Searching

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

Event Horizon

Spacewalk

Инна Желанная - Старый Муж (радио версия)

Recorded at Hi5 Productions
Mixed by Max Andrukh
Cover Art by Nikita Liskov
I - Reimagining of 1st Prelude by D. Shostakovich
X, XX - Citation of D.Shostakovich

Papers (feat. Sophie Villy)

Mating Call

Kalypso

Music & Lyrics: Vlad Gnatenko
Produced by Kostiantyn Pochtar, WATRA
Album cover - Andriy Boyar
Released on WATRA
Recorded, mixed & mastered by Vadyk Lazariev, Lipky Zvukozapys
Kyiv, Ukraine

Vlad Gnatenko - Sunny in Jan

Bonus track: Mating Call - Дзвіночок (deconstruction by MC Брехунець)

Це фрагмент репетиції.

Апка диктофона на телефоні називає рандомним чином треки, та зазвичай прив‘язка відбувається до місця чи локації поблизу. Чому цей трек було названо саме таким чином(назва, тривалість, геть усе - лишилось незмінним) хіба Богові відомо, адже храми з подібною назвою були далеко від місця тодішнього перебування

Храм Святого Архистратига Михаїла

DZ'OB is an electroacoustic ensemble from Dnipro (Ukraine).
A cross-genre 7-piece orchestra crashes to the ground a well-established musical concept in which, for example, house and art music exist in completely different frames of reference. Eventually, DZ’OB not only synthesizes disparate genres, the band comes up with their unique, eclectic sound that blurs the line between epochs, schools and traditions. Piano Preludes by Shostakovich fused with bits and samples are reborn in the most incredible pieces of IDM. With the same radicalism in musical technique, DZ'OB treats songs of one of our time’s most eccentric DJs - Aphex Twin. Suchwise ensemble generates inconceivable instrumental metamorphosis: electronic music becomes academic with a wave of a cello bow.
DZ'OB is not about genres, but a new vision of the music itself.

Mating Call

DZ'OB

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