Multi-instrumentalist, born 1979 and involved in music since early 90's.
Started in piano school and shared interest in drumming. Since my parents were not happy with drumming in my room, tried guitar and voila! found my main instrument.

Formed first band around 1993 with drummer Davor Radovec called "Decorator" which later grew in beast called "Deaf Auditorium", did couple of songs together but parted ways because of mutual misunderstanding and goals.

Somewhere 1997 formed my first heavy metal band "Pro-Maya" and wrote all songs, except lyrics which were written by Marko Curman (Cuki). First real studio recording with band was late 1999 named Tales of warning. Due to crazy circumstances in life Band disbanded somewhere 2003.

Since than played as session guitarist/bassist when needed for recordings or live performances. Like playing with "Forlorn Legacy" while their bass player served army for a year for live shows. Played in multiple genre bands from punk, rock, metal, jazz mostly either guitar or bass. Also working in studio Memphis in Zagreb as tonmeister/sound engineer. With sometimes working on movies/documentaries as sound recordist.

In 2010 formed 2 man experimental improvisational metal-jazz-noise band "qb" with legend Marko Martinovic (Bik) as drummer, where we experimented with sound. And we got crazy singer Sasa Jungic (Jungla). 

Around 2014 joined Soundcloud and was interested in improvisational music. I would find drums beat from various artists on youtube and improvised guitars and bass. Challenge was to record every instrument in just one take without any post production makeup or hiding errors, mostly done in Garage Band. Fun journey that lasted about 2 years, and after I moved to Norway in search for better job my music got radio silent and did not play much for about 5 years.

By beginning of 2023 realised that music is big part of my life and came back into playing, but with more serious take on composing, songwriting and production. Broke silence with song Waves and continuing to investigate dwellings of sound and emotion. 

My music taste goes all the way around and trying to collide genres to reveal god particle, still considering music that I do as experimental form. Hardly being able to stick to one genre.

Darmar with some literal translation from Croatian means chaos. Name kinda fits music style.

I am a professional digital marketer and Google Voice seller whatapps +8801777931633

#electronic music composer
making music for years now, with breaks though.
mostly #house, #nudisco, #funkyhouse , inbeween...

Submit your soundcloud tracks !
radobif@gmail.com
Soundcloud (950k+ Followers)

"Intentionally Blank" is the debut album from Portland-based psychedelic progressive metal alchemists Dysgenia. Written and recorded at a slow boil over the course of four years, "Intentionally Blank" features all the sounds that Dustin, Brian, and Riley always wanted to hear, but could never quite find until they made them themselves. Connect with us at dysgenia@gmail.com

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

KEEPING THE ROCK A ROLLIN'..🤘👊


Just an old fart hanging on to life by the strings of my guitar....  An artist weaving my inspirational creations on a canvas void of time, space, texture, tone, colour and sound .....  check it out and enjoy.... Let's Keep the Rock a Rollin'...... on and on and.....on...!!!...  
✌🤘👊🤘✌

I'm still a struggling full time family man and slave to the system, and will be for a few more years I'm sure. But I'm hoping to have my music to fall back on.  I'm only able to be at it part time right now, but have opened my own business with the mission to keep rock alive.  It's an Inspirational Musical enterprise where all your musical desires can be fulfilled.  Show your support by checking it out below...  Let's Keep that Rock a Rollin'..... 

Be sure to show ur support for HVYMTLHPP MUSICAL ENTERPRISES. where we keep that rock a rollin' 24/7 ... we will return it ten-fold.... u may find ur tracks on #the_soundcloud_machine .....

https://g.co/kgs/oCecMv

Listen to the SoUNdcLouD MachiNE....., a playlist by HvyMtlHpp on #SoundCloud
https://soundcloud.app.goo.gl/ZDWtc

#LKTRAR

Check out Wade Farquhar on #SoundCloud
https://soundcloud.app.goo.gl/ik5JD

Follow me on bandlab......
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Stay up to date with all my latest revisions to my upcoming release.... #inspiredresponses .... 
Check this out on #BandLab https://www.bandlab.com/collections/ac3e4b89-cd0c-ec11-981f-a04a5e798978

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Want more? Full EPs and exclusive tracks available on Bandcamp:
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