GOOD ENTROPY FROM THE DEEP FOREST

I'm very glad to share this great piece, came through an intense step by step collaboration with Jowwwafi. It started by fitting one of my old poems to some chords he sent to me, then... well you'll get the best description by listening to it 5 or 6 times ;)
Feel free to check our previous collab https://soundcloud.com/jowwwafi/nowhere, and his whole cloud @Jowwwafi.

Letras / Lyrics

Escucho tu risa  /  I listen your laugh
y oigo tus pasos, espero.  /  and hear your steps, I wait.
Te miro, y al ver tu sonrisa,  /  I look at you, and seeing your smile,
no dudo, te quiero.  /  I don’t doubt, I love you.

La suave fragancia en tu cuerpo jovial,  /  The soft fragrance in your cheerful body,
llegó el amor, tu perfume me excita,  /  love came, your scent excites me,
tu cálido aroma, es primaveral,  /  your hot aroma, is from springtime,
y versos de amor sobre tí me recita.  /  and verses of love about you it recites me.

Tu risa sincera,  /  Your laugh is honest,
tu risa, hermosa,  /  your laugh, beautiful,
tus labios, preciosa,  /  your lips, precious,
hacen que te quiera;  /  they make me to love you;
si bien yo quisiera  /  Though I wanted
con ellos hacer otra cosa:  /  with them to do another thing:

¡Ay si yo pudiera  /  Ay if I could
besar, tan siquiera,  /  kiss, at least,
tan maravillosa,  /  so wonderful,
tu boca,  /  your mouth,
color de la rosa!  /  color of the rose!

©2014 JOWWWAFI & E-RUIZZO – ®2014 FRANCÉS RECORDS ;P

Tu boca, color de la rosa (with Jowwwafi)

From the album "Cairn" (2024)
Watch the music video:  https://vimeo.com/915812584

Lyrics:

Forest Giants

On and on and on and on and on
On and on and on and on and on
On and on and on and on and on
I'm on my way
I'm on my way

Hey loner
Come over
To my forest
It's getting warmer
Stay hidden
Forbidden
It's written on the wind

On and on and on and on and on
On and on and on and on and on
On and on and on and on and on
On
I'm on my way
I'm on my way

ISRC:
uscgj2449650

Forest Giants

Ein Gute-Laune-Song über schwesterliche Liebe. Hier der Text:

Beschde (Lilli A.)

Na, nana, na, na.

Ich steh‘ an Deiner Seite,
kein Weg ist mir zu weit.
Für jede Form von Unfug
bin ich jederzeit bereit.

Herz gebrochen. Du hilfst mir auf,
wenn ich am Boden liege. 
So viele Menschen,
viel zu wenig Liebe!

Du bist die Beschde
an jedem Tag,
weißt wie‘s mir geht, selbst
wenn ich gar nix sag.

Na, nana, na, na.

Mancher Glücksmoment mag
vielleicht einmal vergehen.
Doch in unserer Erinnerung
bleibt er ewig bestehen.

Schwesternzweisamkeit
wir kichern asynchron.
Es ist uns ganz egal.
Die Leute gucken schon.

Du bist die Beschde
an jedem Tag.
Hab ich Dir heut schon gesagt,
dass ich Dich mag?

Du bist die Beschde,
hast mein Humor.
Jeder Moment mit Dir
ist besser als davor.

Na, nana, na, na.

Das Leben ist zu kurz für irgendwann.
Dann lass uns leben im Hier und Jetzt.
Es muss nicht perfekt sein,
sondern nur echt.

Du bist die Beschde
an jedem Tag.
Hab ich Dir heut schon gesagt,
dass ich Dich mag?

Du bist die Beschde,
soll ich’s buchstabier´n?
damit die Norddeutschen
es auch kapier’n.

Na, nana, na, na.

Beschde

BonusFreeLoad
https://hearthis.at/trancylvania/montblancmisunderstood-2024/

TKX :)

Ibiza1999

Ibiza 2024 remix

Music : Janne Hennie & PJ Project
Vocal & lyrics : Janne Hennie

Lyrics:

You tighten your grip that you have on me
Iam so scared
Baby , why can't you see
That you got me exactly where you want..
When you say you're leaving
I beg you Please baby, don't!

If you tell me to jump
I will only ask: how high?
with no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

You can take all my money
Spend it your way
You can take whatever you want
As long as you stay..
You don't have to love me
Or tell me that you do
You can do what the hell you want
As long as i have you!

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me , baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

Desperat Love W/ Janne Hennie

In the shadowed alleys of a metropolis plagued by corruption and despair, lurks a figure shrouded in mystery, known only as Trapezoid.

Trapezoid

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

Original composition, acoustic & electric guitars, bass, drum programming by Neno J.

Good Old Days

Music: Composed, written, mixed, mastered, by: Prod. Riddiman

www.youtube.com/@ProdRiddiman

Vocals/Lyrics: Written, performed, mixed and mastered by: The Mysterious Decibel

Lyrics:

Do the monsters from the dark dimension tell campfire stories too?
Do the monsters from the realm of unknown make the antagonist out of you?

Sick and Disgusting
Perverted and untrusting
A planet just crusting with parasitical bustings from the wombs of the wicked
We are so addicted
To the madness afflicted
All the way from restricted

Do you even know what crafts a monster that walks on many toes?
Does it go any further than the realms outside the veins of your blood flow?

Do the monsters from the dark dimension tell campfire stories too?
Do the monsters from the realm of unknown make the antagonist out of you?

Who are all the Monsters in all the pages?
We are all the monsters! Let's burn the sages!
Who are all the monsters in all the pages?
We are all the monsters let's burn the sages!

Who are all the monsters?
Who are all the monsters?
Who are all the monsters?
We are all the monsters!

You can't cleanse me
I can't cleanse you
So let's sail the sinful seas
In a little Brittle black canoe

Prod. Riddiman x The Mysterious Decibel - Who Are All The Monsters?

The Scorpio

comin’ over
to my place tonight
dressed in clover
whets my appetite

i want to know
the afterglow

slide on over
i’ll take it at the light
black bulldozer
tailin’ us tonight

i feel the flow
the undertow

cold turkey
no way
i’ll get there
someday

now it’s over
turnin’ out the light
bruised all over
exiting stage right

i feel the flow
the vertigo
and now you know
the scorpio

--------------------------------------------------------------------

Thanks to Janine Levinson, Cheesemont Paisley-Paisley, and Wheelwright for consultations various.

Image by Hassan Sherif via Unsplash

The Scorpio

Is Life

My friend and close collaborator @rplanes offered me this great arrangement and the title and theme that he thought might make an interesting subject matter. Initially, I was scratching my head as the topic seemed too vast but then the ideas started to attach themselves to his melodies and I was hooked. Humans en masse appear to be taking wrong-turnings and making things worse rather than better. This is me letting off a little steam with Rod's help. Thanks for taking the time to listen.
Link to tracks on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics
Photograph - Courtesy of Douglas Corrance

Reverse Entropy (by Rodolfo Planes and Mark J Bennett)
We drift from order to chaos,
Like it’s the norm.
Without a sense of pathos,
To see the storm.
Following your safe instinct,
Where it may go,
Or go where you are told.

We let others cloud our vision,
Like they know best.
What happened to our ambition
Never addressed.
Following your safe instinct,
Where it may go,
Before we get too old

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge, and fulfilled by skill.
 
We fall for the theorists,
Like it’s gospel.
Go find yourself some realists,
Who’re less hostile.
Following your safe instinct,
Where it may go,
While you still have a hold.

We’ve been duped at every turn,
By those we trust.
Without alarm or concern,
Now we are bust.
Following your safe instinct,
Where it may go,
If you can still feel bold.

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge and fulfilled by skill.

All our futures are in your hands
With all that it commands
Focus on how it now all stands
Before making your demands.

Reverse Entropy - Continental Collision (by Rodolfo Planes and Mark J Bennett) now on Spotify

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Spotify

Sculptor

I strained my wrist playing guitar while practicing a new piece I hope to post in a month or two, so in the meantime I decided to freshen up a short piece I had on SC from a few years ago. It’s a simple melody, a musical meditation, towards peace; the dove of peace carries this message, through many cultures and religions. Peace is needed now, more than ever. Hope you may spend 2 minutes with me to meditate.
PS. Wasn't able to master this with clarity, so headphones/earphones best.

Peace Dove

Texte Français et Google Translate

ON S'AIME A DEUX

Je t'ai attendue quelques années,
Et puis un jour t'es arrivée
Pour moi une romance
Une belle page de chance.
Soudain tu m'as pris dans tes bras
Et je me sentais très bien là
Je ne serai plus jamais seul
Beaucoup de gens le veulent.
On sait se tenir par la main
Ensemble se faire un chemin
Très loin au bout du monde
Sur cette terre ronde.

Et puis on vit dans le bonheur
Sans maux de cœur
C'est bien d'être heureux
On s'aime à deux.

Regardons tous ces envieux
Qui nous jalousent dans nos beaux jeux
S'aimer c'est peu de dire
Nos vies sont des sourires.
Vivons ainsi jusqu'à toujours
C'est beau d'avoir l'amour
Malgré nos différences
S'éteignent les silences.

Et puis on vit dans le bonheur
Sans maux de cœur
C'est bien d'être heureux
On s'aime à deux.

Les larmes de joie sous nos yeux
Tous les plaisirs qui se font à deux
Que je t'aime mon cœur.
Ma vie est une merveille.
Pour moi tu es la plus belle
Que l'on s'aime mon cœur.
Quand je te regarde magnifique
Mon dieu que le temps passe vite.
Mais tout çà est ainsi
Dans l'âge on se suit bien ensemble
Plus on vieillit on se ressemble
On s'aime à deux.

Et puis on vit dans le bonheur
Sans maux de cœur
C'est bien d'être heureux
On s'aime à deux.
On s'aime à deux.


WE LOVE EACH OTHER

I waited for you for a few years,
And then one day you arrived
For me a romance
A great page of luck.
Suddenly you took me in your arms
And I felt very good there
I will never be alone again
Many people want it.
We know how to hold hands
Together we make a way
Far away at the end of the world
On this round earth.

And then we live in happiness
Without heartache
It's good to be happy
We love each other together.

Let's look at all these envious people
Who envy us in our beautiful games
Loving yourself is an understatement
Our lives are smiles.
Let's live like this forever
It's beautiful to have love
Despite our differences
The silences fade away.

And then we live in happiness
Without heartache
It's good to be happy
We love each other together.

Tears of joy before our eyes
All the pleasures that can be enjoyed together
That I love you my heart.
My life is a marvel.
For me you are the most beautiful
May we love each other my heart.
When I look at you beautiful
My god, time flies.
But that's all it is
In age we follow each other well
The older we get we become more alike
We love each other together.

And then we live in happiness
Without heartache
It's good to be happy
We love each other together.
We love each other together.

ON S'AIME A DEUX

Mysterious creatures of the forest.

This is one of those songs, you just had to get off your chest! All of you creatives will understand that. Its not the hippest or the coolest song , even the music  is understated and the production is lacking, but the words are where the heart is .

Thank you for all of your wonderful plays playlists and shares, very much appreciated!


(c)  Vocalatti ASCAP

Deep Blue

EverGreen / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

EverGreen - Open Collaboration Offer

Opus81

(Don't follow me here, best on my main page ;)

GOOD ENTROPY FROM THE DEEP FOREST

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