Zero Cult - Moonlight Run (Dynamic Illusion Remix)

Hi everyone, i'm Katie, and after 11 years ive finally decided to add a lil info here lol ~~! I love all types of electronic, from breaks to trance, to tech house, tribal, dnb, downtempo, experimental, prog house, techno, and the list goes on ❤ I've had a music group on FB for the last 10 years made up of DJs, producers, and labels from across the globe, if you love quality electronic, and would like to check it out, the link is below, would love to connect ~! Big love and keep the music flowing, it truly is our universal language & medicine for the soul :) 

https://www.facebook.com/groups/Peace.Love.Beats/


https://soundcloud.com/peacelovebeatsessentials

I am an artist now living in Jacksonville Florida and I have been listening to electronic music since the early days of Tangerine Dream. They were the group whose music most shaped my current taste. In 1985 Patrick O'Hearn came out with 'Ancient Dreams' and in 1989 Michael Pluznick came out with 'Where the Rain is Born' The synth work, percussion, and deeply layered atmospheres on those two cd's captivated me for years. Then in 1993 an explosion seemingly occurred-Young American Primitive came out with his work , Future Sound of London came out with Accelerator and Global Communication with their remix of Chapterhouse 'Pentamerous Metamorphosis' and suddenly this wonderful music was everywhere. I love this music. It puts me in a place I would otherwise not be able to visit.It has been a kind of elegant and secret passport to that place where I find inspiration for my art.  This music is for me a wellspring from which I drink daily. It is always exciting to discover a new artist or find a new track. On Soundcloud I can communicate a bit with the artists themselves which is always thrilling. None of my own peers are into what I listen to. If I go to a social gathering-ie. play poker with some friends if they see me pull out a cd that I have burnt they just put up their hands and make crosses as though they are warding off dracula from sucking the life out of them. I need to find a better card game.
So I am most grateful to the Soundcloud people-the artists and the followers and those who comment. It is nice to know others even in an abstract and surreal way-that is where I seem to hang the most comfortably anyways. Nice to almost know you.
As a postscript to this I have now uploaded a great deal of my artwork onto Flickr where my screen name is offshore geometries. Enjoy.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

BIOGRAPHY:

Dynamic Illusion, also known as Daniel Gyarmati, was born in 1985 in Szombathely, Hungary. Music has been a part of his life since his childhood years. His father’s loves of music also infected him in his early years with his old vinyl classics like Kraftwerk and Jean Michell Jarre.

Daniel spent eight years honing his musical talent at a music conservatory, playing for the local orchestra. After getting his first PC at age 13, he began to discover the musical possibilities of the computer, composing his first pieces of music. At the same time, he became exposed to the DJ scene, attending parties and becoming influenced by the energetic tech sounds of Dave Clark, Chris Liebing, and Umek, as well as the progressive music of DJs like John Digweed, Sasha, Dave Seaman, and Max Graham.

Daniel’s musical obsession made him search his inner self for something unique. He was torn: he still loved the energy that techno gave him, but at the same time felt that the genre was regressing. He was in dire need of change and found his real love: progressive house. This was music where you could combine funk, drive, melodies, ass-shaking beats, and awkward sounds all in one, rather than using a single formula that he had grown tired of.

Nowadays he got more than 100 tracks released and many are feedbacked and played by the biggest names from the scene like Nick Warren, Jody Wisternoff, Moshic, Quivver, Solarstone, Lemon8, Jaytech, Fernando Ferreyra, Michael & Levan, Faskil, Kintar and many more...

Besides his work as a producer, Daniel is also credited as being an excellent DJ. His sets these days are as diverse as his productions, blending progressive, breaks, and deep house into a very distinct and atmospheric sound. 

He has been featured with exclusive mixsets on every month, at Frisky Radio (Mindfields) where the intelligent dance music gets the leading part, with co-host Retroid. 

At 2012 he started his own record label called Deep Dive, that is focused for deep house music, and at 2013 the sublabel called Star Dive, wich is the place for he's progressive and break expressions.

KOM:    MONKEY TENNIS GROUP recruiter,coordinator, board member, moderator and PROJECT director,   For info go to  https://soundcloud.com/mtgdjsc  or http://cheekhappy.wixsite.com/mtgdj/chat-radio https://soundcloud.com    https://hearthis.at/monkeytennisgroup/  https://soundcloud.com/kom-2

                           KOM started playing guitar at age 12, and later studied music theory at Chapman University.  A fascination  with harmonic progressions and the way chords relate to one another lead to the study of jazz and a deep understanding of chordal progressions.  The "circle of fifths" enlightened her to the infinite number of chordal combinations that go into constructing good music. KOM wrote a number of progressions on  guitar based on what she had learned, but  found that her interest lied in seeking out those individuals who possess a natural talent for song writing.  Since Breaks, House, Funk, Bass, and sometimes Trance are what she is drawn to, she spends countless hours attempting to find the rare individuals who have combined a basic understanding of composition, with the knowledge and skills of the electronic music medium.  To me, nothing is more beautiful than when those two worlds come together.  She feels it is her personal responsibility, to draw out such individuals and promote them to the best of her ability.

komassey27@hotmail.com
https://soundcloud.com/groups/monkey-tennis-
http://www.mtgdj.com/
https://www.facebook.com/monkeytennisgroup

Sound Abducting triphop > downbeats > UKG > electro > IDM > EBM > breaks > psychill > acid > freetekno

Give me shout for any branding needs if you're an electronica producer. I like to give back to the community that helped my career and life along, send me a message an we can talk reduced terms. http://be.net/mirekulous