ALDEBARAN EMERGES WITH PASSIONATE WINGS

QUIN & 6LACK VS Nekfeu (Dramantic Remix)

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

CALL FOR PEACE - Vocals For Collabs

https://soundcloud.com/windscaleblues: flute x10; clarinet x6; tenor sax x3; soprano sax x2; alto sax; bamboo flutes x2; oboe; synth; beats (Inspiring original track https://soundcloud.com/windscaleblues/cryptoblues).
RUIZZOIDMAN: lyrics, vocals, guitar.

VENTOSO BLUES A LA PRADERA  /  WINDY BLUES FOR THE PRAIRIE

Pradera, salgo de viaje,  /  Prairie, I go on a trip,
te dejo aquí prisionera.  /  I leave you prisoner here.
Salgo sin prisa, pradera,  /  I leave without hurry, prairie,
seca de hierba salvaje.  /  dry from wild grass.
Dejo este bello paraje,  /  I leave this beautiful place,
este río y su ribera,  /  this river and its bank,
atrapados en la espera  /  trapped in the wait
de recibir su folaje,  /  to receive its foliage,
su frescura y su coraje  /  its freshness and its courage
verde de la primavera.  /  green of the springtime.

Este tren que con seguro  /  This train that with confident
traqueteo de ti me lleva;  /  rattling takes me away from you;
surge el humo de su cueva  /  the smoke arises from his cave
ensuciando tu aire puro.  /  polluting your pure air.
Ya la vía, acero oscuro,  /  So the railway, dark steel,
ya la vía es la prueba,  /  so the railway is the proof,
ya la vía, nieve o llueva,  /  so the railway, may it snow or rain,
debil tú, el acero duro,  /  weak you, the steel hard,
tú la brisa, él el muro,  /  you the breeze, it the wall,
tú la suave, mi pradera.  /  you the soft, my prairie.

De tus flores, la frescura,  /  From your flowers, the freshness,
quieren apagar el fuego  /  they want to extinguish the fire
de la marcha, y así luego  /  of the pace, and so then
mantener fragancia pura,  /  maintain pure fragrance,
mas es tal tu desventura,  /  but your misfortune is such,
tal fuerza del enclavado  /  such strength of the interlocked
metal, que te ha fallado  /  metal, that has failed you
tuya la verde dulzura  /  yours the green sweetness
bajo la realidad dura  /  under the harsh reality
de los rieles plateados.  /  of the silvery rails.


Pic from https://www.thoughtco.com

Ventoso Blues A La Pradera (with The Windscale Blues Experiment)

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

■概要(Overview)
熱すぎて溶けてしまうくらいの情熱を持てたらいいね。
PrivateからPublicへ熱心に大名行列する。
I wish I could be so passionate that I would melt.
An enthusiastic procession of feudal lords from private to public.

■video
https://youtu.be/pdM0huA1zaE
※あまり動かないですわ

「溶けるくらいに」Let's get passionate

溶けてしまうくらいに
打ち込めるものがあれば
それだけでいいわ

十二時を過ぎたころに
アタマにあふれる「I hate you.」
傷つけあうのはもうやめて
心を解放したならば今

幾重にも重なる
合わせ鏡の迷路
本物は自分だけ
燃えるように　溶けてる


好きなものをいくつか
そばに置いておけたなら
それだけでいいわ

人づての言葉信じ
正義の仮面で「I hate you.」
傷つけあうのはもうやめて
好きなものだけそばに置いていて

幾重にも重なる
合わせ鏡の迷路
映し出されたものは
燃えているか　溶けているか

■Lyrics
If there is something I can devote myself to so much that it melts, that's enough.

After midnight, the words "I hate you" flood my head.
Stop hurting each other. If you free your heart, now.

Labyrinth of mirrors overlapping one after another. The only real thing is yourself.
Melting like it's burning.

If I could just keep a few of the things I like close by, that's enough.

People who believe the words of others who don't know the truth and say "I hate you" under the mask of justice.
Stop hurting each other. Keep only the things you like close by.

Labyrinth of mirrors overlapping one after another. Is the reflected thing burning or melting?

Ignite your passion(溶けるくらいに)

This new set builds upon the foundation laid in my 2022 mix, The Stoned Ape Theory, which explored Terence McKenna’s unique insights into the evolution of human consciousness. McKenna’s perspective challenges conventional narratives, urging us to see the mind’s awakening through a new, psychedelic lens. Now, the journey deepens. In this next chapter, we encounter Tuko, the first to awaken, and follow his transformative path—a story of discovery, enlightenment, and the dawn of a new way of seeing the world.


The sun hung low over the vast, golden grasslands. Tuko, a young hunter of the Red River Tribe, moved silently through the brush, his sharp eyes scanning for movement. The herd of great horned beasts had passed through earlier, leaving behind trampled earth, dung, and the faint scent of musk in the air.

His stomach growled. The last hunt had failed. The elders whispered of hunger, of curses from the spirits.

Then, Tuko saw some strange small golden caps pushing up from a pile of dung. He sniffed them, wrinkling his nose. Food was food. He plucked a handful and chewed. They were bitter but soft, melting on his tongue.

He waited.

Then, the world breathed.

The grass shimmered, shifting like a great ocean of light. The sky pulsed, the clouds curling into shapes he had no words for. The earth beneath him hummed, a deep sound that spoke to something ancient inside his bones.

When he turned, he saw his own hands, but they were not just hands, they were tools, they were claws, they were the roots of trees, shifting, becoming. The spirits of the land whispered to him, not as ghosts but as thoughts in his own mind.

He saw the others—his people—huddled around the fire at night, but in his mind, they were not just eating. They were telling stories, singing, dancing, painting the hunt on stone walls. He understood what could be, what should be.

For the first time, he saw the future.

When he returned to the tribe, his eyes were wild with wonder. He spoke, not in grunts, but in something new, something deeper. At first, they did not understand, but then they listened.

That night, around the fire, the first story was told.

From that moment, the world was irrevocably changed. With a single step, Tuko had set events in motion that would shape the destiny of his kind, an uncharted path toward what future generations would call civilization.

Cover art by: њӓђђӓћ JѳђЭs
https://deepdreamgenerator.com/ddream/ob0ees3u4is

Mixing decks used to perform this set: Pioneer XDJ-XZ.
https://www.pioneerdj.com/en-us/product/all-in-one-system/xdj-xz/black/overview/


Setlist:
1. Relativ & MoRsei - Are We Dreaming 
2. Fungus Funk, Ajja - Sonic Elixir 
3. Bootysattva - Groovy Sattva 
4. Djantrix & Modual  - Not Even Close 
5. Xed & Bandicoot (ARG) - Helter Skelter (PsynOpticz Records & Patronus Records)
6. Creepy Deep - How to Fake a Shadow (Patronus Records)
7. Tristan - Empire of the Sun 
8. Virtual Light & PsyFiction - Pump Up Ze Party 
9. Akatosh & Inverze - Infestation (PsynOpticz Records & Patronus Records)
10. Alienatic & Liftshift - Pineal Gland 
11. Volcano On Mars - Dream in Colors 
12. Wubba Lubba - Hologram 
13. Nukleall, Gigi - Voidwalkers Groove 
14. Fungus Funk - Moon Rock 
15. Purple Shapes & NoFace - Embrace the Random 
16. West Galaxy - Age of Stars 
17. Ingrained Instincts & Nektarios - Southern Triad 
18. Xed - We Have Everything We Need (Patronus Records)
19. Mergel & Spatial Plants - Mist
20. Magik & Iridian (UK) - Imminent Future 
21. Mekkanikka - Psychedelic Jesus
22. Radikal Moodz - Acid Layers 
23. Altered Stasis - Witch People (Patronus Records)
24. Jumpstreet & Pantomiman - Bloody Feet 
25. Technology - Tribal Technology 
26. Hallucinogen - Gamma Goblins (Soundaholix Remix) 
27. Nektarios - Thoughtless Awareness 
28. Hecate - Eudemonia Nymphe 
29. Ninesense - Rewind 
30. Shivatree - Digital Space 
31. Faders - Imagine 
32. Imaginarium - Alien Lighthouse 
33. Daksinamurti - Conductor of Magic

The Stoned Ape Theory - Part 2 | A Mind Altering Evolution | 145-148 BPM

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

Sun Rise

The Feathered Crown is a card of pride, loss, and the aftermath of hubris. It draws upon two rich veins of folklore — the Appalachian belief in a feathered crown found beneath a dying person’s pillow, and the ancient myth of the Sirens and the Muses. Together, these stories form a layered symbol of reckoning, the echoes of lost glory, and the burdens of victory.

In Appalachian tradition, discovering a tightly woven feathered crown in a pillow was often seen as a sign that the soul of the deceased had passed to heaven, a mysterious mark of spiritual judgment. In mythology, after the Muses defeated the Sirens in a singing contest, the Sirens were stripped of their wings as punishment for their arrogance. The Muses, triumphant, wove the plucked feathers into radiant crowns — symbols of their victory but also of the destruction they wrought.

This card stands at the intersection of triumph and regret. It speaks of victories that come at a cost, the spoils of conquest weighed down by lingering guilt or sorrow. The Feathered Crown reminds us that success without humility invites ruin. It asks whether our pursuits of recognition or superiority are worth the burdens we carry in their wake.

---------------------------------------
Drums, Percussion, Keyboards: Ron Thomas
Guitars, Bass, Banjo, Lyre, Vocals, Midi: PS Perkins

Mixed and mastered by Mystic Tape Deck
Dedicated to Josephine of the Mouse Folk

LYRICS
---------------------------------------
I saw your feathered crown, the one you keep under your pillow
Did you think that you could hide it from me?
As you don your supple plumage, tell me did you win it truly
From the fairest maidens of Persephone?
Are your songs of grief and woe, are they songs of deep regret?
With feathers plucked from silvery Sirens wings?
Or from the tails of rainbow ravens perching just outside your window
Waiting for the passing ships to hear them sing
Waiting for the passing ships to hear you sing

Dashed upon the rotten rocks of harpy limbed nightingales
Where tides resound with death inducing cries
As the sailors climb and clamor for a seat upon the razor
And a melody to cling to as they die
Rejoicing in the arts of their inglorious ease,
Freely frolic where the churning waters flow
Diving from the clifftops, splashing down into the seas below
Charming in both poetry and prose
Alluring in both poetry and prose

Whosoever dare to wear the feathers in their hair
Like the parrot and the magpie in a cage
That we may divert our stare from the circling of the bear
While standing proud upon the heavens final stage
When the starry sisters nine, with their bellies full of wine
Have bested you at your own foolish games
And the ships all passing by which now leave you there to die
Having never even known your given names
Having never even known your real names

I saw your feathered crown, the one you keep under your pillow
Did you think that you could hide it from me?
Oh, Josephine, you should have known better.

The Feathered Crown

I felt like this one needed the extra time to unfold and develop in the direction it wanted to go, could be my longest solo piece yet! My songwriting process has moved almost entirely to Ableton Live and I'm find it to be such an inspiring workflow. This is yet another recent track where I'm having fun weaving in the guitar.

Cover image: Norman Zabusky/Hilary Shames (CC BY 3.0)

Time and Space

knotnoodle

We Emerge

Another snippet from Califo Paean, this time featuring bass guitar fighting for its life amongst the reverb. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.


image credit: Rosie Hastie

Caligo Paean (Bass solo)

drunk octopus wants to fight you

This is a remix I made from a beautiful acoustic guitar song from the past, It's created and played by 
musical friend Ampwave, you can find the original track called ''sounds-from-the-acoustic'' here: https://soundcloud.com/ampwave?utm_source=clipboard&utm_medium=text

Hope you like it ✨

Acoustic Flow

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Three Owls are
 Régulo Tortolero: Drums, Bass, Cuatro Venezolano and lyrics 
 Oorlab https://soundcloud.com/oorlab : Lead Vocals and Backing Vocals, Piano, Strings and lyrics
Mark Bennett: Lead and Backing Vocals and lyrics

Recorded at NoHum Studio, El Limón - Venezuela and Oorlab Studio, Amersfoort - Netherlands and Edinburgh, UK 2025. Mixed by: R.T. ©® NoHum Records 2025  All Rights Reserved

Recorded and Produced by Three Owls 
 Art Cover: Mark J Bennett

Régulo (AKA @kings-of-manguareo) in Venezuela started this project a year ago with a piece called ‘Al Paso C’.
After several evolutions involving Dick (Oorlab) and myself, then the new title was suggested by Régulo and we ventured into space, with a ‘Musical Consequences’ scenario. I started off the lyrics, then Régulo added some lines and finally Dick completed them. Soundcloud is a great place for experimentation. Many thanks to my collaborators and also to you for taking part by listening, Mark

Am I the follower?
 Pleiades am I bound? 
Pleiades I am bound,
 I am the follower.

Aldebaran, Aldebaran, Aldebaran, Aldebaran… 
Never going, never going… coming back!

The fiery eye of Taurus,
 Trains its gaze upon, 
Orion’s shiny belt 
And it's perfect triad
 Over all of us
 For all eternity…

As long as the sun will shine
 And the magnetic field  
Stays well aligned 
The World will keep itself  
On course.

The long night will turn around
 Winter solstice is here 
Aldebaran will rise
 The ice will disappear

Aldebaran by Three Owls

Recorded in Modesto, Ca. Featuring Hammond B3 Electric Organ solo. Vibraphone solo. Alto Saxophone solo. Acoustic Piano solo.  Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Vibraphone Rhythm. Drums Full kit Acoustic drum set. Percussion Rainstick, Tree Chimes, 22" Ride & Crash Cymbal.

Cannery Row

Wingding

Gary Moore

The 5th EP of "past is the verse"

-Spotify
https://open.spotify.com/track/7InqBClX4X4tShVGYM5AwV

-Apple Music
https://music.apple.com/us/album/regret-single/1531309499

-Amazon Music
https://music.amazon.co.jp/albums/B08HSFGMXH

-bandcamp
https://pastverse.bandcamp.com/track/regret

Regret

Download

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ALDEBARAN EMERGES WITH PASSIONATE WINGS

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