Second object of devotion to emerge from WORSHIP's dawning catalogue, "Totem
Society" sees label founder Đ.K. joining forces with Italian producer Sabla (DISK,
Knekelhuis, Gang of Ducks) over six cuts exploring the confines of their shared
sound mystique. Flush with primitive drums, hazy temple-like atmospheres and eartitillating textures to wade in, this six-track voyage across ancient worlds and
newfangled electronic potentialities elicits visions of fulfilling serenity and troubled
oracles at once.

Composed & produced by Sabla + Đ.K.
Mastered by Krikor
Design : Bureau Kayser

WRSHP002 - Totem Society - Out April 26th
https://worship-productions.bandcamp.com/album/totem-society

WORSHIP002 -  Sabla + Đ.K.  - Totem Society (Preview)

Audio by Formen (Album Version)
Artwork by Iliph Arthoss

Intermodulation

Total Harmonic Distortion

Bandcamp

Solpara - Breaking Points

Danish electronic musician Skarv releases the album Polymer Veil, a vibrant collection of synthetic tracks asking questions about the nature of artificial existence with strong vocal contributions from the Copenhagen underground.

@skarv6
@rhz000

PREMIERE: Skarv — Nylon Fuses With Skin (Rhizome)

From the new A LARGE SHEET OF MUSCLE album DRACULA COMPLETO

https://thetrilogytapes.bandcamp.com/album/dracula-completo

DRACULA COMPLETO

A LARGE SHEET OF MUSCLE – ULTRA WOMB

ocean eyes.m4a

If I Was a Star

ZZZ blue organ

Taken from Kallista Kult's self-titled debut release. Out August 26, 2019 on A Colourful Storm.

Pre-order vinyl and digital: https://acolourfulstorm.bandcamp.com/album/kallista-kult

Kallista Kult

Kallista Kult - The Earth Did A Line

Taken from Spivak - Μετά Το Ρέιβ LP/Digital (Ecstatic Recordings, 04/12/2020)

‘Μετά Το Ρέιβ’ is the original debut LP by Maria Spivak, a rawly expressive set of ambient synth- pop inspired by her Cypriot heritage, and channelling mystic vibes from Lena Platonos to Drexciya - very special stuff, indeed.

The latest addition to Ecstatic’s sprawling cabal, Spivak arrives fully formed with a quietly penetrative sound, layering her haunted but coolly melodic vocals and synth pads around bare- bones, DIY production that makes a virtue of “mistakes” and grit in-the-mix.

Lessons from ’80s post-punk to ambient-pop and trip hop inform Spivak’s music as much as her observations on Cypriot sociopolitics, culture, and nature. But the references are more suggestive than concrete, often imperceptibly woven into her songs with a fine sort of folk art filigree that feels timeless but directly effective within her field, recalling the low-key magick of everyone from Teresa Winter to HTRK, yet gauzily delivered from her own, enchanted perspective.

Spivak has worked towards this seemingly effortless style and conception of atmosphere for a decade, flowering from MA studies in Architecture in the UK, to develop her roots in Cyprus, where she draws on the energies of a small but active local scene, as well as the island’s agitated recent history, against a backdrop of myth-inspiring topography, that all help imbue her style of sound sculpture with a distinctive, quietly conflicted soul.

Her first bouquet of songs are intimate but prickly, ancient and futuristic creations, unfurling from primitive dream-pop in ‘Minus The motivational Speech’, to the nerve-tweaking chamber blooz of ‘Hardware Store Ballad’ with a deeply arresting, story-telling style that’s naturally brought to
life in the music; from the ephemeral sensuality of ‘Sec’, sounding like Lena Platonos meets The Other People Place, to the haunted dancehall swoon of ‘Enough Throwbacks’, thru her title song’s seething/soothing synth candescence, and the lo-fi Cosey-meets-BoC beauty‘Σχεδόν Σίγουρα (with H4S).’

Spivak - Πήγαινέ Μέ

ECSTATIC

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