The SBS Cycling Podcast is a bi-weekly cycling podcast. A sometimes irreverent and punchy look at the world of professional cycling with some serious bits profiling the big races and riders thrown in.

Born in an era where club music was mirror-ball classy and night spots were a place to unwind, Luc Baker knows how to serve up a fresh batch of dance floor devastators for your weekend. 

The young turntable artist isn’t about being labelled. He isn’t a hip hop DJ or a house music DJ, he plays music that makes you want to dance.  He packs the weapon of surprise in his shoulder slung arsenal, able to cater to any crowd at any time.

Luc Baker easily infuses elements of scratching and juggling within his RnB, Electro and Nu Disco sets, preferring the classic feel of vinyl records over digital platters, creating a raw and unique sound.  

When the night calls for club rockin’ Hip Hop and RnB, this mild mannered club jockey disappears into the darkness, ripping open his Armani Exchange shirt to reveal an oversized Lakers jersey with a 24 carat gold chain. He is a man living two lives, and the big booty crowd also know him as Lucrative, the inner city white knight, a secret identity you are now sworn to protect.

His notable technique and demanding physical presence has launched Luc Baker onto the promotional circuit.  As the face behind the music for such events as Fashion TV Canberra Diamond Model Awards and Rolfe BMW’s corporate events, Luc Baker can tailor his sound to all meet all needs. 

So for all you party people, grab your air force ones, Armani pullover and a glass of Hennessey and meet him on the dance floor.

Paris

@kidswaste's side project
contact - me @ kidswaste.com

Fifth album 'Inhale / Exhale' is out now: https://rufusdusol.llo.to/t/DsqJZm 

Dates & Tickets: www.rufusdusol.com

BOOKINGS: 
Alex Becket, Marlene Tsuchii, Darryl Eaton, Roman Trystram;  rufus@caa.com

MANAGEMENT:
Leisurely
rufus@teamleisurely.com

MEDIA: 
mfrieser@infamouspr.com

Good Songs on Spotify :) https://open.spotify.com/user/andrewapplepie/playlist/6X1t4rF1jd9bZXZVDxGtpJ
Get my Songs: www.andrewapplepie.bandcamp.com
Contact me: andrewapplepiemusic(at)gmail.com
Support me: https://www.patreon.com/andrewapplepie

Music: Guitar/Bass/Drums/Piano/Singing/Syntheeze/Hiphopbeats/Produc­tion/My Band Cat Stash

Chill Nation is the home to all your new favorite electronic, chill music.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Releases:

https://billyhoylemusic.bandcamp.com/
https://manmademountain.bandcamp.com/

DJ/producer, beats, remixes, compositions, bars, weddings, events, Stevie Wonder, Brazil, Brian Wilson, The Beatles, Rod Temperton, Studio Ghibli, exercise, basketball, dadding, words, hugs.

Eamon McGrath is following