Maus was raised on jazz and disco in beautiful Montreal, Quebec. She's been a key player in the Montreal scene since the late 90’s, shaking up minds and dance floors with her unique and creative approach to electronic music. Exploring many levels of House and Techno, she was entitled Montreal’s Drum and Bass Queen by the local press in 1999. Her signature style is deep with a rolling groove and a funky touch that gets everyone up and moving on the dance floor. 

Maus did her first European tour in 2000, promoting  Intersections (Haute-Couture Records, Canada) her debut mixed CD. Critically-acclaimed by international music press such as XLR8R, Coda and Urb magazine, (who ranked Maus on the “Next 100” list), her cutting edge selection of Drum & Bass got her booked at festivals like Sonar (Barcelona), Francofolies (Larochelle) renowned clubs such as Paris’s Batofar, Nouveau Casino and l’OPA, Lisbon’s own Lux,  and citie such as Prague, Budapest, Vienna..::and out she was. 

On this first tour, Maus signed a 2 year contract with La Sala del Cel (Girona, Spain) where she started digging deeper in the techno sounds. Her relentless passion to explore and reinvent herself only helped broaden her horizons and saw her walk away from the rather limited drum & bass scene. In 2002, as one of Montreal’s Cream festival headliners, she was commissioned to mix Cream '03 (YUL Records, Montreal), a compilation that also showcased her new approach to electronic dance music. From that year forward, her sound evolved to clubbier Techno and House, exposing her disco and soul-influences.
﻿
In 2002, Maus started producing her own music, signing her first remix in 2004 for legendary cold-wave band Trisomie 21 (The Man is a Mix, Chromo Music, France). In 2008, Maus connected with Thoughtless Music’s owner, Noah Pred for some feedback on her latest tracks. A few months later, Pred would release her debut EP Let Go, followed by the inclusion of La Surprise on Thoughtless Times V3. 

After a long break from regular studio work, Maus went back to her roots, exploring dub sounds through deep house tracks, releasing Story Tailors feat. Doba on Argentinian label, Eat More Beef, in the summer of 2012. She also included some of her productions on her mixed CD, Chez Nous v4, released by Montreal’s elite Mile End Records in february 2013.

On December 2015, she boxed her most precious things and left Montreal to see what latin America had to share. Based in Playa del Carmen Mexico for a year,  Maus launched her Montreal born monthly, Danse Contact, at renown club La Santanera. Toured central America for a bit and cut her journey short to return to family matters. Which was, after all, the best decision of her life...

﻿
Maus has been a resident DJ at arguably the best club in North America, Montreal’s Stereo Nightclub and hosted several nights, including her monthly, Danse Contact, at local Club Salon Daome. Over the years, she held residencies at infamous after hours clubs such as Sona, Aria and others. She's also had the pleasure of playing many of Montreal’s top music festivals, including Igloofest, Montréal en Lumières, the Montreal International Jazz Festival, Les Francofolies, among others. Maus has also been a fixture at Piknic Electronik since their very first edition, returning to headline at their 10th and 15th anniversary.

Maus travelled the globe to share her music in countries like China (Expo 2010), Australia, France, Spain, Germany, England, Hungaria, the Czech Republic, Portugal, Mexico, Ecuador, the Dominican Republic, USA. Today, she continues to spread the love through her consistent and dynamic approach to electronic dance music. Join MAUS at one of her Danse Contact solid House night  in Montreal.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Eauscml is following