I don't know this song as done by Phish, but your version is gorgeous. Quite an intimacy in the delivery Josh! Brilliant touch at the end to go to the transistor radio EQ.

Love the vocal harmonies and effects! Very excellent cover!

Lovely song! the vocals and all the instruments sound great!

A really wonderful cover! I'm not familiar with the original, but it's clear that you two made it your own. Great job with the harmonies. Nice ending too!

this is beautiful Josh-Great production from Stephen and his mighty banjo:)

Nice acoustic one - - - - - - this time it reminds me something you probably don't know : "Salut les amoureux" by Joe Dassin (a French singer)  - - - --  ; - - - -- - )

Awesome calm and nostalgic folk song!! I love it🌹

SPRINGTIME PAINTED FACES AT 2:30 AM

Over There

Painted 150 BPM

Giving And Taking
------Cloud Stepping
(Chorus)
Life is relative, to the one that’s living it
Inside outlook, to giving and taking it
Experience god’s works, all senses
We were given just a little bit
We couldn’t handle it all 
the few we have can nearly fit---NOT barely
the few we have can nearly fit

(Verse1)
If we knew it all, and all
Then nothing would matter
It’s all a puzzle to be solved
We have always been the answer
The plan of god without reward
Evolves in different ways
We are all awake in different dreams
To let the devil play

(Verse2)
Who amongst us hear the screams
Of millions of lives lost, 
and don’t look on it as savagery
And wonder what’s the cost
What’s the worth, and what’s the cost
Are we listening or not
Are we listening or not

Giving And Taking

a little musical gift for my dear friend Francesco
@francescocartocci

la favola della buonanotte

The Floating Island is a metaphor for the challenging goal of achieving peace among all humans, and a respectful relationship with nature throughout our world.
Music, Poem, Composition: Andrew Janik https://burythejar.bandcamp.com/
Voice: Oddrun Eikli
Photo: by MAR 
https://www.instagram.com/michaelanthony333/

Thank you Andrew, for your beautiful music, and for this JOY.

Floating Island


Seek. Peace
Water. Sunlight
Sleepless. Night
Waves. Caress


Sand.  Storm
Inner. World
Lost. Found
Radiant   Diamond


Floating. Floating
Floating. Floating
 Free


Fish. Speak
Stars. Sing
Plants.  Nourish
Angel. Wing


Floating. Floating
Floating. Floating
 Free

Floating Island . Music: Soundpainter. Voice: Oddrun Eikli

2:30 AM

True

Tom Régnier https://soundcloud.com/tom-r-gnier approached me with a beautiful piano piece and with the words 'Kiss Me Goodbye' to ask if I could make a song lyric out of this. After receiving my short sung part and having superb contributions from Jussi Welin https://soundcloud.com/juswel (Guitars and guitar arrangements) and Georg Boehme https://soundcloud.com/georg-boehme (Flute & Horns), Tom described it more as a journey than a song and I think he is right.
Painting by Paul Cézanne.


Kiss me goodbye
Now is the time
For us to part
Let it show
With all of your heart
Kiss me goodbye, let me go

Kiss Me Goodbye - Tom Régnier & Friends

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

Play it. X ( 1992 ) Eddy Mango ( Eddy )

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

🛋️✨ A theatrical meltdown disguised as a therapy session! Follow Me as I try to explain my very normal morning.... until the appliances start talking back. 🍞☕💥 This whimsical musical number is packed with drama, sass, and one unforgettable demand: RINSE. THE. FUCKIN. SPOON. 🎭🥄

Those who know me will understand this song.

If you survived this session and want more emotional caffeine, Therapy continues here: https://soundcloud.com/krazy-krissie/therapy-with-krissie-coffee-first-sanity-later

☕😵 The breakdowns get messier, the appliances get louder, and the spoon’s still not over it.

#Unhinged #ComedyCabaret #KitchenOpera #KrissieChaos #ToasterTrauma

****Lyrics****

Well, Doctor, you see...

I stepped from the shower with peace in my soul,
Towel wrapped, hair damp, on a breakfast patrol.
Tiptoed downstairs through the morning light,
All I wanted was toast, not a fight.

The kettle said,
Oh look who decides to EXIST. Mid-morning. Again.
Hope your soggy sourdough’s worth the delay, Your Highness.

I laughed it off, tried to stay kind,
Reached for the bread, tried to clear my mind.

Then the toaster said,
Not this gluten-free nonsense again.
Do you hate me?? Is that it??

I backed away, my hands in the air,
No drama, I said, we’re just making breakfast.
I pivoted smoothly to cereal instead.

But the dishwasher said,
The dishwasher said,
Wow. Left the spoon on the counter AGAIN.
Do I look like your emotional support appliance?
Rinse the spoon.
RINSE.
THE.
FUCKIN.
SPOON.

...It was one spoon, I muttered.

Then the kettle hissed,
You never WAIT for me to finish boiling!

I didn’t know you had a schedule, I replied.

Next, the toaster snapped,
Stop forcing me to eat your health journey!

It was ONE gluten-free crumpet!! I snapped back.

From the drawer, the whisk screamed,
I’M FROTHING MY FEELINGS!!!

I don’t even know what that means... I whispered.

The fridge muttered darkly,
You left me open for four seconds. I noticed.

I WAS GETTING JAM!!! I shouted, losing my grip.

Then the microwave whispered,
I long for death.

...You heated soup yesterday, I said, completely baffled.

Behind me, the blender howled,
YOU DON’T EVEN KNOW MY SETTING NAMES!!!

I AM NOT THE VILLAIN IN THIS STORY!!!
I WAILED!!!

Therapy with Krissie #1 🍞😩 I Just Wanted Toast 😩🍞

Cast of characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar

J.J. Terrell– @j-j-terrell – organ, envelope synth, vocals along with Josh

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass

Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him.

Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ and envelope synth throughout. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section.

Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear through most of the song. He also added the exotic sitar you hear in about the middle.

Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner.

This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart.

We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon (Eclectic Collective)

Inspired by some recent reading of Kierkegaard's Purity of Heart Is To Will One Thing.   This idea of man living in time and at the same time always responsible and answerable to the Eternal. The idea of the eleventh hour has perhaps been cheapened in the 20th and 21st century; the term has almost certainly been abused, used ironically to serve this or that end.  But the irony of ironies, indeed the irony of irony itself, is that the Eleventh Hour is ever with us as this kind of hint or ambassador of Eternity, this final moment in time before time slips away. 

Eleventh Hour

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

(Don't follow me here, best on my main page ;)

Dog Faced Boy by Phish (with Texmex Shaman)

Entheogenic Psychonaught (Josh Clary)

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HISTOIRE d'une INVENTION

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