Getting violin sit within a trap beat is an uneasy task: first part of FM Attack was initially thought as a complicated pads, keys and violin combination, which made E-ho reproduce and remaster it a couple of times. 

Combined with a bright “back to 80s” lead in the second part the beat may let an artist change lyrics mood as the track goes on.

FM Attack

Boredom leaves headroom for the artist with its simple synth in the first part. Second part leaves an impression of unveiling the hidden truth: relaxed flow uncovers the real atmosphere of this relaxed beat. Vocal sample is used as an outro melody.

Boredom

Guitar lead is used as a main synth in the Publicist beat highlighting the choruses and being enhanced in presence during those. Featured by frequent silent moments choruses manage to keep the attention of the listener easily. 

Midrange is the focus, where the lead sits well with the softened bass and low-end.

Publicist

The Re-Percussion uses flutes, popular in many spectacular artists’ synths nowadays, as its main synths and are featured by a distortion effect making them screaming and sound a bit like a bass guitar. It helped gain more presence for the midrange of the spectrum. 

Outro, one third of the track, is the strongest and the most dynamic as focused on the drums, but started with a relaxed space lead.

Re - Percussion

Strong violin synth together with drill style bass secures the dynamics of this track and leaves a perseverance impression with choruses being highlighted by changing the octaves after each verse. 

The track may inspire an artist seeking for a dynamic style beat, but more of an asian atmosphere.

Superpower

"Cognitive" makes the listener find himself surfing the outer space and watching stargaze thanks to spaceful pads synth. Drill bass makes it even more atmospheric.  

Has an interesting transition to outro worth checking out.

Cognitive

The track is the conducted of bells inheriting the name as well: choruses are highlighted with bright ones while the verses are featured by the more relaxed ones. Bass is borrowed from UK drill with a couple of octaves lower, however. 

The greatest moment comes before the second chorus where hi-hats are soloed with the main lead whereas the bass is muted.

Belsify

The track is experimental consisting of three parts but sharing the dynamics of drums and low-end. The idea was to reconcile the different characters within single track and let the listener explore the difference.

Easy start but heavy conclusive dirty style body in the third part, most aggressive of the three, and outro: do not go too deep into the forest.

Wait for the third part to come unexpected!

I Visit The Forest

Sound production. Trap, Hip Hop, Rap, Drill. Custom. 

Mail: e.ho.lnb@gmail.com

FM Attack

e-ho

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