Pati is a latin word meaning "to suffer" or "to endure". I think this is a funny word, each definition is almost opposed to the other. To suffer is such a negative connotation, one gives into suffering. To endure, on the other hand is much stronger. One must will themselves to endure. It is the rejection of suffering. The repudiation that this is all there is. That there is nothing better.


I don't have studio to record in so good quality is hard to come across

Secular Gangster //BZRKr boi//OTP// cyborg//Caveman//

Link to all platforms⤵️
https://onerpm.link/2411521185
For beat submissions or any music inquiries: thehomiedied@gmail.com

Smashin and Mashin since 2009

Shoutout: Kandy Bitch, CLifton Butterscotch, J. Tubaware, Bobby Hands and the rest of the Snax on Deck family

Im a Artist part of the Underground Unheard Collective and Formerly on House Of Wax Records Located In Nashville Tn and Also In Chicago Illinois Ive been in the culture for over 20 years now Ive seen alot Good and Bad Im going thru a new faze in my life Ive making the transition from just being a artist to being one of the co-owner of H.O.W we have incridible artists on this label who jyust need to right exspoure to make a great impact on the world so come follow us on this musicial journey this is just not a Levi Stress page its a House Of Wax Page also so please share or comment on any songs and if you want us to perform at your venues or festivials leave your info in my message box thank you and enjoy

Contact for booking: carter.jeremiahm@gmail.com

Realism only exist in the capturing of an image. Realism only manifest itself as a recording, as the archiving of an event. But the event itself is an act of creation--a totally unreal situation. Thus unless the act of creation is recorded, it cannot ever be realistic. Movements, moments, memories, recordings, are all rooted in realism. 
The act is based on surrealism. Thus, every event is surreal. Only in retrospect does an event become real. The paradox of real-surreal imagery reconciles itself as a act of creation and the recording of that act and its emotions. Essentially they work in tandem. But when the images become corrupted, commoditized, or spectacularized, they become the work of capital. This is the point in which the image becomes spectacle. 
Fascist propaganda and coke commercials do not portray a surreal situation or a real situation, but there own ideal situation. Cinema then becomes corrupted for capital. That is to say, it commodifies. Realism can be interpreted, examined, influenced, or even simply portrayed. The unrealistic notion of a controlled ideal situation is edited, manipulated, exploited, or altered. The ideal situation is the masquerade of the image. Just look at those beautiful shots of the Nazi celebrations: They portray an impossible ideal becoming possible as an image. Realism portrays an impossible idea becoming possible in action. Everyone wants to become a fascist to prefigure an idea into action via an image.

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