ACCOUNT FOR SALE! £££

DM @TheRealSinden on X For More Info!

Soundcloud Promo For Grime/Rap/ Artists And Producers
Twitter: @GrimeCloudUK
Facebook: Grimecloud

IF Your A Rapper/Producer/Label And would like your track to be Uploaded or reposted Contact: sindenc1@gmail.com 

Cashtag £sindenc


FOR WORLDWIDE BOOKINGS: booking@bassgefluester.com

Marko Meingast, better known as Mark Dekoda was born 1987 in Munich, Germany. He started to produce music late 2006 and switched up from underground trance progressive music to minimal-techno music in 2009. Mark is humble about his position as an artist in the crazy. He promotes taking time to make quality tracks as opposed to pushing out remix after remix like a lot of Mainstream Electric artists. His previous releases are speaking for themselves, hitting the Beatport minimal charts in a couple of time. Tracks like "Snow White" "Ghost" "Crackin" and "Cold Cuz" where included in the top 5 as well. His tracks are getting more and more dynamic from every release until now. It seems to be working well for him, same as in his live performances all around the world. So stay tuned and watch out.

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Pitch Music & Arts — four aural days of music and contemporary art, situated in the forever-still Grampian plains. Bringing together a community of like-minded people for an indelible weekend.

Booking / Contact
info@insomniaprod.com
-Hungary:
whitefacerecordings@gmail.com
+36203437979

Native Spirit is a solo project, born and raised in  Australia. Asher Takle is an electronic music producer, vocalist, songwriter and multi-instrumentalist. Versatility is a strong suit of the producer, however the Melbourne based artist characterises moody alternative, left-field pop elements as mainstays of his identity. 
Contact: nativespiritofficial@gmail.com

It's pronounced WHY-ROR.

SOCIAL
SNAPCHAT:  yrorofficial
INSTAGRAM: yrorofficial
FACEBOOK: YROR?


#8 Beatport Minimal Artist 2016

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Dylan Zanic is following