fuck Babe
Kobaya - Douglas Track - Recon Warriors
Olivier Giacomotto & Alec Marqx - Split - Yin Yang
Technosforza 6
Tom Jafman & Submission - Yfek - Esquisi-Tekk
Jim Larson - Groovy - Esquisi-Tekk
Tom Jafman & Submission - Vértice - Esquisi-Tekk
Olivier Giacomotto - Darko Barko (B. Moody & V. De Wit Rmx) - Audio Assault
Ian Lehman - Eidolon - Compound
AMF - Safety (M-Mix) - Staub
Monokilla - Brothers - Ghostwriter
Andre Walter - Templer - Enable
Andre Walter - Misty Circles - Highland Beats
Andre Walter - Boreas - Wicca
Andre Walter - Outside - Highland Beats
Andre Walter - Zephyrus - Wicca
Chris Liebing & Ben Sims - Work It - CLR
Eric Sneo - Practice What You Preach - Masters of Disaster
Lars Klein - Tribute 1 - LK Rec
DJ Rush & Robert Natus - Traunt - Bitshift
Lars Klein - Tribute 2 - LK Rec
Sascha Müller - Peng! - Northbeatz
WJH - Quiver - Supersonic Combustion
A. Johansson & M. Fridell - Renascent - Audio Assault
Olivier Giacomotto - Up North - Mankind
Cave - Speleon - Spilo

Walk (2006)

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.