DANGEROUS SAILING OF THE HARDCORE CROWN

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

EQUALITY  For ALL - Let GOOD OVERCOME - Vocals for Collabs

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Please enjoy my latest offering to you all. It is another seagoing inspired track. Over the years I have seen many deep ocean whales in their natural setting but only once have I seen a pod and it was awesome. There must of been at least twenty of them spread across the bow at distance. I immediately reported my sightings to the captain who immediately stopped engines.  He went on to explain that in this situation you have two choices you can go hard to starboard or port depending on our postion relative to the whales course or simply stop the engines and take in the view explaining the chances of seeing another pod this large is very remote. this all happened long before smartphones came along so we had no way of recording the event. This took place when I was nineteen and I am now 71 and it is a memory that has stayed with me all these years. So I say to all our fantastic young people .... You are at the stage in your life were you are creating your memories .... .don't waste a minute. Thank you all for the great support you give me.... love and peace..

Music.composition,arangement,mix and production ....Pablo

Calling The Whales

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman (Eclectic Collective)

Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent

Track Credits:
Stricknice: Live drums, ending remix
@j-nice-6
Bitzone: Mix and Master
@bitzone
www.bitzones.net
Wou-Wou & the Wormling: Bass, Guitar, Original Demo Track, Song Art
@wouwouandthewormling
wouwouandthewormling.bandcamp.com
www.instagram.com/wouwouandthewormling
the Couch King: Lyrics, Vocals, Samples, Production
musiciselation.bandcamp.com

Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent


Black Bloc

Stricknice, Bitzone, Wou-Wou & The Wormling, and the Couch King - Black Bloc

Hey all, I thought this fun experimental piece still felt minimal with open spaces ready for further development. So I'm sharing it out as an open collab and hoping others will be interested in taking up the challenge!

It's a bit of a weird one, but please feel free to use as many or as few elements as you would like. Here is a link to the stems:
https://drive.google.com/drive/folders/1THt60PCv9tYi2b6fxKciQcs-7ykBEf2b?usp=sharing

For inspiration, check out the totally different direction that E.P. Beats @lala-land-361191160 took with it on his crazy-cool phonk remix!
https://soundcloud.com/tea_are_sea/orange-mound/s-aIKH4o6kwzw?si=0ac79d337bea4ab5bb8dbca92ab28058&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

If anyone else makes their own mix I'll start a running playlist and link it here.

Sunset Circus - OPEN COLLAB

Art can sometimes be radical and have a strong impact on people. Hardcore is the attitude of sticking to self-expression without pandering. I don't care if my songs are art or not. Oh, the English word "hardcore" also means that "art can go beyond a hobby or a job and become life itself. That stoicism and passion" is what makes it hardcore. I would like to emulate this meaning.

№318 Art is hardcore (318)

L’observateur observé. Un genre de méditation sonore où J’ai voulu mélanger différents genres musicaux avec vers la fin une intervention de Taf, mon ami Sénégalais qui a posé sa très belle voix, c’est un voyage « Inside » car il se passe beaucoup de choses à l’intérieur de notre cerveau humain, entre le conscient le subconscient, le supra conscient, à la fin ça fait beaucoup de monde et ils ne sont pas toujours tous d’accord, on dirait même que des fois il se prennent la tête l’un dit quelque chose, l’autre dit autre chose.
Mais puisqu’en nous subsiste un infini espace d’une grande profondeur où règne la paix, le calme, le silence parfois comme un guide qui nous emmène ailleurs, vers l’invisible, peut être vers cette énergie cosmique, vers les étoiles, vers la lumière, plus haut, plus loin….  

Paroles, chant et musique : Steph Ouna
Cœur et image : Lena https://soundcloud.com/user-262019520
voix Sénégalaise à la fin du morceau : Taf

Une initiative, émotive, passive
Un rêve éveillé
Une bouée qui dérive
au flux et courant des marrées
Sans jamais s’échouer

Croire à son étoile
Connecté à ses pensées
La main posée sur la toile
Libre et se laisser guider
Retrouver un peu d’espoir
De magie de coté

C’est vrai, tu as raison
Je vais maintenant, t’écouter
Si mes tourments te gênent
Je les enverrai en recommandé

Tous ces déserts, amers
N’auront plus aucun effet
Dérision d’éther
Etrange et sur mon caractère

inside

Here’s a little Chill ….
Hope you are all keeping well out there and the temp is rising!!
Thank you for all your kind support

Unravel  ( Instrumental version )

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Selmer Alto Saxophone solo. Gibson L5 Electric Guitar solo. Acoustic Stand-up Bass. Hammond Electric Organ Rhythm With Bass. Stand-up Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Drums Acoustic full kit set. Percussion Tree  Chimes. Zildjian Ride & Crash Cymbal. 

Carmel

Sailin

Sailing

Music, lyrics & vocal : David Todd
Instruments & mix : PJ Project

The Drunge

i can’t get over you
i can’t let go

a randy catastrophe
a dark rodeo

i can’t get over you
i can’t let go

too feral to wait for me
too slinky for slow

i’ll be waiting
by the water
will you meet me
tomorrow?

high jungle of emptiness
footprints in the snow

i can’t get over you
i can’t let go
-------------------------------------------------------------------------------------------------

Thanks to Jacques DiCroce, Janine Levinson, Cheesemont Paisely-Paisely, David Weiss and Wheelwright for early listening, support and ace suggestions.

I'll Be Waiting

Crown

Andy Rivera VS French Montana & Swae Lee (Dramantic Remix)

additional vcls Barbara Browning

HE’S A TWO WHEELED MAN C’EST MONSIEUR BICYCLETTE 
COMME JACQUES TATI DANS JOUR DE FÊTE 
AND HE BROKE EIGHT RIBS AND HE CRASHED HIS BICYCLE
BUT NOW THE MAN IS BACK IN THE SADDLE
DO YOU REMEMBER THE BAND 
LICORICE ROOTS WAS THE NAME 
CHECK THEM OUT MAN I’M A FAN 
ALTHOUGH THEY HARDLY MET FAME

HE’S THE BIRTHDAY MAN
IN HIS USED WETSUIT
CHASED BY SOME RACOON POLICE FOR HIS SUSPICIOUS ROOT 
AND HE STICKS TO HIS STICKS THE SAME OLD LICKS
ONCE A DRUMMER DAVE A DRUMMER FOREVER
YOU PLAY YOUR MELODEON 
JE SORS MON ACCORDÉON 
AND WE MAY START A NEW BAND 
POTENTIALLY HITTING FAME

DO YOU REMEMBER THE BAND 
LICORICE ROOTS WAS THE NAME 
AS LONG AS THEY HAVE ONE FAN 
THE SONG WILL REMAIN THE SAME

YOU GOT IT ALL
IT SEEMS TO ME
25 YEARS OF THE VERY BEST COMPANY 
LAURA MATT KITTIE MOLLY
L’AMOUR LA MER LES PHOQUES ET 55 BOUGIES
HE’S A TWO WHEELED MAN A TWO WHEELED MAN 
A TWO WHEELED MAN A TWO WHEELED MAN
LOVE

LICORICE ROOTS (Lyrics) Song for Dave

Living My Best Life In The Simulation / Silver Bella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/23452/living-my-best-life-in-the-simulation-main-vocal-by-silverbella-87bpm-rnb-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering
Lyrics:
Manifesting like a queen
My life's a movie scene
Come and check out all my cars
Living large like the stars

Anything I want I can make real
Pulling my future from the quantum field

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
The simulation, the simulation

If I want to watch a show
I flick a switch on my remote
When the Knicks are on the floor
Then I'm sitting centre court

Worked my way to the top of my field
That's how I pay for all of these ideals

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
The simulation, the simulation
The simulation, the simulation

They said why don't you try one of these red pills
Well, I tried but all I got from them was chills
To be wide awake you gotta have the skills

And things don't get any better than this
I'm living life of pure bliss
No, things don't get better than this
I'm living life of pure bliss

Things don't get any better than this
And if I had a word, I'd say pure bliss

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
I'm embracing the simulation
I'm embracing the simulation
I'm embracing the simulation
I'm embracing the simulation

I need an all-inclusive trip to Mexico


Living my best life in the simulation

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

Ice On Fire

(Don't follow me here, best on my main page ;)

DANGEROUS SAILING OF THE HARDCORE CROWN

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