SPRINGTIME PAINTED FACES AT 2:30 AM

Interpretación y arreglos : Jesús Flores.


Producción y Mazterizacion: Arturo Guevara G.
The Noise Infection Studio

Popurri Vicente Fernandez

WRITTEN, PRODUCED, ARRANGED AND PERFORMED BY: DOMINIQUE MONIQUE aka  DOMINIQUEFRENCH
INSTRUMENTAL REPLAYED, ARRANGED & VOCALS MIXED BY: JOE WEINBER aka (COtu) TREY W
MASTERING BY: MARK FELISH-NY

LOVING U LOVING ME

Loving-U-Loving-Me

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

HOPE FOR HUMANITY - Vocals for Collabs

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Painted 150 BPM

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
Guitar (Nylon electro-acoustic guitar Cordoba GK studio) and final mix by Neno J.

Tango passionato (Collab with J.J. Terrell)

Greetings Amigos! Finally back with a new one.
132 Bpm. Big energy & uplifting vibes on this.
Much more in the pot. Coming real soon.
Appreciate you listening, Feedback etc.
Big love. Uploaded on 30/05/2025.

Enjoy the process

2:30 AM

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

discover the friendly frog in you...it can't be wrong...it just keeps moving forward...it just takes a little patience

Starlight Infiltration

Min serenad till dig. 1034 ( 1996 ) Margareta Theorin - Eddy Mango ( Margareta )

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-version-original-ver-texto
Para escuchar la versión con MV  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-feat-mv
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-instrumental

Iluso de mí.

Ya ha pasado bastante tiempo
desde que fui tu pasatiempo
hoy no quiero ni siquiera recordar
los días vividos en aquel lugar.

Creo que no me querías
y aunque lo presentía,
no sé por qué te adoraba;
creo me despreciabas
pero si me mirabas
todo se me olvidaba.

¡Ay, qué iluso que fui!
pensé que lo importante
de esta vida era amarse
pero esto no así
porque hay muchas más cosas
que todo lo condicionan
y hay que hacerlas porque sí.

Yo creía que era tu amigo
y no pasé de conocido
pues muy pronto tu orgullo afloró
y con él ¡cómo no! tu reputación.

Creo que te divertías
sin duda a costa mía
junto a tus buenas amigas;
creo también que sufrías
porque sé que era envidia
lo que muy dentro sentías.

¡Ay, qué iluso que fui!
envidia de mi mundo
tan diferente al tuyo
tan presente para mí
que impidió que me saliera
por unas cuantas monedas
con su ayuda te vencí.

Fool that I was.

It's been a long time
since I was your hobby
today I don't even want to remember
the days we lived in that place.

I think you didn't love me
and although I sensed it,
I don't know why I adored you;
I think you despised me
but if you looked at me
I forgot everything.

Oh, how foolish I was!
I thought the important thing
in this life was to love each other
but not so
because there are many more things
that determine everything
and you have to do them just because.

I thought I was your friend
and I didn't go beyond being an acquaintance
because very soon your pride surfaced
and with it, of course! your reputation.

I think you were having fun
no doubt at my expense
with your good friends;
I also think you were suffering
because I know it was envy
that you felt deep inside.

Oh, how foolish I was!
Envy of my world
so different from yours
so present to me
that it prevented me from leaving
for a few coins
with its help I defeated you.

Iluso de mí AC (Feat. MV)

'An Epoch Of Insanity' inspired by the current plethora of ego manaics in charge of our world. I'm joined by my good friend, composer, arranger and master musician, Georg Boehme. All wind arrangements and sax solos are by Georg. Main composition and everything else by myself, including production.

Dont Smudge The Ink

An Epoch Of Insanity

An Epoch Of Insanity (Feat. Georg Boehme)

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Rainbow -  - Output - Stereo Out

(Don't follow me here, best on my main page ;)

SPRINGTIME PAINTED FACES AT 2:30 AM

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