Drum & bass stalwarts Black Sun Empire are to follow up a trio of recent EPs from The Upbeats, Neonlight and Pythius with the release of ‘Until The World Ends’ - a five-track, collaborative EP with NZ duo State Of Mind. To be released on January 26th via their genre-defining Blackout imprint, it marks an exciting start to 2015.

Lead track ‘Ego’ immediately sets the tone with growling bass lines and punchy synth-stabs that underpin dark, techy atmospherics and vocal loops.

Second track ‘Until The World Ends’ proves once again both acts’ enduring versatility - kicking off with a bass-heavy dubstep tones complimented by vocal duties from State Of Mind’s fellow New Zealander PNC, before

switching to a manic, intelligently structured groove for the remainder.

‘Bad’ opens with progressive percussion and softly-worked synths that move euphorically to a pounding drum break, whilst fourth track ‘Jack Nicholson’, featuring an imitable sample of the man himself, is a bass-fuelled shockwave of a track. Final track.

‘Moonbox’ closes the EP in true Blackout fashion, with signature frenetic beats and firing drums rounding off proceedings in style.

Black Sun Empire have built a reputation for curating their own brand of dark, neurofunk-inspired drum & bass over the past 12 months and this collaboration with long term accomplices State Of Mind - whom released their latest album ‘Eat The Rich’ via the label earlier this year - feeds into the hype surrounding Blackout as the label looks ahead to 2015.

Tracklist: 
01 - Black Sun Empire & State of Mind feat. PNC - Until The World Ends 
02 - Black Sun Empire & State of Mind - Bad 
03 - Black Sun Empire & State of Mind - Ego 
04 - Black Sun Empire & State of Mind - Jack Nicholson 
05 - Black Sun Empire & State of Mind - Moonbox

Until the World Ends

Black Sun Empire & State Of Mind - Until The World Ends

OUT NOW !

Hibernating against an already impressively tight discography,
Program has been biding its time in unleashing this next release.
With some of the genre’s most technically adept artists, the track-
listing alone is enough to grab your attention. There is a high
calibre of production standard present throughout the LP, audible
from start to finish.
Whether you become submerged by Freek’s rolling ‘Enamoured’,
accompanied by the pristine vocals of Pia Thaleia, or captured by
the apocalyptic sounds of Slang Banger’s ‘Slaughter House’, every
taste is catered for. Program sets aside its older sister label Ram and creates a breathing space, allowing it
to grow. The label is a heavyweight in its own right; this album is only reaffirms that fact.
And such a range of versatility comes with names both old and new. L 33 returns to the imprint, with
clashing bass conundrum ‘Manipulate’. Gerra & Stone also make an anticipated reappearance; their
contribution ‘Po’rdosol’ is a steppy riddim constructed through a medley of beats and sliced up sample.
But relative newcomer Elliott Mac uses the LP as a pedestal for another stellar production. The budding
artist flexes his capabilities across the soundscape of ‘Filter City’, delicately composed yet highly intricate.
It’s demonstrative of Program’s dedication to emerging artists, sifting through cyberspace to showcase some
of the best acts the underground has to offer.
So now it’s time to prepare your subs and plug in your speakers – Program have made a welcome return,
further solidifying their position as leading tastemakers with a quality ensured guarantee. It’s once again,
time to get with the Program!

L 33 - Manipulate [ProgRAM] #EncryptedLP

Static Warfare - Drum and Bass Instrumental

Download Here: https://goo.gl/TvjBZK

Five years of forward-thinking fire: A.M.C’s Titan imprint is set to celebrate half a decade of innovative, club-focused drum & bass in a major way this year with its first album project. 
Loaded with 100% exclusive tracks, ‘Five Years Of Titan’ comprises the most exciting names on the label and in the game at large. Flexing the full strong-armed range Titan has stayed true to since inception, the album galvanises the original ethos the label has always been built on: creativity, originality and the ability to smash a venue to pieces.  
The celebrations start right here with an outrageous techy bang courtesy of two of the labels best-selling artists of last year: label founder A.M.C and one of Czechia’s biggest names in drum & bass A Cray. Naturally, neither artist disappoints…
First up: A.M.C step forth with his remix of A Cray’s ‘Diverted’ like a confident peacemaker wading into a gang battle. No questions, no second thoughts, just a plain gutter-blasting tech twist that pays full respect to A Cray’s original twisted 
Creative, original, venue-smashing: these are just two reasons to stay locked to Titan’s celebrations this year. The five year anniversary chaos starts here… And if you thought the last five years were forward-thinking fire, just wait until you see what they have in store in the future! 


A-Cray - Diverted - A.M.C Remix - 5 Years Of Titan Part 1 - OUT NOW

Synergy - Overdose

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

//artists
@nais
facebook.com/nais.dabro/

@teddykillerz 
facebook.com/teddykillerz1/

@nuklearmc
facebook.com/nuklearmc/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

Release Dates // BP Exclusive - 22.07.19; Worldwide - 05.08.19

Created beyond the reach of time was a being of singular purpose and identity, unknowable to those who dwelt within the presence of that same ever-flowing universal force. Its existence predated the creation of their universe, an event it had watched carefully with its many eyes focused upon that which took its fancy. Aloof as it was, it took interest in the most pivotal figures of that little universe, guiding their paths with nonchalant ease as they went about heroic lives within their insignificant realms. Their greatest triumphs, their most harrowing failures, the beginnings and endings of their myriad tales: all such were born of the fleeting desires of the being which lay beyond their minuscule conception.

Those minuscule creatures had given the being many names in their many languages and portrayed its form in innumerable fashions, each uniquely fantastic and decidedly far from the truth. The being cared not of these misinterpretations however, finding instead a humor in their inability to even scratch at the surface of its incomprehensible existence. Its true title was after all for them impossible to pronounce, and thus the being held a detached amusement for the names it had been given. In times long past it had been fate, providence and even kismet, but in this new age of their world such archaic titles held little meaning, and the being styled itself around a term it found most peculiar, guiding their world under the name of SELECTA.

NAIS makes his EATBRAIN debut with the SELECTA EP as he continues his meteoric rise in the Drum & Bass scene. Hailing from Russia, NAIS has delivered recent releases across labels such as Playaz Recordings and Kosenprod, as well as collaborations with longstanding heavyweights such as the TEDDY KILLERZ and forthcoming material on RAM Records. With the SELECTA EP representing the next step in his ambitious launch sequence, NAIS holds nothing back as he broadcasts a four track selection of brashly energetic neurofunk to the EATBRAIN horde.

Selecta

Selecta EP

Nais & Teddy Killerz feat. Nuklear  - Don't Know (Eatbrain087)

‘Lifecycle’ showcases the ever evolving sound of drum & bass, featuring established artists who’ve lived the full cycle once or twice already, and fresh young talent at the start of theirs.
Part 1, Creation, features Audio, Black Sun Empire, Misanthrop, IMANU, Current Value & Gridlok.

Get it here: fanlink.to/LifecycleCreation
Out on the 23rd of March

Lifecycle: Creation

Gridlok - Germ (Misanthrop Remix)

//artist

@redpilldnb
facebook.com/redpilldnb/

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Excl. 28.08.20 & Worldwide - 11.09.20

Beneath beams of vibrant light shambled a mass of flesh and bone, revenant bodies moving steadily to the sonic reverberations that emanated from the stage before them. Their number grew as they grooved to the few sounds that reached their decaying ears, with the occasional thunderous hit of low frequency energy felling some to the floor. For all that they had seen, for all the horrors that they had undergone in their transformation into their new forms, the creatures gathered under a sense of duty, a pilgrimage, a return to once joyous ground even within the cruel fate that had been bestowed upon them.

Before it all, this had been a festive place, one of exuberant joy where the troubles of the world could be forgotten amongst the masses that gathered in shared sonic experience. There amidst that crowd, one ceased to be one and instead became many, a part of a larger whole that moved in synchronicity to the music before them. Though now held under different circumstances and driven by different sounds, this same energy yet remained as an echo in the gathering creature’s memories, driving them onwards in their journey to reclaim what they once had. As more and more of their kin gathered, this memory propagated itself amongst the once weary crowd, imbuing their bodies with an energy not seen since their days within life. Driven by this energy, the gathered horde moved once again with vigor and resolve, each amplifying the other as a part of their larger whole. Unified once more by their memories of joy, the horde’s fervor let loose into a frenzied swirl. Bodies ricocheted from one another and careened through the air, as each came once again to live without care. All who were there knew joy as they felt it, hurtling through the horde that had turned into a MOSH PIT.

REDPILL stokes the frenzy of the EATBRAIN horde with his latest MOSH PIT EP on the label, which additionally features fellow EATBRAIN alumni MAGNETUDE within its four track span. Returning to the label with his uniquely dual combination of shimmering synths and relentlessly distorted basslines, REDPILL comes ready to rock on the MOSH PIT EP with the unbridled energy of a riotous crowd.

Mosh Pit

Mosh Pit EP

Redpill - Mosh Pit (Eatbrain 109)

Between Worlds

Light Hammer

// artist
@agressorbunx
facebook.com/agressorbunxmusic/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Exclusive - 05.03.21;
Worldwide - 19.03.21



The crumbling city stood like the bones of a decaying animal, falling to ruin in a silence amplified by the lack of ears nearby that might hear it. It was an oppressive quiet, broken only rarely by the falling of concrete or steel to the cracked asphalt below. Yet one day, a new cry uttered forth within that sonic emptiness. It was shrill yet powerful, and it rang out slowly as though painstakingly expunged from the throat of the beast that had emitted it. Its source, however, came only indirectly from the biology of those who caused it. For this was the cry of feet of steel, forced open and ground against its frame by the two lonesome souls who had lain within.

That first moment of sunlight was blinding to their eyes, even when filtered through the roiling green clouds that blanketed the sky and rained down debris onto the landscape. Day and night had ceased to mean anything within the pair’s holdout, and their emergence into the gloom of midday stood in stark opposition to the biological clocks that had regulated their bodies for so long. Even for all these banalities with which they were met, the pair knew that they could no longer find shelter in their subterranean home, their supplies exhausted by the indeterminate passage of time that had marched over them therein. No, now the pair knew that they must go forth, back into the world that had once been their own. For them, the only hope at life lay underneath that green glowing sky, somewhere in the vast unknown that lay beyond the BUNKER.

AGRESSOR BUNX emerge from their studio to deliver BUNKER, the first step in their journey into the lands of the ENSUING CATACLYSM that will imbue their sonic works in the months to come. Their first release on EATBRAIN since 2019’s Power Glow EP, AGRESSOR BUNX return to lead the label’s ravenous horde through the tumultuous landscape of the cataclysm to come, debuting BUNKER as the first step amidst its apocalyptic advance.

Bunker

Agressor Bunx - Bunker (Eatbrain 118)// (Eatbrain LP012)

Dark. Deep. Unfiltered. Unrestrained. This is premier neurofunk drum & bass. This is Eatbrain.