EARTH 2 OF THE SILVERHAWKZ FROM THE DIP UNIVERSE

Diar Lansky born in Riverside, CA October 24, 1980 was destined for this Hip Hop game. He grew up playing prohibition Blues & Boogie Woogie on a upright Grand Piano and knew he wanted to be a part of today's music scene in some shape or form. After hearing a few Hip Hop artists such as Rakim, Big Daddy Kane, N.W.A, he knew that this style of music was his calling. At about the age of 12 he began "Free-styling" with groups of people in the East Riverside neighborhood he grew up in. Right off the bat everyone knew there was talent there that needed to be heard and developed. As a teenager he was heavily involved with Riverside graffiti artists and took up the name "Rymer One" which he traveled with from house parties to street corners battling anyone and everyone he could to get a name and reputation for himself as a true MC. In December of 1995 his father of 15 years passed away suddenly. He turned to the streets and really projected anger into his rhymes at that point, (which actually formed his style that he has today) and struggled through the everyday ups and downs that every teenager goes through. At this point in the mid 90's Hip hop was at a definite peak. He listened to everything, East Coast, West Coast, Down South and absorbed all styles of Hip Hop like a sponge. Incorporating that to his own music it really helped develop his style and mold his future on what kind of Hip Hop he wanted to do. Not to long after that he formed a group named "Untouchable Mobstaz Organization"(U.M.O) with his childhood friends and took the name "Diar Lansky". This was the first time he really got into a studio and started writing his lyrics down and recording actual songs. His childhood friend "Diz" aka "Frank Luchiano"(U.M.O) who had talent like no other and really inspired Diar to be a better MC, ended up having to serve a significant prison sentence. This left Diar on his own with U.M.O and almost ended the career as we know it for Diar Lansky. Back against the wall he formed his label that he still operates today Die4 Productions with a close friend he had ran with during his graffiti years, "Madd Phour". This was the real turning point in his career. He molded a sound together that is unique as it comes as started to get noticed in other states such as Colorado, Nevada, Arizona, New Mexico, Florida, Oregon and Illinois. Using this momentum he turned a one man army into a nationwide Die4 movement with artists throughout the US. Today Diar Lansky is a household name when it comes to Real Hip Hop and is on his way to bringing the roots of the music back to where it used to be. He’s already collaborated with a list of Hip Hop Veterans that include, Tragedy Khadafi, J-Dee(Da Lench Mob), Money B(Digital Underground), Cold 187um(Above The Law), MC Ren(NWA), Kid Frost, Comptons Most Wanted, The Luniz, KTOE, Kokane, Speech(Arrested Devopment),  

Peedi Crakk, Glasses Malone, Big Mike(Gets Boyz, Convicts), Ruste Juxx(Boot Camp Clik), Dirty Birdy, Dana Dane, Ras Kass, Young Hump, Gansta(Comrads), Chuck D, Ali Vegas, Big Twins(Infamous Mobb), Tha Dogg Pound, Jae Hood, Daddy-O(Stetsasonic), Jody Breeze, Bo Roc(Dove Shack), Smooth B(Nice & Smooth), Chop Black(Whoridas), Badazz(DPG), AllFrumThai(Westside Connection/Hoo Bangin), Bekay, Mitchy Slick, Starang Whondah(OGC), Supreme The Elloheem(Boot Camp Clik) and many more. With lyrics and instrumentals that rival modern artists he is definitely a voice that will be heard and acknowledged as a true to the art MC and producer. Follow along with his true life stories and classic but original punch lines & metaphors, as he encounters the last part of the game..... Taking it over.

#Die4

Platinum Record Selling Recording Artist
Youtube Sensation
Mother of 2 Boys

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

Beats for sale and lease. I mix and master as well. I take Bitcoin. I also have Venmo and Paypal.

robert.haggarty@gmail.com

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