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Eme Kulhnek - Geheimnisse (Secret Cinema Remix)

Melter EP

Bell

Yan Cook - Bell


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Surgeon - Fixed Action Pattern

Ilario Alicante_Atoll 130. (Snippet preview) Out soon on SOMA RECORDS

tec vbn

There Is A Light!! Original Track ( NightSun )

release date (vinyl / cd / digital): 30th of October 2015

Take a look over Ashley Burchett’s back catalogue and you’ll find the Greater London resident has played an understated yet influential role in purporting British techno. Fifteen years ago Burchett’s prevailing Ø [Phase] project debuted on Sheree Rashit and Steve Bicknell’s Cosmic Recordings before providing Cosmic ID with its final record in 2002, and since 2007 Burchett's helped mould and define the sound of Token by becoming the label’s marquee artist.

In 2013 the Belgian imprint finally coaxed the debut album from Ø [Phase], Frames Of Reference, described in Tony Naylor’s 4/5 review for Resident Advisor as, “a techno album of real imagination and depth that, when it needs to be, is brutally functional.” Almost two years since its release Ø [Phase] is back with Alone In Time?, his second studio album which adds to the continuous slew of unrivalled long players Token has put out of late. Token spreads the 11-tracks on Alone In Time? across three heavy weight discs, and the music further demonstrates Burchett’s deft skill in linear arrangements shaped to fit the warehouse frame, while painting a colourful, Detroit influenced side to his productions yet to really be heard to this extent before.

This uncharted sound of Ø [Phase] can be found in tracks like “Remote”, the album’s homage to electro, to the jittery, alien grooves of “Spacialize”, “Mo_del” and “Nep-tune”. There’s big room domination on productions like “Orbitron” and “R-Mash”, while the album’s title-track is a journey through Burchett’s conceptual references to cosmology, time and isolation. Burchett explains, "it was always an intention to make another album and now just felt like the right time. Life moves on, we change and grow. As lessons get learned and ideas form, the desire to express them gradually manifests."

Furthermore, Burchett adds, “Frames Of Reference was about overcoming personal struggles and challenges, while Alone In Time? is more forward facing.” With an extensive back catalogue in his wake, Ø [Phase] has become a relied source for the discerning techno DJ and these new, expertly crafted club cuts add to his ever-expanding pool of productions for selectors to choose from, and it’s clear, if the bouncing rhythm of “Blind Eye” and orchestral epic of “The Maze” is anything to go by, Ø [Phase] isn’t only head strong, but standing tall.

TRACKLIST
A1 Spacialize
A2 Orbitron
B1 Increment
B2 Blind Eye
C1 Nep-tune
C2 Alone In Time?
D The Maze
E1 Remote
E2 Mo_del
F1 R-Mash
F2 Astryx

www.tokenrecords.com
www.facebook.com/tokenrecords

Ø [Phase] - R-Mash

DEEPDJ.ORG

Stranger - Learning Curve

Octave One’s ‘Love By Machine’ album landed via 430 West Records earlier this week. We’ve got the premiere of ‘Locator’ from it above.

After a massive live performance at Awakenings at ADE last month (October), The Burden brothers’ latest offering proves the pair to be masters of their hardware. ‘Locator’ from it is a dense tech-electro cut built upon synth lines that wrap densely around each other.

Speaking about the album, Lenny of Octave One said, “We’ve been exploring the theme of connection with this project. How technology gives us the illusion that we are closer to each other more than ever.

“At some point humanity crossed a line where the devices that we created to bring us together are the same devices that are blocking us from organic experiences.”

Listen to the premiere of Octave One’s ‘Locator’ above.

Release Info:
Artist: Octave One
Title: Love by Machine
Label: 430 West Records
Format: Double EP, Digital Download, CD
Release Date: 25th November 2016

Love By Machine

PREMIERE: Octave One 'Locator'

https://www.facebook.com/juansanchez.amsterdam
https://www.facebook.com/FORMAT.nl

Juan Sanchez - A Different Place

​Budding UK artist Viers has launched a new series of electronic compilations via the label Dream Of Dystopia.

The four-track release 'A Moment In The Machine' is made to express and illustrate Viers' dreams of the post-apocalyptic, industrial, futurist and minimal. The imprint describes these fantasies as "the perfect playgrounds because they combine elements of our real world with speculative elements that so not exist in real life".

Today's premiere of 'Nothing Beats Rock' is a classic warehouse jam with an addictive techno tick that glides from a swelling undertow thump to flashing, shuffling snaps. There are breaks of downtime featuring soft bounces of sound in between the production's ringing high-pitched fractures.

DOD001

More exclusive music

Premiere: Viers 'Nothing Beats Rock'

Joran van Pol is back on Minus with Edge, a fantastic four track EP that is his first on the label since 2013. In the years since, the Amsterdam based artist has set up his own FADE label and has continued to evolve his cinematic techno sound. 

Previously, van Pol has also released on labels like Rejected, SCI+TEC and Ideal Audio, and has the support of all the big techno players who often reach for his tunes in their sets. As a DJ he is just as in demand, with headline slots everywhere from Space Ibiza to Time Warp all behind him. Having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. 

‘Illos’ opens things with seven spooky minutes of icy techno. Rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. Next comes title track ‘Edge’, another brilliant sonic landscape with tense chords repeating over ticking percussion. It’s a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. 





The perfectly high pressure ‘Return’ is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. A dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brain-melting bit of futuristic techno. 

Last but not least, ‘Frostbite’ is then the most spacious and spooky offering of the lot. It has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. It’s an absorbing cut that hurries along and takes you for a thrilling ride. 

These are four more inventive techno tracks from one of the contemporary scene’s brightest stars.

Download

Return

MAUK - Social Media (Original Mix) 160Kbps

Routine is presenting Znzl’s Zero-Point Energy EP! Consisting of three tracks, the release tells a dystopian story about artificial intelligence, astronomical bodies and parallel dimensions.

“Trust My Methods is a track I enjoyed a lot doing. Sounds like a dystopian dialog between broken robots in a futuristic city. Tidal Locked is a tool I love to play. It’s about this curious property of the moon which makes it spin around the Earth but always showing only one side. What’s on the other side? Range of Realities is about exploring other dimensions that compose our realm and realizing we live in so many of them. Don’t we?”
Artist: @znzl
Mastered by Meshes
Cover art: @sywelll

Znzl - Ranges Of Reality

The production duo of Liam Robertson and Calum Macleod (aka Clouds) lay down two heavy originals.

Radical Cutting Methods

Dynamic Reflection reflects intelligent, dance floor oriented techno in its purest form.

Part of the Dynamic Reflection family:

@abstractdivision
@jeroensearch
@viels 
@deepbass

OTHER STUFF
info@dynamic-reflection.com

Yan Cook - Bell

Dynamic Reflection

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