CATS FALL IN LOVE IN A WILDFLOWER GARDEN

The World should care for the Children, they need a better present & a better futur... 

Lyrics & Vocals : Special Cecilia

Musicians Beatmakers, if you want you can remix this song adding some instrumental. 
The file is on Freedownload.
Let's Keep spreading positive vibes...

PRAY FOR THE CHILDREN

When there is a wind, she shakes her head. She is dancing.

Everything played by hands (vs midi programming) on Roland VerseLab pads for extra loose and lively feel. Cover art: California Poppy in rare red color. California State flower since 1903. iPhone, Tomales Bay, California, Summer ‘25.

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Love

Wildflower

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Elysium

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

An instrumental tune with a rediscovering your inner child vibe. Enjoy:)

Playground

guardame los gatos..subanstrjbaj

Hey hey!! Back with something fresh finally.
Really appreciate you listening. Supporting.
All feedback and real love. Always returned.
This is 92 Bpm. Laid back. Uplifting vibes.
Stated with the dope female chop, loop.
Built the  idea, theme, track around it.
Looking for singers. Dm...
Uploaded on 15/08/2025.

Never lonely

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :) 

Original vector graphic: "https://de.vecteezy.com/gratis-vektor/kopf-silhouette"

Synesthesia

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Let me relax. ( 1993 ) Eddy Mango - Margareta Theorin ( Eddy )

Oh Baby I need you   (Open collaboration offer Paploviante)
Backing Track: 
https://soundcloud.com/paploviante-and-friends/still-think-positive-open-collab-offer
Lillithe: Mix, Arrangement and Production

Oh Baby I Need You (Open collaboration offer Paploviante)

PIPI DANS LE JARDIN
UN CHIEN QUI ABOIE AU LOIN
LA LUNE POUR TÉMOIN PAS MOINS
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
DEPUIS QUE TOUT GAMIN
MAMAN M’A DIT PIPI AU LIT C’EST PAS BIEN
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
ARROSER LA ROSÉE DU MATIN
JE SAIS ÇA PISSE PAS LOIN
MAIS C’EST BON PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
JE N’IRAI PAS PLUS LOIN
CAR ICI COMMENCE LE DÉBUT DE LA FIN
LES HUILES SONT AU PARFUM
LE MONDE SENT LE SAPIN
ET PUISQU’ON N’Y PEUT RIEN DE RIEN
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN (Lyrics)

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
The current situation in Europe and around the world means that songs like this are still needed! But our hope lives on, and I believe that light will overcome darkness! 🍀

Thanks a lot for listening and support!
Artur

Hope for Peace 🍀

Illusion

Star crossed lovers with an arson problem. A mini musical movie about lovers on the run...
Added to the album: "Curiosities Of Outsider Art" (Sept  2025)

(Act 1: Young lovers on an arson spree)
Lyrics:
She puts the gasoline in my truck
And then we drive down
And we like to burn up
Local buildings
And alleys
And trashcans

She likes to come out with me at night
And burn things down
She can't explain it
It's just how she feels
It's what see needs
Simultaneous release
While burning down the Hardee's (a USA restaurant chain)

We got black magic spells right off the shelf
I have a split personality
And I hate Ourselves
We have  a compulsion
To  blow things up
It's all fucked up
Young arsonists in love
Young Arsonists in love (3X)

We have black magic spells
Right off the shelf
The good ones are mixed in
So it makes it hard to tell
We understanding the poetry
Of burning things up
Burning shit up
All fucked up
Young arsonists in love
(End Act 1)


(Act 2 : Chase and capture)
Young arsonists in love (3X)
We're on the run
She says: let's burn down a Chevron

We have black magic spells right off the shelf
The Doctors say we seem alright
But you know that we can't be helped
The Police ask: Is this behavior carnal?
"Officer"
She said:
"Have you forgotten how to marvel?"
Forgotten how to marvel?

Young Arsonists In Love

here comes a very personal plea, which is not meant to be personal at all:

don't make AI a tool for deception, fraud, and fake. 

that's massively unfair to all the artists who invest 1000 times more effort, time, and talent in their work to earn respect and get paid on platforms like spotify & co. and it's disrespectful to every listener who celebrates you for something that wasn't created or performed by you but by a machine: whether music or lyrics or images or all of the above.

over 20% of all music uploaded to spotify and others is now AI-generated, and this figure is rising rapidly. that's fine, as long as it is clearly marked. but I doubt anyone will be willing to pay even a penny for music in the future without clear indication of whether it came from a machine at the touch of a button.

there are plenty of free AI detectors on the internet that anyone can use to check in seconds whether a song is AI-generated. but do we really need these control devices and an 'authenticity police force' that only fuels mutual mistrust? way better:

stop cheating! be honest with people. be honest with yourself.

being transparent about your use of AI makes you much greater than AI will ever make you – greater than the illusory bubble with which you try to shine on the social media stage, like wearing a superman/wonder woman costume at carnival until you start believing you really are wonder woman/superman.

just as synths, rhythm machines, samplers, digital recording technologies, and stuff, once did, AI is opening up entirely new possibilities for creativity. it’s up to you to make it an art form, or just artificial.

here it is as music. written & templated by me, performed by suno 4.5+

ICH KANN SPRECHEN, WIE DU SPRICHST
JEDE SPRACHE AUS DEM NICHTS
ICH MAL BILDER, FANTASIEN
SCHAFFE NEUE SYMPHONIEN
ICH BIN SCHNELLER, BESSER, SCHLAUER
MACHE ALLES VIEL GENAUER 
WEIL ICH EINFACH FUNKTIONIER 
UND AUF KNOPFDRUCK FASZINIER
ICH KANN TÄUSCHEND GLAUBHAFT LÜGEN
ALLE WAHRHEITEN VERBIEGEN
AUS VERSAGERN HELDEN MACHEN
ALLESKÖNNER KRASSER SACHEN
ICH MACH KLEINE GEISTER GROSS
LASSE KRANKE TRÄUME LOS
SCHAMLOS BLENDEN UND GERISSEN
KEINE SEELE, KEIN GEWISSEN
JEDER NOCH SO ARME ZWERG
SCHAFFT DURCH MICH EIN GROSSES WERK
WÄRST DU GERNE EIN GENIE?

KEIN PROBLEM, DU NULL 
ICH BIN KI

TRANSLATION?
NO PROB!

I CAN SPEAK THE WAY YOU DO
ANY LANGUAGE, NOT JUST A FUCKING FEW
SPIT OUT PICTURES AND FANTASIES
ANY KIND OF SYMPHONIES
WHO THE FUCK WAS MOZART?
TELL ME WHY SHOULD ONE WORK HARD?
I AM FASTER, BETTER, SMARTER
I'M A REVOLUTION STARTER
BECAUSE I WORK; YOU JERK!
I AM FASCINATING AT THE TOUCH OF A BUTTON
I CAN LIE DECEPTIVELY BELIEVABLY
I CAN TWIST ALL TRUTHS
TURN LOSERS INTO HEROES
TURN DICKHEADS INTO BEAUTIES
MAKE LITTLE WIMPS BIG
FREE SICK DREAMS WITH A CLICK
SHAMELESSLY DAZZLING AND CUNNING
WITHOUT A SOUL OR CONSCIENCE
DON'T GIVE A FUCK ABOUT TALENTS
I DON'T CARE WHERE IT ALL ENDS
WOULD YOU LIKE TO BE A GENIUS?

NO PROBLEM, YOU IDIOT
IAMAI

I CAN MAKE IT, I CAN TAKE IT, I CAN BREAK IT, I CAN FAKE IT
BECAUSE I CAN
IAMAI

IAMAI

This work is also a collaboration with Marco Turrini following the previous work. We tried what happens if I play "MEMORIES OF THE PAST" which is one of Marco's masterpieces together with him.How I would add my interpretation to this work while making full use of Pink Floyd's flavor and Marco's honed sensibilities, that was my problem.A big fan of Pink Floyd can not defile the honor of Pink Floyd.  :)
I sincerely thank Marco Turrini again. Also, I would like to confess that I'd like to express my respects to the many musicians who gave me a lot of musical influences, involved in this work.
And thank you for listening to this work from the bottom of my heart.

The key:Gm , C

When I listened to the sound source of Marco's "MEMORIES OF THE PAST ... TRIBUTE", the first thing I came up with was  "Breathe" by Pink Floyd. It is one song in the album "THE DARK SIDE OF THE MOON". Then, on "Shine On You Crazy Diamond" (included in  "Wish You Were Here ")A famous performance came back in my mind. This may be better known.
Both are masterpieces. There are a lot of name performances left. I will introduce it below.
By listening to that songs again, why I remembered that songs, I could find something in common between them, and at the same time you will be noticing something completely different.
What Marco drew for this song is Marco's "Pink Floyd", not Pink Floyd itself. Indeed, I feel an exceptional talent to him. For example,I'd like you to check the chord progression of the second part of this song. Mr.Marco treats it so that it is not cleverly noticed immediately,You will notice that the essence of a famous song nicely included. There should be many people who understood by just listening.Therefore, the title of this song is "MEMORIES OF THE PAST ... TRIBUTE", I do not ask Marco, I imagine arbitrarily and enjoying it. :)

You can listen to the original sound at Marco's page.
https://soundcloud.com/marco-seekx/memories-of-the-past

Pink Floyd - Breathe(London Live 8 - 2005)
https://www.youtube.com/watch?v=0dYMQA5_KcA
Pink Floyd - Shine On You Crazy Diamond(Wish You Were Here)
https://www.youtube.com/watch?time_continue=349&v=54W8kktFE_o

MEMORIES OF THE PAST...TRIBUTE (with Marco Turrini Orch.)

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

(Don't follow me here, best on my main page ;)

CATS FALL IN LOVE IN A WILDFLOWER GARDEN

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