I produced this track when I was 17. I was in a creative renaissance having discovered electronica in Europe a couple of years' prior and poured out song after song. I wanted to release this track as my debut single because of what it represents: an era of my life and my musical development where I was finally starting to create what I wanted to create after years of playing acoustic instruments. But I was held back by self doubt and overwhelmed by mixing; I could never get it to sound release-ready. To finally put this out into the world is symbolic for me, because now I can let go of that time and move forward from here.
It's called Siberia simply because as I started to write, I envisioned a brutal but beautiful sparkling icy landscape. But underneath that, this song is really an expression of my emotions in their abstract form. I hope it pulls you along.

Siberia

I wrote this on my Tandy 1000 TL Deskmate Computer in 1988.  It featured a 3-voice DAC  (Digital Audio Chip) and a program called MUSIC.PDM that I wrote a LOT of music on.

I uploaded them to PC-Link, the precursor to AOL and long before there was www-anything!

Well, then the Tandy brand died, the digital music unplayable anywhere by anything.

Luckily it was saved by a guy called simply tvdog

and just recently, someone wrote a converter to go from Deskmate .SNG to TXT to MIDI.  Then from MIDI to MP3 and it lives again.  26 years trapped in digital prison.  It lives.  Kenneth Udut, age 16, now age 42, gets ot hear his computer music yet again.

Creepy - Tandy Deskmate 1988 digital horror music lives again after 26 years.

Forgotten Path (Trevor Gavilan Rework)

the monotony of staying alive (10-18-2015)

Download 'Storyseeker' by Miles Äijälä here: https://qwertyprophecy.itch.io/storyseeker

Storyseeker OST - Main Theme

Download 'Storyseeker' by Miles Äijälä here: qwertyprophecy.itch.io/storyseeker

Storyseeker OST - Temples

Storyseeker OST - Glacier

Smoke Signals

04 - Two Suns (Neonknight Remix)

Lost Files

Forgotten Path

Electronic musician, but you wont find dance music or insect noises here. These tracks come from different eras and modes in my music composition history, but they all came from me in one form or another.

The tracks with Red Light Ballroom are auditions i did with a band (they were looking for a lyricist/vocalist). i did the words and vocals, but the rest is the band.

Full details here: http://dysamoria.com/music/

the monotony of staying alive (10-18-2015)

dysamoria

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