Getting violin sit within a trap beat is an uneasy task: first part of FM Attack was initially thought as a complicated pads, keys and violin combination, which made E-ho reproduce and remaster it a couple of times. 

Combined with a bright “back to 80s” lead in the second part the beat may let an artist change lyrics mood as the track goes on.

FM Attack

#21 is changes direction and dynamics within single beat: the track consists of two parts. Noisy intro heads into aggressive und pushy first chorus suddenly changing the mood for even more pushy synth featured by special percussions. 

Outro is low volumed and calm to let the listener get rest of pushy sounds on the contrast.

Bootleg is thought for dynamic lyrics flow and aggressive style: same synth is pitch shifted, changed in loop frequency or combined with violin, but remains a bit hard. 

The track may fit perfectly into a collection of a pushy flow master, while never stopping drums provide a full support to leave a listener with a quick “shoot and forget” experience.

Bootleg

Old school are the two key words describing the essence of this track. Back-to-80s black-and-white cartoon-type, which even absorbs e-ho Tag, intro is the background for repetitive synth of the same style. 

It is featured by rich drum kit and well present low-end, where hi-hats maintain positive dynamics and high speed of the track.

6th Element

The track is lyrics focused with a simple sound flow and ready made to go into freestyle without sound tailoring and easy to deploy.

Shan Gri La

Strong violin synth together with drill style bass secures the dynamics of this track and leaves a perseverance impression with choruses being highlighted by changing the octaves after each verse. 

The track may inspire an artist seeking for a dynamic style beat, but more of an asian atmosphere.

Superpower

"Cognitive" makes the listener find himself surfing the outer space and watching stargaze thanks to spaceful pads synth. Drill bass makes it even more atmospheric.  

Has an interesting transition to outro worth checking out.

Cognitive

The King is named! Welcome the King! Softened synthesized lead featured by pads highlights choruses and verses switching the octaves. 

Drill bass and sharp hi-hats compose the dynamics of this beat.

Kingdom Seven

A track with an aggressive distorted start unlike the body of the track. Main lead is composed of several guitars in multiple octaves highlighting the parts of the track and sliding into each other.

Down To Five

The track is the conducted of bells inheriting the name as well: choruses are highlighted with bright ones while the verses are featured by the more relaxed ones. Bass is borrowed from UK drill with a couple of octaves lower, however. 

The greatest moment comes before the second chorus where hi-hats are soloed with the main lead whereas the bass is muted.

Belsify

The track is experimental consisting of three parts but sharing the dynamics of drums and low-end. The idea was to reconcile the different characters within single track and let the listener explore the difference.

Easy start but heavy conclusive dirty style body in the third part, most aggressive of the three, and outro: do not go too deep into the forest.

Wait for the third part to come unexpected!

I Visit The Forest

Things are getting serious: meet the strong beat with powerful low-end and aggressive synth: the prominent parts are highlighted with excitement. 

And the kick combined with easy percussion make the atmosphere with a slightly relaxed intro.

Celestial Beauty

Sound production. Trap, Hip Hop, Rap, Drill. Custom. 

Mail: e.ho.lnb@gmail.com

e-ho

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