Audio by Formen (Album Version)
Artwork by Iliph Arthoss

Intermodulation

Total Harmonic Distortion

Bandcamp

Residency show broadcasted live at Radio Tempo Não Pára (16.08.2023)

Artist: @itsyourunhappybirthday

dark things we tell each other w/ Daniel Jahn @ Radio TNP 16.08.2024

Danish electronic musician Skarv releases the album Polymer Veil, a vibrant collection of synthetic tracks asking questions about the nature of artificial existence with strong vocal contributions from the Copenhagen underground.

@skarv6
@rhz000

PREMIERE: Skarv — Nylon Fuses With Skin (Rhizome)

We Slowly Riot

CLIMATE CHANGE

ABYSS

62 Seconds of Lust

Z blue organ Z

MH016 - RAMZi - Phobiza Vol. 2 "Noite"

Sit in the creek, cool yourself, then move. Sounds to speed across the Noite skies or sink into the soil. Take the outer path to the inside and hop on the next flight to Phobiza. 

A1 - For Vanda
A2 - Fuma
B1 - Messiah
B2 - Male heya

MH016 - RAMZi - Phobiza "Noite" Vol. 2

хипушит @ нейронный лом, рабица, 15.04.2017

Taken from Kallista Kult's self-titled debut release. Out August 26, 2019 on A Colourful Storm.

Pre-order vinyl and digital: https://acolourfulstorm.bandcamp.com/album/kallista-kult

Kallista Kult

Kallista Kult - The Earth Did A Line

Taken from Spivak - Μετά Το Ρέιβ LP/Digital (Ecstatic Recordings, 04/12/2020)

‘Μετά Το Ρέιβ’ is the original debut LP by Maria Spivak, a rawly expressive set of ambient synth- pop inspired by her Cypriot heritage, and channelling mystic vibes from Lena Platonos to Drexciya - very special stuff, indeed.

The latest addition to Ecstatic’s sprawling cabal, Spivak arrives fully formed with a quietly penetrative sound, layering her haunted but coolly melodic vocals and synth pads around bare- bones, DIY production that makes a virtue of “mistakes” and grit in-the-mix.

Lessons from ’80s post-punk to ambient-pop and trip hop inform Spivak’s music as much as her observations on Cypriot sociopolitics, culture, and nature. But the references are more suggestive than concrete, often imperceptibly woven into her songs with a fine sort of folk art filigree that feels timeless but directly effective within her field, recalling the low-key magick of everyone from Teresa Winter to HTRK, yet gauzily delivered from her own, enchanted perspective.

Spivak has worked towards this seemingly effortless style and conception of atmosphere for a decade, flowering from MA studies in Architecture in the UK, to develop her roots in Cyprus, where she draws on the energies of a small but active local scene, as well as the island’s agitated recent history, against a backdrop of myth-inspiring topography, that all help imbue her style of sound sculpture with a distinctive, quietly conflicted soul.

Her first bouquet of songs are intimate but prickly, ancient and futuristic creations, unfurling from primitive dream-pop in ‘Minus The motivational Speech’, to the nerve-tweaking chamber blooz of ‘Hardware Store Ballad’ with a deeply arresting, story-telling style that’s naturally brought to
life in the music; from the ephemeral sensuality of ‘Sec’, sounding like Lena Platonos meets The Other People Place, to the haunted dancehall swoon of ‘Enough Throwbacks’, thru her title song’s seething/soothing synth candescence, and the lo-fi Cosey-meets-BoC beauty‘Σχεδόν Σίγουρα (with H4S).’

Spivak - Πήγαινέ Μέ

ECSTATIC