Name: laelia techno_20240123 by e-veryday
Duration: 15 s
Description: @alexanderpanos

Cover of Oneohtrix Point Never's 'I Don't Love Me Anymore' 
Original: https://youtu.be/s2zqGnV5GTo 



Also this is a reminder that I recently released my Debut EP 'Tales of The Canary Cage'!

I Don't Love Me Anymore

little ambient thing that probably isnt gonna be on the album so i may as well chuck it out there :))

visioning is on streaming now also

it stands for "end of life care"

rest in peace

eolc

@voljum
original: https://youtu.be/O1_p08O7ots

brother got the got damn 🎶ᴅᴀʜ-ᴅᴀ ᴅᴀʜ-ᴅᴀ 𝓱𝓸𝓸𝓞𝓞𝓞ᵒᵒᵒᵒᎧᎧᎧ𝓸𝓸🎶_20230627

@samuelmarquis

Refractional anisotropy is a scalar value between zero and one that describes the degree of anisotropy of a diffusion process. A value of zero means that diffusion is isotropic, i.e. it is unrestricted (or equally restricted) in all directions. A value of one means that diffusion occurs only along one axis and is fully restricted along all other directions.

"We have tried to define in the case of Western music (although the other musical traditions confront an analogous problem, under different conditions, to which they find different solutions) a block of becoming at the level of expression, or a block of expression: this block of becoming rests on transversals that continually escape from the coordinates or punctual systems functioning as musical codes at a given moment. It is obvious that there is a block of content corresponding to this block of expression. It is not really a correspondence; there would be no mobile "block" if a content, itself musical (and not a subject or a theme), were not always interfering with the expression. What does music deal with, what is the content indissociable from sound expression? It is hard to say, but it is something: a child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off. We wish to say that these are not accidental themes in music (even if it is possible to multiply examples), much less imitative exercises; they are something essential. Why a child, a woman, a bird? It is because musical expression is inseparable from a becoming-woman, a becoming-child, a becoming-animal that constitute its content. Why does the child die, or the bird fall as though pierced by an arrow? Because of the "danger" inherent in any line that escapes, in any line of flight or creative deterritorialization: the danger of veering toward destruction, toward abolition."

- Deleuze & Guattari, A Thousand Plateaus

Art by Samuel Marquis and Zach Schwadel: www.instagram.com/zschwadel/

Samuel Marquis - Social Suicide Machine

laelia techno_20240123

@zaneschaffer - @frequentaudio @itscopycatt @hudsonlee

Cube_Remix_Recube II_20240123

eak!!!!!!_20240123

i love upstale but pepole be stealin and that's not gud i hope tehorjin will become better

review podcast 1 - thorJn

QCC INSTRUMENTAL 2_01

VV17CHØU7 - ɫ∞ɫ (Mixtape)

MONTAGEM HYPNOSAES ESPECTRAL 3 (MEGA SLOWED)

· every day, at least one audio clip will be posted
· each audio clip must be 15 seconds or less
· each audio clip's author may or may not be credited in the clip's description
· each audio clip must include its upload date in its title using yyyymmdd format
ex. "my title_20220101"

// this project is a collective endeavor with multiple contributors

laelia techno_20240123

e-veryday

Recent comments

Thorjn

O-Prime Delta

O-Prime Delta

Siobhan Kramer

Related tracks