Awesome song! Kinda reminds me of an 80's style of music

Ordinary Love

M!R!M - Reel
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Reel

Electric obsession.
Red light accumulation.
Sex filter inside us.
Keeps things from heat exhaustion

With you, closer to,
Inside you, breathing fumes,
Two secrets, you keep them,
Away from me.

Vocals, Guitar, Synth, Lyrics, Programming: Philip Obando
Bass: Armond Angeles
Mastered at Casa Grande Studios

Electric

5 - MIce

Recorded by Josiah Mazzaschi at The Cave Studio, Los Angeles, California
Mastered by Dave Cooley / Elysian Masters
Cover art by Sonia Zopuyan

02 Shift

So many words have been unsaid. 
Built in the dark to contemplate. 
A sound for ears but lost in sight. 
So quietly, deliberately, deliberately! 
They give consent to the unknown. 
So violently, you doublespeak in front of me. 

​So take this night fall to the horizons of godless fortune. 
And spew your scriptures of endless patter, get on your knees now. 
So they won't believe you, no, they won't believe you. 
They won't believe you, no, no-one believes you! No-one. 
​ 
Your escapades have many sides. 
Your batting eyes say all I know, say all I know. 
The stratosphere of cutting lies. 
Are captured here and visible, they're visible. 
Epic your mind and vast ego. 
Echoes a sound of love and hate, it's not too late. 
​ 
To take this night fall to the horizons of godless fortune. 
And spew your scripture of endless patter, get on your knees now. 
So they won't believe you, no, they won't believe you. 
They won't believe you, no, no-one believes you! No-one at all. 

As cold as ice, your cunning eyes. 
Depraved, impulsed, you're breathing hard, demoralized. 
The silent space where you belong. 
You're standing there, you feel it now, you feel it now

released December 10, 2015 
Vocals, Guitar, Synth, Lyrics, Programming: Philip Obando 
Bass: Armond Angeles 
Mastered at Peerless Mastering

Doublespeak

Recursive, aggressive, it locks to your cell system. 
Genetic, mutation, it spreads in all directions. 
If there is hope, it flows in your stream. 
But they don’t know, vaccine HD3. 
​ 
I’ve got a secret to tell. 
Let’s meet in the place where you hide your gun. 
Dead while the other’s alive. 
The future is a means to an end in sight. 
Zombie bird, you’re a zombie bird. 
Zombie birds, you’re all zombie birds. 
​ 
We're running from cities, through empty streets and silence. 
I've killed them, in cold blood, though I am not a killer. 
But there is hope, it flows in your stream. 
And they must know, vaccine hd3.
credits
released December 10, 2015 
Vocals, Guitar, Synth, Lyrics, Programming: Philip Obando 
Bass: Armond Angeles 
Mastered at Peerless Mastering

Zombie Birds

Veldisa

@Echolust - Veldisa (Album Release 11/18/2016)

Philip was about to give it all up, annoyed and frustrated with the lack of finding the right people to write music with. One summer, upon recording a few demos in 2012, he met Armond through friends at an #EchoandTheBunnymen show in Los Angeles. Armond did bass work for a #TheSmiths -like sounding band. But after a few recorded tracks, there was no more motion and movement and they disbanded soon thereafter. Philip and Armond exchanged information and a couple months later started recording songs. The goal was to create a five track EP release. However, instead of an EP, they decided to write an entire LP record, and soon sought the talents of a lead guitarist. While the music that was being created sounded great, there was an element missing. Philip told Armond that the tracks needed a sound that was more distorted, something of a mixture of #CocteauTwins, #Slowdive and #MyBloodyValentine. One night, Philip was Dj-ing at a small dive bar when he met Tony. During a Cocteau Twins track, Tony approached Philip and they soon started talking about music. That’s when Philip knew he was the right guy for the job. Tony’s musical background consists of having recorded work for bands, Pile Up and Russian Bones, however stalled in 2001 due to death, drug addiction and personal bickering. But soon, all three were recording new material.

All three bring very specific elements to the table. Armond’s basslines are reminiscent of a beloved 80′s gloomy English Post Punk era, cold, delayed and distant, Tony’s experimental shoegaze textures captures a wildly beautiful but contained distortion, while Philip’s guitar, synth and lyrics tell stories about a sense of personal loss, wonder and moving on.

Tracklisting:

1.	1799.
2.	Cherry Dancer
3.	Dark Hair Girl
4.	Doublespeak
5.	Electric
6.	Lotus
7.	Velvet Holiday
8.	Zombie Birds
9.	Decor Blonde
10.	Veldisa

Bandcamp:
https://echolust.bandcamp.com/

Here’s a review by Buzzbands:
http://buzzbands.la/2015/09/15/ears-wide-open-echolust/

Officla Website
http://www.echolust.com



http://cleorecs.com/ (P) (C) 2016 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

--------------------------------------
 [Tags: #CleopatraRecords #Echolust #CocteauTwins, #Veldisa #MyBloodyValentine ]

Echolust "Velvet Holiday" Veldisa (Album Release 11/18/2016)

@Echolust - Veldisa 
Philip was about to give it all up, annoyed and frustrated with the lack of finding the right people to write music with. One summer, upon recording a few demos in 2012, he met Armond through friends at an #EchoandTheBunnymen show in Los Angeles. Armond did bass work for a #TheSmiths -like sounding band. But after a few recorded tracks, there was no more motion and movement and they disbanded soon thereafter. Philip and Armond exchanged information and a couple months later started recording songs. The goal was to create a five track EP release. However, instead of an EP, they decided to write an entire LP record, and soon sought the talents of a lead guitarist. While the music that was being created sounded great, there was an element missing. Philip told Armond that the tracks needed a sound that was more distorted, something of a mixture of #CocteauTwins, #Slowdive and #MyBloodyValentine. One night, Philip was Dj-ing at a small dive bar when he met Tony. During a Cocteau Twins track, Tony approached Philip and they soon started talking about music. That’s when Philip knew he was the right guy for the job. Tony’s musical background consists of having recorded work for bands, Pile Up and Russian Bones, however stalled in 2001 due to death, drug addiction and personal bickering. But soon, all three were recording new material.

All three bring very specific elements to the table. Armond’s basslines are reminiscent of a beloved 80′s gloomy English Post Punk era, cold, delayed and distant, Tony’s experimental shoegaze textures captures a wildly beautiful but contained distortion, while Philip’s guitar, synth and lyrics tell stories about a sense of personal loss, wonder and moving on.

Tracklisting:

1.	1799.
2.	Cherry Dancer
3.	Dark Hair Girl
4.	Doublespeak
5.	Electric
6.	Lotus
7.	Velvet Holiday
8.	Zombie Birds
9.	Decor Blonde
10.	Veldisa

Bandcamp:
https://echolust.bandcamp.com/

Here’s a review by Buzzbands:
http://buzzbands.la/2015/09/15/ears-wide-open-echolust/

Officla Website
http://www.echolust.com



http://cleorecs.com/ (P) (C) 2016 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

--------------------------------------
 [Tags: #CleopatraRecords #Echolust #CocteauTwins, #Veldisa #MyBloodyValentine ]

Echolust - Cherry Dancer (Veldisa)

Echolust is an American band formed in Long Beach, California in 2011. The band consists of musicians Philip Obando, Armond Angeles and Tony Lee Jackson. Together, they recapture and reinterpret important eras of subculture essence that has musically influenced them their entire lives, through personal point of views, perspectives, experiences, gains and losses. 



Philip was about to give it all up, annoyed and frustrated with the lack of finding the right people to write music with. One summer, upon recording a few demos in 2012, he met Armond through friends at an Echo and The Bunnymen show in Los Angeles. Armond did bass work for a Smiths-like sounding band. But after a few recorded tracks, there was no more motion and movement and they disbanded soon thereafter. Philip and Armond exchanged information and a couple months later started recording songs. The goal was to create a five track EP release. However, instead of an EP, they decided to write an entire LP record, and soon sought the talents of a lead guitarist. While the music that was being created sounded great, there was an element missing. Philip told Armond that the tracks needed a sound that was more distorted, something of a mixture of Cocteau Twins, Slowdive and My Bloody Valentine. One night, Philip was Dj-ing at a small dive bar when he met Tony. During a Cocteau Twins track, Tony approached Philip and they soon started talking about music. That's when Philip knew he was the right guy for the job. Tony's musical background consists of having recorded work for bands, Pile Up and Russian Bones, however stalled in 2001 due to death, drug addiction and personal bickering. But soon, all three were recording new material. 



All three bring very specific elements to the table. Armond's basslines are reminiscent of a beloved 80's gloomy English Post Punk era, cold, delayed and distant, Tony's experimental shoegaze textures captures a wildly beautiful but contained distortion, while Philip's guitar, synth and lyrics tell stories about a sense of personal loss, wonder and moving on. 

It’s been one of the more curious things about Los Angeles: Here, in the land of sun, sand and self-importance, a vital vein of post-punk music — and its shoegaze, darkwave and industrial variants — has always flowed freely. Echolust are among the latest to indulge in shadowy soundscapism. The Long Beach duo of Philip Obens and Armond Angeles this spring released a seven-song collection titled “Fourier Series” that sounds like it came from some gloomy U.K. city in the 1980s. Which is a good thing for fans of Joy Division, the Cure, Echo & the Bunnymen and inhabitants of that musical lineage. Obens handles the singing, guitar and synths here, Angeles the bass, and together they’ve nailed the foreboding but cathartic beauty of the music.

— Kevin Bronson, Buzzbands.la 

Electric

Echolust

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Kodaira

sometimes GOOD

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