Alpha Juno 2, bunch of pedals, DFAM, Primary Osc, Local Florist, Ikarie, Monsoon

Counter Will

Fox Mask

please visit https://nyms.love/2020/01/19/patchable-0010/ 
to get a clue on what this is all about

live "video" of performing this: 
https://www.youtube.com/watch?v=rgDjSOY0X8w

[patchable 0010] new

There Is Someone Outside My Window  PATCHABLE - 0011

All sounds in the patch started with some form of noise.  
Main noise sources were:
* Zorlon Cannon
* Pink Noise
* White Noise

Kick  = Pink noise into Bionic Lester MK III in Comb Filter mode with a bunch of random modulation
Percussion = Two channels of lower half into two channel on LxD.  Ran that into Tyme Sefari with feedback loop going through a band pass filter.
Hat things = White noise going into Bionic Lest MK III in High pass with a bunch of random modulation.
Deep drone = Pink noise into Fuzz Factory then reverb.
Pitched Noise  = White noise heavily FMing VCOb Sine wave out

Patchable 0012 - NOISE - ZorlonCannon & Friends

Silver-grey Hybernating Stacker Factory | PATCHABLE-0012

https://nyms.love/2020/03/02/patchable-0013/

Throughout the course of our daily lives there is a continuous influx of aural stimulation. We naturally filter out many of these distractions in order to remain focused on the task in front of us. This patchable asks you to turn off those filters and listen to the droning sounds around you. Pay attention to distant white noise hum of a highway, the sound of a refrigerator condenser or your own breath. Let these long, unceasing noises be the inspiration for your next patchable.
THE CHALLENGE

Create a drone patch inspired by the everday sounds around you. There is no limit on modules or external gear used. Simply that the sounds your create should be classifiable as drones.

My Patch Notes:
I'm playing the two oscillators on the Pittsburgh SV-1 with Pressure Points. Each oscillator receiving its own CV from rows one and two of the Pressure Points.  Before CV reaches the input on the oscillators, I have them going through channels 1 and 4 of Maths for some slew/portamento.  Also, row three of Pressure Points is being split to modulate the both-rise/fall input of channels 1 and 4 of Maths to fine tune the slew for each pad of the Pressure Points. Also I have oscillator 2 of the Pittsburgh FM-ing oscillator 1.

The Pittsburgh oscillators are being mixed with noise from sample and hold from the SV-1 and noise out of the Telharmonic. Sample and hold Noise is going through the SV-1's filter, and the Telharmonic noise is going through a Pittsburgh LPG in filter mode. The Degree and flux on the Telharmonic are being modulated by the pitch CV and velocity CV of the DFAM (no noise is coming from the DFAM, just using its sequencer for modulation)

The two noise Sources as well as the two Pittsburgh oscillators are all being mixed to a single output and going through a Pittsburgh Binary filter before going to a Make Noise Mimeophon the Mutable Instruments clouds. Neither the Mimeophon or Clouds have any modulation going to it.

All 8 oscillators on the Dreadbox Antiphon are going. 2 oscillators are being used for modulation. An audio rate oscillator is modulating an the VCA and an (attenuated) LFO is modulation global pitch CV. This LFO is also modulating filter cutoff for the the noise from the Pittsburgh Sample and Hold.

All filter cutoffs were being played by hand with the exception of the SV-1 noise's filter which was a combination of CV and playing by hand.

Finally I have the output from a 4MS Spectral Multiband Resonator as a sound source just kind of droning away as the low-ish end rumble.

w-y- Indiana Drones - Patchable-0013

https://nyms.love/2020/03/02/patchable-0013/

My response to the current New York Modular Society Challenge which is a study in drones.

patch notes:

Morphagene drum loop (left)
	* OUT > Q-PAS > Mimeophone > Xpan 
	* cv out to QPAS Radiate Left
	* Maths > Gene size
	* Maths > slide
	* Tempi > Shift
* Telharmonic (drone 1 - center )
	* H > Erbe-Verbe > X-Pan Aux
	* Maths Inv > EV Depth
	* Maths (2) INV > EV PRE
	* PLANAR Y > EV Decay
* STO (drone 2 - right)
	* Tri > QPAS R > BP > Mimeophone > X-Pan
	* Wogg Smooth > Q-Pas Freq 1
	* Maths > Q-PAS Q
	* Morph CV > Q-PAS Radiate L
	* Maths Sum > STO Shape
	* Wogg 2 Smooth > STO 1V/Oct
	* Planar > Expo
* Tempi
	* 1 > Wogg tempo
	* 1 > Morph Shift

Undulation Patchable - 0013

not many notes here, it’s literally 208r (both oscillators doing squares) and ciat lonbarde plumbutter together, feeding back to themselves, triggering and FM-ing each other and that’s it. it’s a variation on a krell patch but pitch is not random. no post edits, no eurorack, a touch of reaper’s built in convolution reverb.

patchable 0015 [square waves]

[NYMS Patchable 0016]
it's very simple — e352+LxD and 208r are the only sound sources, er-301 ("Sloop" bespoke unit by tomf) and norns shield (excellent pools reverb) are processing. seq — er101/102 and 208's 5 step.

patchable 0016 [alien club]

My submission for the New York Modular Society's RE: DRUM MACHINE patchable contest. The idea is to compose a drum track with a modular synthesizer--but WITHOUT using drum modules. So all the sounds come from oscillators or noise. (The artwork is my original watercolor of the undercarriage of the Gowanus Expressway).

Here's the details:

Voice 1 (bass drum): Low pitch sin VCO amplified by a fast envelope modulating Lin FM on STO, through North Coast Coiler VCF with a slower envelope and an even slower envelope on the last VCA. Through Pico DSP mono delay and (sometimes aux Mimeophon too). Triggered by Out 1 from a White Gallop, with CV from Voltage Block.

Voice 2 (hi hat): Blue noise from Dystopia. Filter and VCA receiving same envelope. Triggered by Out 2 on White Gallop. Pico DSP mono delay.

Voice 3 (snare): Bitcrush from Dystopia. Triggered by Muxlicer in ratchet mode (sequencer slide pots determine multiple gates per beat, which can be attenuated globally). Gates 3 and 7 add accents to the Dystopia cv in. Maths envelope receiving cv on fall from tilt Y on WiiChuck for WILD CRUNCHES. Pico DSP mono delay.

Voice 4 (wailing metal chimes). Hi pitch sin VCO FMing uPlaits in waveshaping mode with low waveform, low folder and high asymmetry. CV from Voltage Block. Gates from a Non Linear Circuits Divine CMOS (XOR clocked between X4 and /2). The /4 output triggers the FM envelope, while the sum output triggers the audio envelope. Audio amplified by a Maths envelope receiving cv on fall from Wiichuck Tilt X. Through Mimeophon, orange zone, which is clocked and modulated on color (half bright full positive attenuator) and rate at 10 o’clock with 3 pm attenuation and skew.

Voice 5 (zap gun): IO Instruments Euporie VCF self resonating, receiving the same audio as the bass drum FM source into CV one and the same envelope from the Tilt X modulated Maths into CV2. Sweeping the cutoff to launch intergalactic civil war. Pico DSP mono delay.

Drafts

Fifth Fortress PATCHABLE-0017

Electronic music & noise made with modular synths.

Patchable 0012 - NOISE - ZorlonCannon & Friends

dysonant