Dreamy/Romantic synthwave made with a combination of vintage and modern gear. 

For all inquiries please mail me at: timecop1983@gmail.com

Get my music at: http://timecop1983.bandcamp.com

Like me on Facebook for updates, news and other stuff!

Most of my music is also available on iTunes, Spotify, Amazon and other digital platforms. Play it on repeat! 




Two lawyers sent back from the streets of future, post apocalyptic Los Angeles 2043.

Playback OUT NOW - https://tinyurl.com/y4a8akun
Management - mgmt@powergloveaudio.com
Contact - info@powergloveaudio.com

BOOKING INFO

North America booking - 
Alex@abtouring.com
Brian@abtouring.com

Europe/UK booking -
juliencorre.paris@gmail.com

Figure has been a household name in bass music since its American adaptation , with a catalog that spans over 15 years , more than 14 albums , and hundreds of songs. He's best known for his signature, aggressive sounds mixed with horror themes. Figure continues to release new music with various labels, friends and peers in the bass community. A touring machine, Figure feels at home on the road .. he's been around the globe many times over and recently celebrated the 14th anniversary of his Monsters series of albums and a regular contributor for Universal's Halloween Horror Nights theme parks.

#softshred 

HUGHBMYRONE AT GMAIL DOT COM 

Label : Blood-Music
contact@blood-music.com
Booking : seb@thelinkprod.fr
Contact me : i.am.the.perturbator@gmail.com
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RELEASES:

THE UNCANNY VALLEY :
https://perturbator.bandcamp.com/album/the-uncanny-valley

DANGEROUS DAYS :
http://perturbator.bandcamp.com/album/dangerous-days

SEXUALIZER EP :
https://blood-music.bandcamp.com/album/sexualizer-ep

I AM THE NIGHT :
http://perturbator.bandcamp.com/album/i-am-the-night

NOCTURNE CITY EP: 
https://blood-music.bandcamp.com/album/nocturne-city-ep

TERROR 404 :
http://perturbator.bandcamp.com/album/terror-404

NIGHT DRIVING AVENGER EP :
http://perturbator.bandcamp.com/album/night-driving-avenger-ep


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http://comtruise.com

European Booking:
kalle@pitchandsmith.com

US Booking:
omallon@paradigmagency.com

General Inquiries:
matt@gallerie.us

Legal Inquiries:
matt@rmbllp.com

Lo-fi / Mid-fi / Sci-fi
Lush noise 32bit synthwave pop.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Ed Sewall is following