e-flux podcast

McKenzie Wark on her essay, "My Collectible Ass," published in the 85th issue of e-flux journal, October 2017.&nbsp;In conversation with journal editor Stephen Squibb. 

Read the essay: http://www.e-flux.com/journal/85/156418/my-collectible-ass/
Subscribe to the podcast via itunes: https://itunes.apple.com/us/podcast/mckenzie-wark-on-fate-art-collecting-in-digital-age/id1332021431?i=1000399156007&mt=2

Subscribe

McKenzie Wark on the fate of art collecting in the digital age

Vivian Ziherl&nbsp;discusses her curatorial platform Frontier Imaginaries&nbsp;on the occasion of&nbsp;TOXIC ASSETS: Frontier Imaginaries Ed.No3&nbsp;at e-flux, Columbia University, and UnionDocs in October 2017. In conversation with journal editor Brian Kuan Wood. 

Watch day one of TOXIC ASSETS on e-flux film & video: http://www.e-flux.com/video/167822/toxic-assets-nbsp-frontier-imaginaries-ed-no3-at-e-flux-and-columbia-university-day-1/
"The Fourfold Articulation" in e-flux journal #81, April 2017: http://www.e-flux.com/journal/81/126968/the-fourfold-articulation/
Subscribe via itunes: https://itunes.apple.com/us/podcast/vivian-ziherl-on-frontier-imaginaries-toxic-assets/id1332021431?i=1000399960426&mt=2

Vivian Ziherl on Frontier Imaginaries, Toxic Assets, and The Fourfold Articulation

Elizabeth A. Povinelli discusses four axioms of critical theory in response to her presentation, "Toxic Assets the the Extimacy of Existence," from Frontier Imaginaries Ed.No3 at e-flux. In conversation with journal editor Stephen Squibb. 

Read Elizabeth A. Povinelli in e-flux journal (http://www.e-flux.com/journal/): 

"Geontologies: The Concept and Its Territories" from issue 81, April 2017
"Geontologies: The Figures and the Tactics" from issue 78, December 2016

Elizabeth A. Povinelli on the four axioms of critical theory

e-flux founder, journal editor, and artist Anton Vidokle discusses cosmism with Kaye Cain-Nielsen, editor-in-chief of e-flux journal. You can read more on cosmism in the 88th issue of e-flux journal&nbsp;(February 2018).&nbsp;Featuring texts by Robert Bird, Maria Chehonadskih, Keti Chukhrov, Boris Groys, Trevor Paglen, Alexei Penzin, Marina Simakova, Arseny Zhilyaev, and a Timeline of Russian Cosmism compiled by Anastasia Gacheva, Arseny Zhilyaev, and Anton Vidokle.&nbsp;

Immortality for all: Anton Vidokle on cosmism

Zach Blas in conversation with Laurel Ptak, Art in General's Executive Director &amp; Curator, on the occasion of Blas's exhibition&nbsp;Contra-Internet&nbsp;at Art in General and his lecture-performance&nbsp;Metric Mysticism&nbsp;at e-flux. 

Zach Blas&nbsp;is an artist and writer whose practice confronts technologies of capture, security, and control. Currently, he is a Lecturer in the Department of Visual Cultures at Goldsmiths, University of London. His recent works respond to biometric governmentality and network hegemony. 

Read more about the exhibition, on view through April 21, 2018, at http://www.artingeneral.org/exhibitions/650

Read Zach Blas' essay in e-flux journal #74 (June 2016): "Contra-Internet" http://www.e-flux.com/journal/74/59816/contra-internet/

Contra-Internet with Zach Blas and Laurel Ptak

Artist Keren Cytter (http://kerencytter.com/) discusses past and future projects on the occasion of the premiere (http://www.e-flux.com/program/180226/film-screening-keren-cytter-nbsp-middle-of-beyond-in-conversation-with-jen-liu-and-kathy-noble/) of her film Middle of Beyond at e-flux. In conversation with Josh Altman. 

Middle of Beyond blends fiction, news clips, and animation recounting ten days in the life of Malte Krumm, a month after the latest US elections. The film depicts the numbness of a world flooded by information and social media activity, where the borders between reality and illusion are crumbling and narcissism and self-promotion overshadow moral values. Based on a true story.

Middle of Beyond with Keren Cytter

Conversations with some of the most engaged artists and thinkers working today.

e-flux is a publishing platform and archive, artist project, curatorial platform, and enterprise which was founded in 1998. Its news digest, events, exhibitions, schools, journal, books, and the art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. Its monthly publication e-flux journal has produced essays commissioned since 2008 about cultural, political, and structural paradigms that inform contemporary artistic production.