A record label bringing you music you can to live to.  

Our catalog so far includes releases by:
@mndsgn 
@lowleaf  
@inglewoodsir
@imanomari
@jonbap
@thelastartful
@kadhja-bonet
@underscorelojii
@swarvy
@charlottedossantos
@braxton_cook
@reva-devito
@bravobeats
@umiimusic
@dedemusic
@algorythm 
@hosannas
@reginald-chapman
@aru-2-1
@tiago-frugoli
@aanband
@trox-diesel
@emmavie100
@therobmilton
@djhsounds
@mirrorgazer
@lapisnoise
@mrmarstoday
@danny_dwyer
@juicebox914
@104rog
@roycewoodjunior
@lanebeckstrom
@davidmarstonja
@izco123
@telemakus1
@mreens
@sxlxmxnsxunds
+ always more coming soon.

In the beginning there was Jack, and Jack had a groove.

Infos :
http://www.fabricedayan.me/
http://www.facebook.com/fabricedayanofficial 
http://www.soundcloud.com/fabricedayan 

Voyeur Music : 
http://www.voyeurmusic.co.uk/ (Under Construction)
http://www.soundcloud.com/voyeurmusic
http://www.facebook.com/voyeurmusic

Bookings : cyril (at) voyeurmusic.co.uk
Licensing : emma (at) djcenter.com

NETWORK:
@seasonsusa
@visitationmusic
@theapolloclub
@lightboymagazine
@aestheticalondon
@bellizzi
@bobturnerlabel
@graduationsthehamptons
@wizard-world
@thephilanthropists
@teenagedreaming
@retrofear

Repost Submissions : bobturnerlabel@gmail.com
Demo Submissions : bobturnerlabel@gmail.com

NETWORK:
@bobturnerlabel
@fablestory
@aestheticalondon
@wendywexler
@bellizzi
@thephilanthropists
@teenagedreaming
@retrofear

これは私たちの雑誌です。
楽しんで！
Repost Submissions : bobturnerlabel@gmail.com
Demo Submissions : bobturnerlabel@gmail.com

NETWORK:
@lightboymagazine
@fablestory
@bobturnerlabel
@wendywexler

ALL-AMERIKKKAN BADA$$ available now https://joeybadass.lnk.to/AABA

“Got the beat by Powers and we just made a banger!” If you’re tapped into the genre-blurring sounds of hip-hop and rock music today, then chances are you’ve heard that producer tag often in the past few years.

It’s the calling card of Powers Pleasant, the DJ and producer with the chameleonic style who has lent his talents to an elite and wide-ranging collection of collaborators such as NBA YoungBoy, Denzel Curry, Princess Nokia, BTS, $not and, most frequently, his Pro Era brethren Joey Bada$$.

Born and bred in Brooklyn, NY, Powers co-founded the Pro Era collective that reinvigorated New York hip-hop in the 2010’s with the late visionary, Capital STEEZ and wunderkind Joey Bada$$. While attending Edward R. Murrow High School in New York City, the teens bonded over a shared appreciation of music of all kinds. Powers (yes, that’s his real name) was a gifted drummer and percussionist, raised by a jazz musician father and a music-loving mom who introduced him to his biggest musical influences—The Neptunes and Kanye West—and helped him get his start making beats. 

In the decade since then, Powers has evolved from bedroom beatmaker to platinum producer. His song-first mentality and gift for collaboration has yielded crew love classics like Beast Coast’s “Distance” and Denzel Curry’s standout collab with 6LACK, Rico Nasty, and Kitty Cash, “Ain’t No Way." This year he is set to release LIFE SUCKS, a follow up album to LIFE IS BEAUTIFUL, via Mass Appeal in October 2024.

Stephen Carr a.k.a. Digital is one of the UK’s well-respected & inspirational drum and bass producers with a career spanning 20yrs plus and a seminal catalogue of original & innovative releases to date. 

His signature bass-lines & radicalized dubbed out sounds reach back to his childhood seeing his Father run his own sound-system for nearly thirty years in Ipswich, UK. The moniker ‘Digital’ was given to Steve by the Ashanti Sound system, immediately recognizing his technical ability operating a sound system at the age of 14 while also relating the moniker to the future, his youth and the emergence of the digital age. It wasn’t long before Digital used his dad's sound-system on his own, in 1991, with the ‘rave scene’ growing in & around Ipswich he started to hire-out the system to various promoters, noticeably Danny C who he befriended through their love of music and raving. This is when he really got interested in the rave scene and its music triggering his curiosity that drew his attention to production…


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