1995 Modedit /  2015 original to midi edited with FL.

El kick queda como punto principal en esta composición, aunque el sampler de la voz de un niño da lugar al comienzo de una melodía macabra y potente. Que va subiendo  con unos sintetizados muy industriales y ásperos, al estilo de Devo o Kraftwerk en sus primero años.

Zoom (1995) (Fl Play)

Hello there dear legends! Continuing our journey through our solar system, this time gazing at Saturn's  largest irregular nonspherical Moon. Shoutout to  https://www.freetousesounds.com/  ,they have an amazing library of sounds. I've spent a few days on this track but it turned out great, I really hope you will enjoy it too. I've had a lot of fun playing with the arrangements, with finding the right basslines, added layers and layers of piano, some strings, breakbeat on the first half, and topped it off with some Cambodgia market sounds in the beginning and at the end. Just close your eyes and take a ride with me on this epic trip! Much love

"
Hyperion is the largest of Saturn's irregular, nonspherical moons. Hyperion's mean radius is 83.9 miles (135 kilometers), but since Hyperion is rather potato-shaped, its shape can be described in terms of its diameter along its three axes: 255 x 163 x 137 miles (410 x 260 x 220 kilometers, respectively). Considering its odd shape, Hyperion is probably a remnant of a larger moon that was destroyed by a major impact.

Hyperion's density is slightly more than half that of water. This could be due to water ice with gaps (porosity) of more than 40 percent. Also, lighter materials, such as frozen methane or carbon dioxide, could make up part of Hyperion. This is consistent with the concept of Hyperion accreting from a number of smaller ice and rock bodies, but not having enough gravity to compact them. Thus, Hyperion might be similar to a large rubble pile.

Hyperion rotates chaotically, tumbling unpredictably through space as it orbits Saturn. Hyperion orbits at a mean distance of 933,000 miles (1,500,000 kilometers) from Saturn in an eccentric orbit. This contributes to variations in the spin or rotation of Hyperion. A stronger effect on Hyperion's rotation is that it is in resonance with Saturn's largest moon, Titan, which orbits at 759,200 miles (1,221,850 kilometers). Thus, the two objects speed up and slow down as they pass each other in a complex set of variations. Because Hyperion is much smaller than Titan, its rotation and orbit are affected vastly more than the larger moon, and Titan apparently keeps the Hyperion orbit eccentric rather than growing more circular over time.

The great distance from Saturn and resonance with Titan has also kept Hyperion from becoming tidally locked facing Saturn. Hyperion rotates roughly every 13 days during its 21-day orbit.

The most noticeable close-up feature of Hyperion is its deeply cratered surface. Hyperion and its sister outer moons, Phoebe and Iapetus, all show extensive cratering because they are Saturn's most distant moons and have experienced very little tidal warming that might blur or erase earlier features. However, the Hyperion craters are particularly deep and do not have significant rays of ejecta (although there appears to have been slumping or landslides inside many of the bigger craters). The result is a curiously punched-in look, somewhat like the surface of a sponge or a wasp nest. Planetary geologists have theorized that Hyperion's high-porosity and low density would crater more by compression than excavation.

Many of the crater walls on Hyperion are bright, which suggests an abundance of water ice. The crater floors are mostly the areas of the lowest albedo (a measure of how reflective the surface is) and greatest red coloration. This may be because the average temperature of roughly -300 degrees Fahrenheit (-180 degrees Celsius) might be close enough to a temperature that would cause volatiles to sublimate, leaving the darker materials accumulated on the crater floors. This scenario fits with some of the newer crater floors being bright water ice. "
(  https://science.nasa.gov/saturn/moons/hyperion/  )

Hyperion

When I released the track "I wanna be a landscape" 2 1/2 weeks ago, it inspired Jenny to write some lyrics that she associated with the music. Here I took those lyrics, sung by Jenny, and used them as an intro to the track. The lyrics of Jenny go even further than I used them. I hope Jenny will release her own version of the track on her profile. https://soundcloud.com/user-315206953
I was really touched that my music was a source of inspiration for you, Jenny.

I wanna be a landscape - vocal intro

My new release, December 22, 2024.  I own all copyrights to this track and hold license to the female vocal.

Out Of My Body

Decided to try out something new, and it seems its going good.
Hopefully you like the track I have made WISH YOU ALL SOME GOOD CHRISTMAS......

SPOTIFY - https://open.spotify.com/artist/19WAzyTfWMhx0P9YO0R6z4

GOOD ASS SAMPLE PACK - VANDALISM
https://samples.landr.com/packs/ultra-techno-vocals-rave?genres=techno

FLEXING ON THESE HOXS

"Get Back" is OUT NOW!

Stream on:
Spotify: https://open.spotify.com/track/4wyQqAbiQFLdqfodPe59n6?si=607753c81aa84490
Apple music: https://music.apple.com/us/album/get-back-single/1786748868
YouTube Music: https://music.youtube.com/watch?v=D1StDLH4R2k&si=xePOX56gz9k5-qsJ

Socials:
Instagram: https://www.instagram.com/ragehogan
TikTok: https://www.tiktok.com/@ragehogan
Facebook: https://www.facebook.com/officialragehogan/
YouTube: https://www.youtube.com/@RageHogan
Spotify: https://open.spotify.com/artist/5CPCsfuIuVGbbvvi3NgWj7?si=nyeKbeRFQke_d4N17Vl3nw

All rights reserved.

#futurehouse #house #deephouse #futurebounce

Released by:
Rage Hogan

Release date:
30 December 2024

Get Back

DEADREDD - INSOMNIA || REDD RECORDS RELEASE

INSOMNIA

Me & You

Crankdat - STFU (VIP)
SLANDER - Wish I Could Forget (Zomboy Remix)
Seven Lions - Falling Fast (Perry Wayne Remix)

yuz's (DSWS pt.1)

Conduitress

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Euphoric Echoes (1)

Meet EquilibriuM (Ilas Lucian), a passionate music producer from Timișoara, Romania, who is 35 years young. His love for music has been a lifelong journey, but he officially embarked on his production path six years ago in 2019. Through his art, he aims to spread positivity and good vibes, reaching out to as many beautiful souls as possible, hoping you resonate with that sentiment as you read this.

EquilibriuM specializes in liquid drum and bass, characterized by enchanting piano melodies and deep, immersive basslines. His musical journey is also a cosmic exploration, where each release symbolizes a stop in our solar system and beyond, capturing the essence of a planet, moon or even a comet along the way.

You can find his music on platforms like Spotify, Tidal, Deezer, YouTube, and Apple Music.
'' Remember, never give up on your dreams and passions.

Love and hugs! ''