Terror - Industrial Hardcore - Magnetic Resonance

"not only humans make music, also animals, planets and atoms too" K. Stockhausen

Composer of instrumental and electroacoustic music based in Madrid.

Curator of the new music festival VANG. 

Director of the Master in Electroacoustic Composition programme at 
the CSKG. 

SuperColliding since 2001.

Composer and sound artist of classical formation and several influences, with works framed near the turning point between traditional concert situations and other disciplines like installation, performance of videoart. His work is, above all, a search and deconstruction of borders: between the aesthetic and sociopolitical realms, or between the different conventional perceptual fields (sound, image, word, quotidian perception). www.albertobernal.net

Experimental music composer and developer of new musical technologies

Trabajo como técnicx de sonido directo, grabación en estudio, mezcla y mastering. Tengo experiencia en el medio audiovisual tanto en audio como en video. 
Me dedico a la producción musical desde el año 1996, me interesa cualquier estilo de beat roto, tipo jungle, hardstep, breakcore, tanto como noise, techno, triphop, hip hop abstracto, siempre con filtro de la actitud del digital hardcore, el crust-punk más ruidoso, el cante jondo antisistema.
Me gusta la tecnología bien usada, no como esclavxs del progreso, sino como herramienta de liberación. Entiendo la música como arma contra lo impuesto y establecido. Una buena letra en la cara vale más que mil imágenes.
Todo esto en redrum,  estudio que he diseñado especializado en mezcla y masterización, sin preferencia en estilos musicales en concreto, pero que leyendo se intuye por donde tira la cabra. 
Redrum estudio, nace de la necesidad de darle más calidad a esas producciones que sabes que merecen la pena ser tratadas con cariño y respeto, ponerlas en el lugar que les corresponde. Simplificando, llegar a sonar en cualquier plataforma como los temas que te gustan. 
Durante años he mantenido una obsesión por escudriñar en el sonido que me ha llevado a entender la física del mismo como si pudiera separar sus partículas, fonones, para llevar este conocimiento allá donde fuese útil. Vamos, que flípo.
Desde hace tiempo trabajo en varios proyectos musicales:
- zinica (antes ¨zinica deicida), con etiqueta musical tipo digital hardcore, breakcore, hardcore techno, noise.  Con letras que van de frente.
- kRudä , performance de base industrial, noise, triphop, banda sonora para poesías creadas desde mas allá de la piel en suspensión.
- ãKlesā, pareja de amantes de la electronica más oscura, con intención de llevar el acid, el techno, al punto psicotrópico y áspero. Para esos momentos de perfecta anormalidad mental.
También he producido músicas o bandas sonoras para diferentes espectáculos teatrales, circenses y algún que otro cortometraje. 
Hasta aquí mi parte biográfica que sirva más que por exhibición para entender mi amor y respeto por la música libre, sin mercantilismos, ni aviesas intenciones,  más que darle una patada al sistema.


I work as a live sound technician, recording engineer in the studio, mixing and mastering. I have experience in the audiovisual field both in audio and video.
I've been dedicated to music production since 1996, and I'm interested in any style of broken beats, such as jungle, hardstep, breakcore, as well as noise, techno, abstract hip hop, always with the filter of digital hardcore attitude, the loudest crust-punk, and the anti-system flamenco singing.
I like technology when it's used well, not as slaves to progress, but as a tool for liberation. I understand music as a weapon against what is imposed and established. A good lyric in your face is worth a thousand images.
All of this is happening at redrum, a studio that I designed, specialized in mixing and mastering, without any preference for specific musical styles, but you can tell where I lean towards by reading this.
Redrum studio was born out of the need to give even more quality to those productions that you know deserve to be treated with love and respect, to put them in the place they deserve. In simple terms, to sound like the songs you like on any platform.
For years, I have been obsessed with scrutinizing sound, which has led me to understand its physics as if I could separate its particles, phonons, and to take this knowledge wherever it was useful. Let's just say I'm geeked out on it.
I've been working on several music projects for some time:

zinica (formerly "zinica deicida"), with a musical label of digital hardcore, breakcore, hardcore techno, noise. With lyrics that are straightforward.
kRudä, an industrial-based performance, noise, triphop, soundtrack for poetry created from beyond the skin in suspension.
áklesa, a couple of lovers of the darkest electronics, intending to take acid and techno to the psychotropic and rough point. For those moments of perfect mental abnormality.
I have also produced music or soundtracks for various theatrical, circus, and some short films.
That's my bio, and it's more than just for show, it's to understand my love and respect for free music, without merchandising or ill intentions, just to give the system a kick in the pants.

Label based in Berlin, est. 2008. http://www.p-a-n.org

Composer and sound artist of classical formation and several influences, with works framed near the turning point between traditional concert situations and other disciplines like installation, performance of videoart. His work is, above all, a search and deconstruction of borders: between the aesthetic and sociopolitical realms, or between the different conventional perceptual fields (sound, image, word, quotidian perception). www.albertobernal.net 

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