On their latest full-length, Engineering The Void, Swedish death metal militia, SOREPTION, vomit forth a a multi-layered symphony of surgically accurate riff sequences, maniacal pace fluctuations, plenty of head-jarring rhythms and sprawling intervals of quietude, the six-plus minute opus is an all-consuming lesson in flawlessly assembled brutality.

Engineering The Void was recorded by Tommy Rehn from symphonic black metal collective Angtoria at Ninetone Studios and serves as the follow-up to SOREPTION’s debut full-length, Deterioration Of Minds. Applauded by Underrated Reviews for its, “superior sense of rhythm and razor-sharp precision that will appeal to fans of bands such as Cannibal Corpse, Suffocation, Dying Fetus and The Faceless,” the record reaped critical accolades both Statside and abroad. Noted No Clean Singing, “lots of bands are cranking our modern, technical death metal, attempting to out-do each other (and their forebearers like Necrophagist and Decapitated) with ever more intense instrumental pyrotechnics. Most of them fail at what they’re attempting, or at least fail to create anything you’d want to hear more than once. But SOREPTION have managed to tread this path successfully, not only through the precision of their playing but through the competence of their song-writing.  The music has got grooves and compulsive rhythms — and those way-cool contrasting guitar leads. It just makes you want to get up and fucking mosh and headbang and break shit!,” while Ultimate Guitar opined, “If there was one band…which had to be picked as the representative for what tech death is turning into, this would be it…” Added Metal Observer, “…this album kicked my balls hard on the first listen, completely tore them off during the second, made clam chowder soup with them on its third play-through, and threw said scolding chowder in my face during the fourth. Suffice to say, this album was quite the tasty shock.”

SOREPTION will unleash Engineering The Void to the masses this February 18, 2014 followed by a reissue of Deterioration Of Minds, both via Unique Leader Records.

“The new SOREPTION album is going to rip faces. I mean hot damn! Those riffs! The Swedes in SOREPTION are up there with Obscura, Gorod and Psycroptic at the upper echelon of the crowded tech-death pack, no doubt. Can’t wait to headbang furiously to this the minute it comes out!” – MetalSucks

http://www.facebook.com/soreption
http://www.uniqueleader.com
http://www.facebook.com/uniqueleaderrecords

SOREPTION - "Engineering The Void" (featuring guest vocals by Trevor Strnad)

Sacramento death metal behemoths, THE KENNEDY VEIL, are set to release their Trinity Of Falsehood full-length next week!

Produced by Nick Botelho at NB Recording in Santa Rosa, California and featuring the debut of new throat Taylor Wientjes, Trinity Of Falsehood is an unapologetically methodical, fast-paced display of sharp, groin-churning DM brutality. In a 9/10 review of the offering, Dead Rhetoric champions the band’s, “no-frills, modern death metal… heavily rooted in the speed and technicality of Origin and the fury of Decapitated,” further boasting, “THE KENNEDY VEIL has thrown down the death metal gauntlet for years to come. Trinity Of Falsehood is a scorcher,” Heavy Metal Tribune notes, “The high speed and furious intensity that the band provides on Trinity of Falsehood easily reminds one of band’s such as Hour of Penance, Psycroptic and Origin, and this especially so with the ease of fusion of technicality, brutality and melody…,” while Metal Temple, in an 8/10 rating, adds, “The thing that… separates THE KENNEDY VEIL from the pack is the fact that there are definite hooks among the relentless displays of technical prowess…”

Merging influences of classic DM legends like Deicide, Morbid Angel and Suffocation with the more refined aggression of bands like Origin, Psycroptic and Decapitated, THE KENNEDY VEIL features within their ranks Wientjes and Peterson alongside guitarist KC Childers (ex-Forktung) and drummer Gabe Seeber (Alterbeast, Decrepit Birth, ex-Wretched Dawn). Together they invoke their own brand of crushing death metal. No throwbacks, no breakdowns, no wanking, no trends. With Unique Leader as the catalyst, humanity is about to be reduced to ashes.

Trinity Of Falsehood will be released worldwide on January 21, 2014 via Unique Leader Records. 

http://www.facebook.com/thekennedyveil
http://ww.facebook.com/UniqueLeaderRecords
http://ww.uniqueleader.com

6. Seventh Circle

Sacramento technical death metal militia, ALTERBEAST, are pleased to unleash their full-length debut via Unique Leader this Spring! Titled Immortal, the eight track monster offering was meticulously assembled in several locals throughout 2013. With guitars and bass recorded at Augmented Audio in Los Angeles with former The Black Dahlia Murder bassist Ryan “Bart” Williams, vocals arranged at Mayhemeness Studios in Sacramento by Bob Swanson (Rings Of Saturn, Plague Window et al) and drums tracked at Castle Ultimate Studios with Zack Ohren (Light This City, All Shall Perish, First Blood, Cattle Decapitation, Warbringer et al), who also mixed and mastered the release, Immortal promises to deliver some of the most dynamic, instrumentally adept and plainly crushing material of the year.

Elaborates vocalist Cam Rogers of the outcome: “Immortal is what was spawned from hard work, dedication, and downright brutal musicianship. It has intricate solos, absolutely crushing interludes and brutal circle-pit anthems. ALTERBEAST sets the scene with grievous piano preceding the onset of ‘Flesh Bound Text’ which comes in with blistering drums and guitars effortlessly making their way around the fret board. Every piece truly has its own personality on this record, whether it’s the apocalyptic soundscapes of ‘Ancient’s Retribution,’ the devastating aggression of ‘Vile Remnants’ or the unmerciful grooves in ‘Throne of Maggots.’ This album has something for every listener and comes together seamlessly to form as a breathtaking whole. Immortal is  exactly what we intended it to be: a gripping and intense death metal album.”

Immortal Track Listing:
1. Flesh Bound Text
2. Of Decimus Divine
3. Vile Remnants
4. Ancient’s Retribution
5. Mutilated Marvel
6. Into Oblivion
7. Serpentspire
8. Throne of Maggots

Formed in 2011 under the working title Gary Busey Amber Alert (GBAA), ALTERBEAST combines the teachings of The Black Dahlia Murder, Necrophagist and Spawn of Possession with the classic death metal mastery of band’s like Dissection and Morbid Angel into an irate expulsion of sonic deviance. After a year of dedicated song-crafting, ALTERBEAST unleashed their first demo in 2012 and officially waged war on the populace with numerous shows opening for Deicide, Dying Fetus, Testament, Revocation, Exhumed, Severed Savior and many others. Their crushing live assaults combined with a DIY ethos quickly earned them a revered place within the local death metal community.

Immortal will rear its head upon the masses on March 18, 2014 via Unique Leader. Further intel, including preorder links, to be announced in the coming days.

ALTERBEAST Personnel:

Cam Rogers – Vocals
Rusty Cornell – Guitar
Andrew Lamb – Guitar
Michael Zamora – Bass
Gabe Seeber (The Kennedy Veil, Decrepit Birth, Abysmal Dawn et al) – Drums

https://www.facebook.com/ALTERBEASTofficial
http://www.youtube.com/ALTERBEASTofficial
http://uniqueleader.com

ALTERBEAST - "Mutilated Marvel"

Sacramento death metal ogres, ALTERBEAST, will release their forthcoming new full-length, Immortal,  via Unique Leader Records next month.

Meticulously assembled in several locals throughout 2013, with guitars and bass recorded at Augmented Audio in Los Angeles by former The Black Dahlia Murder bassist Ryan “Bart” Williams, vocals arranged at Mayhemeness Studios in Sacramento by Bob Swanson (Rings Of Saturn) and drums tracked at Castle Ultimate Studios with Zack Ohren (Light This City, All Shall Perish, First Blood, Cattle Decapitation, Warbringer et al), who also mixed and mastered the release, Immortal vows to supply some of the most dynamic, instrumentally adept and plainly scathing material of the year.

Formed in 2011 under the working title Gary Busey Amber Alert (GBAA), ALTERBEAST combines the teachings of The Black Dahlia Murder, Necrophagist and Spawn of Possession with the classic death metal mastery of band’s like Dissection and Morbid Angel into an irate expulsion of audio wreckage. After a year of dedicated song-crafting, ALTERBEAST unleashed their first demo in 2012 and officially waged war on the populace with numerous shows opening for Deicide, Dying Fetus, Testament, Revocation, Exhumed, Severed Savior and many others. Their crushing live assaults combined with a DIY ethos quickly earned them a revered place within the local death metal community.

Immortal will rear its head upon the masses on March 18, 2014 via Unique Leader. 

http://www.facebook.com/ALTERBEASTofficial
http://www.youtube.com/ALTERBEASTofficial
http://uniqueleader.com

ALTERBEAST - "Vile Remnants"

Following countless years of personal hardships, studio disasters and times of music industry indecision, New Orleans’ own EYEHATEGOD, with much relief and excitement, are proud to announce the release of their brand new full-length! Entirely assembled and financed by the band, the self-titled, eleven-track long player will be released on May 27th by their partners at Housecore Records in North America, May 26th by Century Media in Europe, Australia and New Zealand and May 21st by Daymare in Japan.

Comments vocalist Mike IX Williams, “I have to say I don’t believe we’ve lost nary a step in the creation of this album and we think these newer songs are a killer combination of classic EYEHATEGOD mixed along with our best production, mixing, engineering and songwriting in thirteen years. The main and total tragic break in the chain, was obviously last year’s death of our great friend and drummer Joey LaCaze. However, his original drum tracks made it onto the final master recordings and we’re fucking psyched about that… As for working with Housecore, it was a no-brainer. We’ve always been a family, and will always remain a family.”

Adds Housecore founder Philip H. Anselmo, “Being a part of the new EHG record is a dream come true. I’ve known, supported and loved the guys for almost as long as I’ve been playing music myself, and it is our pleasure here at The Housecore Records Compound to have ‘em aboard. And I gotta mention, having heard the new record, this is the EYEHATEGOD record every true fan has been waiting for…. Hail!”

As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning  out entire small towns of their drug supply, these stories spread  throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.

Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD’s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and Brian Patton. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery.  All combined, the music is the most genuine, distressing cacophony of sound around.

“Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. In 2014 that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.

The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.

An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and plan to embark upon their most exhaustive touring schedule to date.

EYEHATEGOD:
Mike IX Williams – vocals
Jimmy Bower – guitars
Brian Patton – guitars
Gary Mader – bass
Aaron Hill – drums

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
http://www.thehousecorerecords.com

EYEHATEGOD - "Robitussin And Rejection"

After a two-year hiatus, Ohio technical grinding death metal peddlers, LOCUSTA, will be embarking on a live takeover through the East Coast this Spring! Slated to commence on May 13th in Raleigh, North Caroline, LOCUSTA will rape faces through Columbia, Knoxville, Columbus, Washington DC, Baltimore, Brooklyn, Providence, Portland, Philadelphia, Harrisonburg and Richmond with additional incursions to be announced in the coming weeks. The band will be joined by drummer Alex Tomlin (Battlemaster, Arsis, Withered et al).

LOCUSTA is currently putting the finishing touches on their as-yet-untitled full-length tentatively scheduled to drop later this year. In the meantime, ravaging preview track, “Contaminant Remains,” will appear on the band’s forthcoming, four-track Dendromorphosis EP which also includes a molten rendition of Death’s “See Through Dreams,” and artwork by renowned designer Lucas Ruggieri (BlackTusk, Kylesa, Ghoul, cough et al). Dendromorphosis will be available for purchase at all upcoming tour dates.

Comments the band of their forthcoming live offensive: “We’re looking forward to hitting the road again after such an agonizingly long break from touring and to what we’re anticipating will be some of the best shows we’ve ever played, both in respect to the caliber of the bands we’re billed with and the fact that our live sets sound tighter than they ever have before. Our set lists will mostly contain songs from the new album, including the first track we’ve ever written that extends past the nine-minute mark, which is easily the darkest and most epic piece of music we’ve written so far. There is more grinding technicality than before, but the songs are also much more mature from a songwriting point of view than what you hear on our first album. We’re excited to be sharing this time in the band with all of our new and old friends on the road, but…no survivors.” View some live debauchery from the band below.

LOCUSTA Live Incursions 2014:
5/13/2014 The Maywood – Raleigh, NC w/ Warhead
5/14/2014 New Brookland Tavern – Columbia, SC w/ Marrow Of Earth, Axattack, Waft
5/17/2014 The Pilot Light – Knoxville, TN w/ Red Necklace, Vomit Breath
5/18/2014 The Carabar – Columbus, OH w/ Ulcerate, Inter Arma
5/20/2014 Smash Records – Washington, DC w/ Exar Kun, Gloom
5/21/2014 MDF Matinee @ Metro Gallery – Baltimore, MD w/ Horrendous, Coffin Dust
5/28/2014 The Paper Box – Brooklyn, NY w/ Diocletian, Manticore, Goat Torment, Pissgrave, Unholy Spirits, Damnatum, Ominous Resurrection, Sacristy
5/29/2014 The Black Box – Providence, RI w/ Crypter, Orsus, Deathstate
5/30/2014 Geno’s Rock Club – Portland, ME w/ Sylvia, Livver, Notox (Ex Toxic Narcotic)
5/31/2014 The Millcreek Tavern – Philadelphia, PA w/ Coffin Dust, Dridge
6/01/2014 The Blue Nile – Harrisonburg, PA w/ Earthling, Evicera
6/03/2014 Strange Matter – Richmond, VA w/ Eyehategod, Ringworm, Enabler, Gritter

Formed in the fall of 2006, LOCUSTA take their name from a female chemist from Ancient Rome regarded as the first documented serial killer. LOCUSTA released their debut full-length upon an unsuspecting underground in 2010 which  is available for download/purchase via their official BandCamp page HERE.

“I got dinner at the bar while LOCUSTA played their set. Melodic, technical death metal in the vein of Spawn Of Possession or Decrepit Birth, the band brought the riffage with a vengeance. Health notice: The surgeon general has advised that discreetly headbanging with a mouthful of food is a choking hazard. But totally worth it.” — NoCleanSinging.com

“LOCUSTA. Why isn’t this band huge? Serious death metal from Columbus shredded bar and house shows alike and smote their victims with ease.” — The Athens News

“LOCUSTA is one of the best underground metal bands out there right now; seriously one of the highest underground-to-quality-music ratios possible…Totally real-deal, bad-ass performers, worth the money and time spent x1000.”  – Day After Day DC

http://www.facebook.com/Locusta614
https://www.facebook.com/events/519494994829211
http://locustaband.com

LOCUSTA - "Contaminant Remains" (New Album Preview)

Candlelight Records today confirms June 24th as the North American release date for IX, the new album from CORROSION OF CONFORMITY. Produced by the band and long-time comrade John Custer, the album and lead single “On Your Way” will be available for preorders via iTunes, Amazon, and other popular outlets beginning May 13th.

Blabbermouth has been reporting on the recording of the album since early January.  Video footage filmed at the recording studio, including vocalist Mike Dean and drummer Reed Mullin laying down vocal tracks, plus guitarist Woodroe Weatherman tracking some of the albums killer riffs, has been seen by fans around the globe. “The making of IX was drawn out because of us having to step away to do other projects,” comments Dean. “I think being forced to step away kept us hungry and then being back on the case with deadlines casting a shadow gave us a ‘failure is no option’ vibe and that really helped the final product.”

“This album is another step forward for us,” adds Weatherman.  “It seems like we keep heading more and more toward our rawer live sound with the studio recordings.”

Having recently returned from a successful European tour, the band is gearing up for the album’s release and a year full of nonstop touring. “CORROSION OF CONFORMITY are very much firing on all cylinders,” noted Terrorizer Magazine preceding the trio of English dates that were part of the larger Euro tour that had the band visiting ten countries for the first time in more than a year. “We had some good shows,” shares Dean. “To go back to Paris for the first time in years, without a new album, and have the type of response we had just shows me that there is new interest in the more creative heavier rock.  And that this younger group of people is actually checking us out is huge to me.”

The band surprised European audiences with some new material from IX. “We had ‘On Your Way’ in the set and people were jamming along,” notes Dean. “It’s up tempo but syncopated. I thought it fit right in even though technically we were still working it out.” “We did sneak in some new material on the European tour,” asserts Weatherman. “It’s great to see folks digging on stuff they have never heard before.”

Quiet for nearly five years after the release of 2005’s In The Arms Of God, CORROSION OF CONFORMITY regrouped in 2010.  These original jam sessions quickly gave way to the trio’s participation at late summer’s The Power Of The Riff Festival and later 2011’s Maryland Death Fest.  The band’s commitment to the stage, with hundreds of shows performed since 2010, is surely contributing to their chops in the studio. Without doubt, Dean, Weatherman, and Mullin have revitalized their sonic muse. And media and fans concur. “Corrosion of Conformity displays a command of style far beyond anything their 1985 selves could have imagined,” noted Decibel Magazine on review of 2012’s self-titled album. Added Pitchfork, “the trio sounds as commanding as it ever has.”

CORROSION OF CONFORMITY released their self-titled album via Candlelight Records to high praise late February 2012. It was the first new material by the North Carolina trio since 2005. “Corrosion Of Conformity is what you want out of a comeback record – not just a reclamation of lost vigor but a meaningful update on a vintage sound,” said Pitchfork. The album debuted on Billboard’s Top 200 Chart at position 157 and impacted CMJ’s Loud Rock chart at position 8 on its debut week before working its way up to position 1. It remained on the magazine’s popular radio chart Top 10 for eight consecutive weeks. The label reissued the band’s Eye For An Eye (including previously unavailable EP Six Song With Mike Singing) early November 2012. Blabbermouth called it “one of the hallmarks of street ‘core.’” It was followed by the free release of Scion A/V’s Megalodon EP. Writing for IX started in the early months of 2013 with demoing and recording starting by summer’s end. Completed in January, IX clocks in at nearly 45 minutes. Sludge, doom, punk… it’s all in the grooves that fans have come to expect from the band.

Preorders for both CD and vinyl formats will be available shortly via Candlelight’s official web stores.  Watch for special bundles via the band in the coming weeks.

IX Track Listing:
1. Brand New Sleep
2. Elphyn
3. Denmark Vesey
4. The Nectar
5. Interlude
6. On Your Way
7. Trucker
8. The Hanged Man
9. Tarquinius Superbus
10. Who You Need To Blame
11. The Nectar Revised

CORROSION OF CONFORMITY has confirmed a number of limited performances on the east coast this month beginning this Friday at The Pour House Music Hall in Raleigh.  The band will perform at Saint Vitus Bar in Brooklyn on April 26th, the Ottobar (with High on Fire and Eyehategod) in Baltimore on April 27th, and wrap the month up with a show at Café 611 in Frederick (MD) on April 28.

Formed in Raleigh, North Carolina in 1982, the Decibel Magazine Hall of Famers CORROSION OF CONFORMITY helped transform heavy music.  The band has influenced countless bands and today remains humble about their accomplishments.

http://www.coc.com
http://www.facebook.com/corrosionofconformity
http://candlelightrecordsusa.com

CORROSION OF CONFORMITY - "ON YOUR WAY"

Unique Leader Records is proud to announce the completion and pending release of the new full-length from San Francisco-based cutting-edge atmospheric death metal outfit, FALLUJAH.

Having just wrapped-up production on their highly anticipated follow up to 2011’s The Harvest Wombs, FALLUJAH will bombard the masses in 2014 with what is surely one of the freshest and most emotive metal albums to be released in years, entitled The Flesh Prevails. The album was mixed, mastered and engineered by Zach Ohren (Animosity, Suffocation, All Shall Perish) at Sharkbite Studios in Oakland, California over the course of a few months and features guest appearances from Christian Muenzner (Obscura, Necrophagist) and the voice of Roniit Alkayam. The cover artwork was a collaborative effort between Poland’s Tomasz Alen Kopera and the band’s vocalist, Alex Hofmann.

The Flesh Prevails is set to be released during FALLUJAH’s participation in this year’s crushing Summer Slaughter Tour alongside Morbid Angel, Dying Fetus, The Faceless, Goatwhore and more. A confirmed street date, track listing, and deafening serenades from this brutalizing exhibition will be released in the coming days.

Formed in the San Fran Bay Area in 2007, FALLUJAH has since displayed a rugged work ethic, investing countless weeks on the road in North America and internationally. The band’s commitment to crafting forward thinking music has helped them build their own diehard fanbase from the ground-up through several releases, including 2009’s Leper Colony EP, 2011’s The Harvest Wombs debut LP, and most recently, their 2013 -Nomadic- EP. Now, with their newest work, The Flesh Prevails, FALLUJAH has ultimately paved the way for a new melodic and atmospheric perspective on death metal.

FALLUJAH:
Alex Hofmann – vocals
Rob Morey – bass
Andrew Baird – drums
Scott Carstairs – guitars
Brian James – guitars

http://fallujah.bandcamp.com
http://www.facebook.com/fallujahofficial
http://www.youtube.com/user/FallujahBand
http://www.uniqueleader.com
http://www.facebook.com/UniqueLeaderRecords
http://www.twitter.com/UniqueLeaderRec
http://www.youtube.com/uniqueleaderrecords

FALLUJAH - "Sapphire"

San Francisco atmospheric death metal unit, FALLUJAH, is preparing to release their forthcoming new full-length, The Flesh Prevails. The follow-up to 2011’s critically adored The Harvest Wombs and 2013’s subsequent Nomadic EP was mixed, mastered and engineered by Zack Ohren (Animosity, Suffocation, All Shall Perish) at Sharkbite Studios in Oakland, California over the course of a few months and features guest appearances from guitarist Christian Muenzner (Obscura, Necrophagist) and the voice of Roniit Alkayam. The cover artwork was a collaborative effort between Poland’s Tomasz Alen Kopera and FALLUJAH vocalist, Alex Hofmann.

The Flesh Prevails Track Listing:
1. Starlit Path
2. Carved From Stone
3. The Night Reveals
4. The Flesh Prevails
5. Levitation
6. Alone With You
7. Allure
8. Sapphire
9. Chemical Cave

The Flesh Prevails will be released via Unique Leader Records on July 22, 2014 during FALLUJAH’s participation in this year’s crushing Summer Slaughter Tour alongside Morbid Angel, Dying Fetus, The Faceless, Goatwhore and more. For ticket info, point your browser HERE.

Formed in the San Francisco Bay Area in 2007, FALLUJAH has since displayed a rugged work ethic, investing countless weeks on the road in North America and internationally. The band’s commitment to crafting forward thinking music has helped them build their own diehard fanbase from the ground-up through several releases. Now, with their newest work, The Flesh Prevails, FALLUJAH has ultimately paved the way for a new melodic and atmospheric perspective on death metal.

http://fallujah.bandcamp.com
http://www.facebook.com/fallujahofficial
http://www.youtube.com/user/FallujahBand
http://www.uniqueleader.com
http://www.facebook.com/UniqueLeaderRecords
http://www.twitter.com/UniqueLeaderRec
http://www.youtube.com/uniqueleaderrecords

FALLUJAH - "Carved From Stone"

Atmospheric death metal conjurors, FALLUJAH, are preparing to unleash their new full-length, the epic  The Flesh Prevails.

Mixed, mastered and engineered by sound savior Zack Ohren (Animosity, Suffocation, All Shall Perish) at Sharkbite Studios in Oakland, California, The Flesh Prevails boasts guest appearances from guitarist Christian Muenzner (Obscura, Necrophagist), the chilling voice of Roniit Alkayam and serves as the band’s most intricately arranged, methodically executed and cerebrally consuming offering to date. A true master work of progressively tinged, otherworldly death metal.

The Flesh Prevails will be released via Unique Leader Records on July 22nd, 2014 during FALLUJAH’s participation in this year’s crushing Summer Slaughter Tour alongside Morbid Angel, Dying Fetus, The Faceless, Goatwhore and more. See complete itinerary below.

FALLUJAH
Summer Slaughter Tour w/ Morbid Angel, Dying Fetus, The Faceless, Thy Art Is Murder, Origin, Goatwhore, Decrepit Birth, Within The Ruins
7/17/2014 The Regency Ballroom – San Francisco, CA
7/18/2014 The Observatory – Santa Ana, CA
7/19/2014 House of Blues – Los Angeles, CA
7/20/2014 Nile Theater – Phoenix, AZ
7/22/2014 Sunshine Theater – Albuquerque, NM
7/23/2014 Summit – Denver, CO
7/25/2014 House of Blues  - Houston, TX
7/26/2014 Scoot Inn – Austin, TX
7/27/2014 GMBG – Dallas, TX
7/29/2014 State Theater – St. Petersburg, FL
7/30/2014 The Masquerade – Atlanta, GA
7/31/2014 The International – Knoxville, TN
8/01/2014 Agora Theatre – Cleveland, OH
8/02/2014  Mojoes – Chicago, IL
8/03/2014 Skyway Theatre – Minneapolis, MN
8/05/2014 The Rave – Milwaukee, WI
8/06/2014 Crofoot Ballroom – Detroit, MI
8/07/2014 Rapids Theatre – Niagara Falls, NY
8/08/2014 Irving Plaza – New York, NY
8/09/2014 The Palladium – Worcester, MA
8/10/2014 The Trocadero – Philadelphia, PA

Formed in the San Francisco Bay Area in 2007, FALLUJAH has since displayed a rugged work ethic, investing countless weeks on the road in North America and internationally. The band’s commitment to crafting forward thinking music has helped them build their own diehard fanbase from the ground up. The name is derived from a city in the Al Anbar province of Iraq that, at the time of the band’s formation, sustained the highest concentration of destruction and casualties on both sides of the fighting. The members of FALLUJAH have lived much of their lives in the post 9/11 world growing up with the wars in Iraq and Afghanistan as well as observing the tension between East and West and religious turmoil. The city of Fallujah represents the pinnacle of tensions, hostility and destruction that has come to define the world we live in.

“There’s so much going on here that it’ll take a few listens to really sink in; ambient keyboards, layered background vocals, meaty riffs, expertly crafted leads, and incredibly strong melodies all mashed into one dynamic, absolute beast of a song.” – MetalSucks on the track, “Sapphire.”

http://fallujah.bandcamp.com
http://www.facebook.com/fallujahofficial
http://www.youtube.com/user/FallujahBand
http://www.uniqueleader.com
http://www.facebook.com/UniqueLeaderRecords
http://www.twitter.com/UniqueLeaderRec
http://www.youtube.com/uniqueleaderrecords

FALLUJAH - "Levitation"

This Summer, the world will experience the vicious death metal/deathcore of London-based abusers, ACRANIA, as the trio releases their debut full-length via California’s Unique Leader Records.

The politically charged ACRANIA has spread their message through several independent recordings since their 2012 inception. Their debut split with Blue Waffle and “A Trophy of Corporate Disfigurement” single, both released in their first year as a band, followed by their The Beginning Of The End EP released last year have helped the band forge a devout fanbase of pit-seeking followers. Having already toured with various acts around Europe including Cerebral Bore and Warpath, and with upcoming shows booked alongside Thy Art Is Murder, Blood Red Throne and many more, ACRANIA will continue to devour their way through the scene and spread their message of unrelenting hostility through their blistering mix of brutality, slams and blastbeats.

Earlier this year, ACRANIA recorded their debut full-length, Totalitarian Dystopia, with Stu McKay at Studio 6 in London. Following a mixing/mastering job by Chris Foster and having artwork crafted by Par Olofsson, Totalitarian Dystopia boasts a thirty-six minute maelstrom of sonic devastation through ten new tales of pure intolerance for humankind’s downfalls. The record includes guest appearances from Tom Barber of Lorna Shore, Mendel of Aborted and Jamie Hanks of I Declare War, and promises to engulf an entire new legion of worldwide death fanatics upon its release on August 19th.

Totalitarian Dystopia Track Listing:
1. Hollow
2. Festering With Dishonesty
3. Totalitarian Dystopia
4. Servants Of Hypocrisy
5. Survival Sequence
6. A Gluttonous Abomination
7. Susceptible To Retinal Reprogrammability
8. Lobotomise, Dehumanise, Negate. [LDN]
9. Messiah Of Manipulation
10. Disillusion In A Discordant System

http://www.facebook.com/Acraniauk
http://www.uniqueleader.com
http://www.facebook.com/UniqueLeaderRecords
http://www.twitter.com/UniqueLeaderRec
http://www.youtube.com/uniqueleaderrecords

ACRANIA - "A Gluttonous Abomination"

San Antonio’s favorite blackened death tyrants, HOD, will drop their long-awaited new full-length upon the weak later this Summer. Titled Book Of The Worm, the follow-up to last year’s The Uncreated Demo teaser, which Decibel likened to a “snake eating itself and a bigger snake eating the smaller snake, a kind of infinite and horrifically malign Ouroboros,” was produced by Dennis Munoz (Solstice), features the recording lineup of guitarist Necron, vocalist Vladibeer Reebs, bassist T.A. and former drummer Dennis Sanders and boasts eight blasting psalms of deviance, decadence and overall suffering with artwork by the masterful Jon Zig (Averse Sefira, Deeds of Flesh, Pyrexia)
 
Comments the band from their den of iniquity, “Finally, Book Of The Worm is finished! Through Hell and back we went to get this completed. Comrades fell. Labels failed. Studios changed. But we soldiered forth with iron determination and it is done. Blood, sweat and sacrifice are the ingredients. Fueled by hate and blasphemy. Prepare for the storm!”

Book Of The Worm Track Listing:
1. When The Ghouls Feed
2. Den Of Wolves
3. I Am Destroyer
4. Through The Gates (They Come For Me)
5. Death Whores
6. Under Tyranny’s Hammer
7. Where Are The Demons
8. Beneath The Mountains Of The Scorpion

In celebration of the record’s official decent, HOD will spread their sonic plague throughout their home state with a handful of live infiltrations with additional shows to be announced in the weeks to come.

HOD:
9/19/2014 The Curtain Club @ Embrace the Darkness Fest #2 – Dallas, TX w Sardonic Witchery, Witchaven, Vesperian Sorrow, Steel Bearing Hand
9/20/2014 Limelight – San Antonio, TX w/ Sardonic Witchery, Witchaven, Morgengrau, more
11/15/2014 Limelight – San Antonio, TX w/ Imprecation, Weaponizer, Ritual Decay, Sardonic Witchery, Khringe, Preteen Deathfuck

Through a steady diet of live incursions and a staunch DIY ethic, HOD has become an underground institution of sorts reaping the acclaim of fans and critics globally for the fuck-all brand of sonic debauchery. Last Rites commends HOD’s ultimately “lethal attack,” and “full-on badassery,” further championing their “commanding, ugly fucking blackened death slabs punctuated with micro-rending buzzsaw leads,” while No Clean Singing applauds their “thrashing charge of hybridized black and death metal that’s as dynamic and technically impressive as it is primally appealing.” Elsewhere, Sea Of Tranquility agrees, “the band pummels the listener with straight ahead death metal insanity,” while Dead Rhetoric laud’s their terminally apocalyptic brand of “prime American death metal, with the right amount of space between tech-y and brutal.”

Book Of The Worm will be unleashed on September 9th, 2014 via Arctic Music. Preorder your copy today at THIS LOCATION. Further HOD developments to be unveiled in the coming weeks. Stay alert.
 
HOD 2014 Personnel:
Vladibeer Reebs - Vocals
Carl "Lord Necron" Snyder - Guitar
Trans Am - Bass
Del "The Entity" - Drums
Danny "Blackwolf" Luebben – Guitar
 
For all HOD coverage inquiries, contact liz@earsplitcompound.com.

http://hodmusic2.bandcamp.com/album/the-uncreated-demo
http://www.reverbnation.com/hodtheband
http://www.facebook.com/pages/Hod/118127951554999?ref=ts&fref=ts
http://www.arcticmusicgroup.com
http://www.facebook.com/arcticmusicextreme

HOD - Den Of Wolves

The volume dealers at Tankcrimes are very pleased to announce the official reissue of the legendary Human=Garbage debut full-length from iconic West Coast  sludge metal/crust punk missionaries, DYSTOPIA.

Initially released in 1994 as a five-track LP on the band’s own Life Is Abuse and Misanthropic Records then followed in CD format as a twelve-track brutalizer with help from Common Cause in Germany who booked the band’s very first European tour, DYSTOPIA existed as a four piece with Mindrot’s Dan Kaufman on lead vocals, their doom-laden, metal-tinged, down-tuned punk and “love earth-hate people” philosophy reaping instant adoration from the Orange County underground upon forming. The pure, unadulterated anger and misery that pervades this record places it among the most disturbing, depressing and misanthropic offerings in creation. Said Punk News in a 2007 review, “…a crust-metal classic… the kind of record you don’t want your parents to know you own, lest they send you in for counseling. Truly a sickening, painful, brutal album to listen to, but it is definitely an ‘emotional safety valve.’ Not something to listen to when you’re in a good mood, but if you feel like beatin’ the shit out of everyone you see (or worse) consider putting Human = Garbage on.”

Included on the Tankcrimes edition are tracks from the band’s 1993 splits with Grief and Embittered as well as one additional tune only previously released on the CD collection. Visually, DYSTOPIA took influence from both anarcho-punk collage art and graffiti culture, blending images of societal decay, inner turmoil and humanity’s destruction of the planet to create a style that goes hand in hand with the music. The Human=Garbage 2014 version includes a sixteen-page lyric booklet, the imagery proving indispensable alongside these twelve tracks.

Set for official unveiling this Fall, the Tankcrimes reissue comes packaged as a double LP on clear vinyl with the aforementioned 7” x 7″ sized booklet as well as a download card for the digitally astute. The release will come available on CD as well. Fans Of Carcinogen, Mindrot, Kontraklasse, Kicker, Noothgrush pay heed.

As a precursor to the release, today Noisey offers up a tasty sampling of the record with “Stress Builds Character” and “Hands That Mold.”
Embrace the human hate at THIS LOCATION.

Human=Garbage will be available via Tankcrimes on October 14th, 2014. Preorders will be available in the coming weeks. In the meantime, suffer.


Human=Garbage Track Listing:
1. Stress Builds Character
2. Hands That Mold
3. Sanctity
4. Ignorance Of Pride
5. Love/Hate
6. The Middle
7. Slaved Chains
8. Ruptured Silence
9. Green Destroyed
10. Broken Shell
11. Weed Of Wisdom
12. Sleep

http://www.tankcrimes.com
https://www.facebook.com/tankcrimes

DYSTOPIA 01 Stress Builds Character

DYSTOPIA 02 Hands That Mold

DYSTOPIA 03 Sanctity

DYSTOPIA 04 Ignorance Of Pride

DYSTOPIA 05 Love   Hate

DYSTOPIA 07 Slaved Chains

DYSTOPIA 08 Ruptured Silence

DYSTOPIA 11 Weed Of Wisdom

Dallas, Texas-based avant/tech death metal trio, BARING TEETH, is preparing for the long-awaited follow-up to their 2011 debut album, Atrophy, with the mangling Ghost Chorus Among Old Ruins confirmed to drop via Willowtip Records in late November.

Previously known as Soviet, BARING TEETH is an act formed by three musicians having collectively spent time playing in a plethora of acts including Cleric, Between The Buried And Me, Broadcast Sea and others. Following their initial demo, Willowtip signed the band for the 2011 release of their debut album, Atrophy. Ghost Chorus Among Old Ruins shows BARING TEETH sharpening its attack, the unsettled aggression of previous material heightened to a manic, primal belligerence. Immersive, hypnotic, and haunting, the album melds seemingly opposing characteristics — streamlined songwriting and dizzying technicality, ambience and brute force, density and angularity, order and chaos — into a fully realized, cohesive listening experience. Without sacrificing originality, the groundwork of Meshuggah and Gorguts gives in to modern and gritty dissonance where one may at times be reminded of everything from the technical intensity of The Dillinger Escape Plan and Flourishing, to the ominous realms of Deathspell Omega and Ulcerate. Comparative compliments aside, the band’s music continually applies and releases tension, while continually spiraling into a tension-infused amalgamation of chaotic but ultimately natural and captivating experimental death metal.

Recorded by Alex Bhore (This Will Destroy You) at Elmwood Recording, mixed by Keith Souza and Seth Manchester at Machines With Magnets (The Body, Battles, Daughters), and mastered by Alan Douches (The Dillinger Escape Plan, Converge, Swans), Ghost Chorus Among Old Ruins takes the extremes of BARING TEETH’s debut to new levels while showcasing a singular vision: no compromise, no respite.

Willowtip Records will release Ghost Chorus Among Old Ruins on November 25th. For now, the album’s cover art by Calvin Sprague and preorders are posted at: http://www.willowtip.com/releases/details/baring-teeth-ghost-chorus-among-old-ruins.aspx.

BARING TEETH:
Scott Addison – bass/vocals
Jason Roe – drums
Andrew Hawkins – guitars/vocals

Ghost Chorus Among Old Ruins Track Listng:
1. An Illusion Of Multiple Voices
2. Mountain
3. Visitant
4. The Great Unwashed
5. Terra Nullius
6. Dripping Sun
7. The Unwilling
8. Ghost Chorus Among Old Ruins

Stand by for review copies of Ghost Chorus Among Old Ruins. For coverage of BARING TEETH, worldwide, please contact liz@earsplitcompound.com.

http://www.baringteethmetal.com
http://www.facebook.com/baringteeth
http://www.twitter.com/baringteeth
http://www.willowtip.com
http://www.facebook.com/willowtip
http://www.willowtip.bandcamp.com
http://www.twitter.com/Willowtip

BARING TEETH - Ghost Chorus Among Old Ruins

DIMESLAND "Bound In Stone"

POISON IDEA, one of the most infamous and instantly recognizable names in the legacy of hardcore punk, is preparing to release their first new album since 2006’s Latest Will and Testament. Southern Lord Recordings, responsible for reissuing the band’s back-catalog in recent years, are the ones irresponsible enough to bring to you Confuse & Conquer, now confirmed for US release on April 7th, 2015.

Soaking up respect from generations of hardcore punks and dishing none out, the dastardly denizens of mid-paced punk shred are in trademark form on Confuse & Conquer. With longstanding members Jerry A (vocals), Eric “The Vegetable” Olsen (guitar) and Chris “Spider” Carey (bass) alloyed by the fresh faces of Nathan “Skinny” Richardson (drums) and Brandon Bentley (guitar), POISON IDEA’s brand new full-length proves itself both identifiable and rewarding to listeners who have encountered them at any point from their 1980 birth onwards. Inventive beyond its steadfast roots, yet altogether as blunt as a stagediver’s knee hurtling towards your face, Confuse & Conquer sees the band wasting not a single second on non-music activities, riding high on this wave of creativity. Their forceful hardcore pummel is underwritten with dark humor, rage, disdain, and moments of real melancholy well beyond the usual remit of the genre, but it’s to be expected of Portland’s nihilistic champions, proudly unaligned with any other sound out there. They were there at the beginning and they’ll be there at the end, and in the meantime they have a lot more punk rock left to produce.

Confuse & Conquer was recorded in their hometown by Joel Grind (Toxic Holocaust) and mastered by Brad Boatright (From Ashes Rise) at Audiosiege over the closing few months of 2014, and will see release via Southern Lord on the 7th of April on CD, LP and digital formats. Additionally, expanded reissues of seminal POISON IDEA titles War All The Time, Feel The Darkness and more are also in the works for the coming years.

Formed in 1980, POISON IDEA became a household name in the hardcore/punk scenes early in their career, and are known as one of the most notoriously in-your-face acts in the American musical underworld, with an enraged, high-energy live set even more rambunctious than the massive roster of singles, EPs, full-length studio and live releases and more, across a realm of labels including Pusmort, Alchemy, American Leather, Bitzcore, Tim/Kerr, Taang!, Farewell, TKO, Southern Lord, Candlelight, and their own Fatal Erection. They’ve been an incredibly influential act to major performers including Nirvana, Pantera, Napalm Death, Machine Head, Eyehategod, Emperor, Turbonegro and an endless list of others.

http://www.facebook.com/pages/Poison-Idea-Official-/366089496806858
http://www.southernlord.com
http://southernlord.bandcamp.com
http://twitter.com/twatterlord


POISON IDEA "Bog"

West Coast crust collective, TEMPLE OF DAGON, will unleash their Revelations Of The Spirit EP this June via Black Voodoo Records. Tracked and mixed by Alex Estrada (Xibalba, Touche Amore, Silver Snakes et al) at Earth Capital Studios in Los Angeles, California and mastered by Dan Randall (Cannabis Corpse, Iron Reagan, Fucked Up et al) at Mammoth Sound in Alameda, California, Revelations Of The Spirit is a four track manifestation of audio punishment based on the life and times of central character, the Horrid King. It’s the sound of self-loathing, self-reflection, self-acceptance and self-love. “Sometimes we lose ourselves in the eyes of other people and forget our own perspective,” espouses the band. “Eventually we learn that we need to get back to the being we’re meant to be and not let outside influences affect our purpose. The ‘revelation of the spirit’ is the moment when you realize you have lost your path and the time to return to your true self is upon you.”

Influenced by ’90s-era crust, stenchcore, death metal, thrash, and Lovecraftian lore, TEMPLE OF DAGON was forged in 2009 and quickly reaped an underground following with the release of their clobbering Book Of Azathoth EP. Following a glut of shows and various personnel changes, the band went on to record and self-released their 2010 debut, Rituals Of The Deep. Further blending their crust, punk, thrash, and death metal roots with a heavy dose of d-beat and blasts, the record earned further adulation from hordes in the know with Thrash Head commending the band’s, “pure fucking brutality,” further offering, “this is not only energetic and angry, but even aesthetically melodic with bridging riffs in all the right places! And the vocal dueling going down is heavy, aggressive protestation…This is truly sick!” Added The Bonesaw who named TEMPLE OF DAGON Band Of The Week, “A band whose lyrics are centered around H.P. Lovecraft’s tales of terror, TEMPLE OF DAGON unleashes a unique breed of metal blending death metal, thrash metal, doom, crust punk and New York influenced hardcore grooves.” 2015 finds the band at their most volatile. Having shared stages with the likes of Eyehategod, Hellshock, Doom, Hellbastard and so many others, boasting their most solid lineup to date and a drive unmatched by their peers, Revelations Of The Spirit is wholly scathing in sound, mind and spirit.

Revelations Of The Spirit will be unleashed on June 9th, 2015 digitally and on 10″ vinyl via Black Voodoo Records with preorders to be announced in the coming weeks.

http://www.facebook.com/templeofdagon
http://www.twitter.com/templeofdagon
http://www.templeofdagon.bandcamp.com
http://www.youtube.com/channel/UCGsEV5bdsrDVeM0T-MiKtdA
http://www.blackvoodoorecords.bandcamp.com
http://www.irishvoodoorecords.com
http://www.warlordclothing.com

TEMPLE OF DAGON - The Wandering Spirit

Unique Leader Records confirms July 24th as the ominous date French death metal legion, KRONOS, will drop their Arisen New Era long player upon the masses. Recorded, mixed and mastered by David Potvin at Dome Studios (Lyzanxia, Arcania, Under The Abyss etc.) in Angers, France, the band’s latest slab of audio menace features nine scalding tracks of unrelenting barbarity adorned in the distinctive cover art of Pierre Alain (Withering Soul, Silentlie, Cyrax etc.).

A name derived from the Greek god of time, Kronos (or Cronus), father of Zeus, KRONOS was forged over fifteen years ago and quickly established a name for themselves based solely on their musical unity of harmony and violence. Featuring a continuous textual reference to the gods of ancient civilizations, KRONOS punctures ears with a heightened level of dynamics accomplished by only by a select number of bands. It all began in a small town in the Northeastern province of Alsace-Lorraine. Following various lineup shifts and musical experimentation, the pandemonium squad recorded their first demo in 2000. One year later, KRONOS would unleash their Titan’s Awakening debut. Produced entirely by the band, the lethal creation lead to a union with French imprint Warpath Records. By the end of 2001, Titan’s Awakening was expelled once again into the world, this time with a brand new cover designed by Deather (Gurkkhas, Vital Remains, Angel Corpse) as well as a visually disquieting booklet.

KRONOS later joined forces with Spanish label Xtreem Music run by Avulsed’s Dave Rotten, for the unleashing of their next two full-lengths. Second offering, Colossal Titan Strife was discharged in 2004 to the applause of underground critics in the proverbial know. Metal Crypt commended the band’s “diversified guitar work… intricate drum patterns… wicked guitar solos and.. good number of catchy yet non-compromising hooks,” further insisting, “This French outfit is definitely worth checking out,” while Sputnik Music championed, “an impressive album that shows off the capabilities of death metal done right. KRONOS managed to pack a metric ton of creativity into each song and you will barely hear the same riff twice.” Added Last Rites simply, “worth your time if you… need some solid, well-produced death metal.” Third offspring, The Hellenic Terror, emerged in April 2007 and served as an attestation of the band’s enormous capacity for skilled execution and originality. Said Metal Crypt in a near perfect review of the release, “The Hellenic Terror contains more melodic sections than Colossal Titan Strife, but still possesses almost as much brutality…. KRONOS is one of the few death metal bands that manage to be melodic, brutal and still remain catchy as hell in their riffs and solos. This is definitely a must-have for fans of death metal.”

Now that this Gallic Titan has blossomed into a powerful entity, they’re ready to vanquish and destroy the world with musical bloodlust and the diabolic wares of Arisen New Era.

Arisen New Era Track Listing:
1. Infernal Abyss Sovereignty
2. Zeus Dethroned
3. Soul-Voracious Vultures
4. Rapture In Misery
5. Klymenos Underwrath
6. Aeons Titan Crown
7. Brotherlords
8. Purity Slaughtered
9. Hellysium

Arisen New Era will be released via Unique Leader Records on July 24th, 2015. 

http://www.facebook.com/pages/KRONOS/34830211765?fref=ts
http://www.uniqueleader.com
http://www.facebook.com/UniqueLeaderRecords
http://www.twitter.com/UniqueLeaderRec
http://www.youtube.com/uniqueleaderrecords

KRONOS - Infernal Abyss Sovereignty

Phoenix, Arizona-based death metal quintet, VEHEMENCE, returns to full-time deployment in 2015 with with tour dates and their anxiously awaited first new album in over a decade, Forward Without Motion.

The outfit’s first new album since Metal Blade Records’ 2004-released Helping The World To See, VEHEMENCE comes storming back to the death metal circuit with a crushing new album which will surely see the band regaining their traction within the scene after their time off the grid. Forward Without Motion is the culmination of years of hard work and the collective desire to write the best songs and capture the best performances. Working on the songs off and on for several years between 2007 and 2011, VEHEMENCE began a methodical, painstaking tracking process for the new record between 2012 and 2014, the album’s guitars, bass, and vocals being recorded at the home studios of guitarists Bjorn Dannov and Kyle Moeller, with the drums being recorded at Villain Studios in Phoenix. When listening to Forward Without Motion, one will discover the refreshing sounds of a band creatively reborn and seasoned by experience. The album flows with a relentless, throat grabbing energy that never flags and begs for repeated spins. This cohesive power is nowhere more apparent than in the strength of the instrumental and vocal performances, which slash and hammer their way out of the speakers with a passion rarely found in the cold, mostly lifeless corpses that are most modern death metal recordings.

With the underground death metal scene now extremely primed for the re-arrival of VEHEMENCE, Forward Without Motion will be released through Battleground records on October 23rd. The record will be issued on 180-gram black vinyl 2xLP in a gatefold package with a free download, limited to 300 copies, as well as a digipak CD version and all digital platforms. The band and label have proudly issued Forward Without Motion’s track listing and cover art by Hal Rotter/Rotting Graphics (Atriarch, Inherit Disease, Barghest).

www.facebook.com/vehemenceofficial
@vehemenceofficial
www.twitter.com/vehemenceaz
www.youtube.com/vehemenceband
www.facebook.com/battlegroundrecords
www.battlegroundrnr.com
www.twitter.com/battlegroundrnr


VEHEMENCE "It's All My Fault"

COFFIN DUST: Philadelphia Death Thrashing Grave Robbers Featuring Matt Slime To Unleash Everything Is Dead Via Unholy Anarchy Records; New Track Stenching Up The Airwaves

Philadelphia-based death thrash grave robbers, COFFIN DUST, which features within its repugnant ranks former Exhumed bassist Matt Slime, will unleash their Everything Is Dead full-length via Unholy Anarchy Records this May. 

Recorded and mastered by Ryan Reed at Creep Records Recording Studio in Philadelphia, Pennsylvania, Everything Is Dead offers up seven tracks of audio deviance including a cover of Slayer’s “Metal Storm/Face The Slayer.” 

Everything Is Dead Track Listing: 
1. Serrated
2. Gore Ensemble
3. Commander Exhumer
4. Stiff And Cold
5. The Living Coffin
6. Metal Storm/Face The Slayer
7. Everything Is Dead

COFFIN DUST was forged in in 2008 with founding members Slime (ex-Exhumed) and drummer Danny Disgustor conjuring a concept of death thrash with injections of other influences. By late 2010 the band’s first recorded release would come in the form of a crushing split with fellow Philly miscreants Cape Of Bats titled Unimaginable Horror (Grim Winds). Over the next few years, COFFIN DUST released three EPs, and finally unleashed their long awaited debut full-length, This Cemetery, My Kingdom in 2014 via Unholy Anarchy Records. 

Trudging through a plethora of lineup changes and hardships, COFFIN DUST has emerged out of the depths of The City Of Brotherly Love once again with their finest work to date in Everything Is Dead. Expect haunting and viscous sounds that will leave you trapped in your worst nightmares!

Everything Is Dead will claw its way to the surface on May 6th, 2016. Preorders to be announced soon. 

In related news, COFFIN DUST will spread their filth live on the upcoming dates with additional infiltrations to be announced soon. 

COFFIN DUST: 
3/26 - 27/2016 Blood Of The Wolf Fest - Lexington, KY
4/2/2016 Kung Fu Necktie - Philadelphia, PA w/ Lord Almighty, Castle Freak, Fisthammer
9/15-18/2016 Shadow Woods Metal Fest -- White Hall, MD

COFFIN DUST is:
Slime – pick axe and mucous
Bone Daddy – cellar dweller
Eerie Steve – chainsaws and garrote wire
Danny Disgustor – casket pounding

http://www.coffindust.bandcamp.com/
http://www.facebook.com/CoffinDust
https://www.facebook.com/groups/632920573416623/


COFFIN DUST - Gore Ensemble

On November 25th, Chicago-based death doom collective COKEGOAT will drop the torrential fruit of their latest full-length, Drugs And Animals, upon unsuspecting souls. Engineered, produced, and mixed by Andy Nelson (Weekend Nachos, Like Rats) at Bricktop Recording and mastered by Carl Saff (Unsane, Red Fang, Earthless et al) at Saff Mastering, the nihilistic sounds of Drugs And Animals displays the unit manifesting their own unique brand of heavy, sullen music. The post/doom/death/heavy metal sextet layers Jeff Wojtysiak, Ed Nudd ,and Rebekah Brown on guitars, synths and vocals, while Chase Bentley, Tim Baldwin, and Jordan Schultz add mass with guitar, bass and drums respectively. Six members strong. Six years in the making. Six musical voices.

Comments the band on Drugs And Animals: "Drugs And Animals is a tall refreshing Long Island Ice Tea in a craft cocktail world. It's trashy, it will fuck you fuck up, and you'll probably wake up in a strange place needing a double does of antibiotics. To quote producer/engineer Andy Nelson during the Drugs And Animals recording sessions, 'This album is dense.' [sic] Since our 2013 debut LP Vessel, countless group texts have helped COKEGOAT achieve growing friendships, razor sharp focus, mental stability, financial instability and a more advanced writing process. In other words we are beyond stoked to get this record to your earholes."

Drugs And Animals will be release released digitally and on 180-gram 12” vinyl late next month via the official COKEGOAT Bandcamp page.

Founded in the Windy City during the summer of 2011, COKEGOAT embraces the inherent evil of the earth and the soul. Planets dying, earth eating man, ocean birthing fear, moon swallowing heavens… 2013 saw the release of the debut album Vessel. Sludgelord gushed, “Vessel is an album of distorted chaos… chaotic, angry, brilliant, and bewitching.” New Noise concurred, “Vessels is one hell of a debut. This bitch has balls. But quickly flashes some groove… Here we have ‘three guitarists, three voices, synths, bass and drums,’ kept on a production leash that adds an urgency to the manic time changes. Which crush. The atmospheric layers are just touches. They add mood but never take center stage. This is about riffs, but COKEGOAT know where to accent their talents as well.” 

Part weed, all beer, soaked with good times, one COKEGOAT member has been kicked out of every band he’s ever been in. One has a positive word to say about every band he has ever seen and will travel to any city with a brewery. Another has a serious gear trading problem. Three guitars, three voices, bass, drums, and synths, together they ponder how a goat with a cocaine problem would act. They guess that goat would fuck your face off with riff heavy music that tastes like fresh flesh. What… You ask? They answer… Hell yes.

http://www.facebook.com/Cokegoat
http://www.cokegoat.bandcamp.com

COKEGOAT - Nurture

Greensboro, North Carolina-based heavy rock unit IRATA will release their Tower full-length on May 24th via Small Stone Records.

Since its 2007 genesis at the hands of founding members Ward and Jon Case (bass, vocals), IRATA has mutated restlessly, moving from its initial morphine-infused heavy fusion through math-y metal and finally to the soaring, technical heavy rock of its current approach. Over those dozen years, IRATA has made its presence known in metal and hard rock circles throughout the Southeast and beyond. Thanks to its growth from a trio with guitarist Cheryl Manner to a four-piece with the addition of guitarist Owen Burd, IRATA is evolving yet again.

With Burd’s talents on guitar, vocals, and trumpet added to what had already felt like a complete equation, IRATA is pushing itself to new vocal and instrumental heights. Accordingly, its upcoming LP Tower applies impressive musicianship and complex textures to increasingly approachable tunes that teeter between hard rock and prog-metal. It’s like the sports car version of Don Caballero. Fans of Jane’s Addiction, Mastodon, Kylesa, Helms Alee, Sandrider, All Them Witches, and King Buffalo pay heed.

Tower will be released on CD, digital, and limited-edition vinyl formats. For preorders, go to https://smallstone.bandcamp.com/album/tower.

IRATA:
Jon Case – bass, vocals
Jason Ward – drums, vocals, synth
Cheryl Manner – guitar
Owen Burd – guitar

http://www.facebook.com/iratabandofficial
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
http://www.smallstone.bandcamp.com

Tower

IRATA - Weightless

Considered the leading melodic death metal band in all of Australia, despite the young age of its members, the success of BE’LAKOR’s previous Stone’s Reach album led the band to perform at massive international festivals including Summer Breeze, in addition to European tours and solo international appearances across the continent.

Having refined their talents even further since previous albums, the band’s superb third album Of Breath And Bone further exemplifies BE’LAKOR’s superior metal prowess. Boasting nearly an hour of prime, harmonious death metal, Of Breath And Bone was mixed and mastered by Jens Bogren at Fascination Street studios (Opeth, Paradise Lost, Amon Amarth), and the cover artwork commissioned by Costin Chioreanu of Twilight 13 Media (Mayhem, Aura Noir, Absu, Darkthrone).

Of Breath And Bone was released by Kolony records across Europe in mid 2012 to massive media praise, and is now available to North American fans through Kolony’s new stateside distribution via eOne Entertainment.

http://www.belakorband.com
http://www.facebook.com/belakorband
http://www.twitter.com/belakorband
http://www.kolonyrecords.com
https://www.facebook.com/kolonyrecords
https://twitter.com/kolonyrecords


01 Abeyance

06 In Parting

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