DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

Dom Search and Brad Baloo - aka The Nextmen - are United Kingdom DJs and producers with a trail of mixes, albums and podcasts encompassing club music from many genres, all steeped in a large dose of Hip Hop. Their Podcast regularly troubles the top 5 of the iTunes Music Podcast chart. Production and writing duties undertaken for artists such as Plan B, Wilkinson, Paolo Nutini, Anne Marie, Kiko Bun and many more...

A weekly look at all things Wolves from the Express & Star's football team

https://sweatitout.lnk.to/NoMoreConversationsSo

In these fast-moving times, where many acts come and go in the space of a few blog posts, it's becoming harder and harder to find artists with true staying power. Anu Pillai aka Freeform Five is one of those rare artists. A veteran of the dance music scene, he started to release records on the seminal labels Classic, Glasgow Underground and NRK back in 1998. He soon worked his way into the premier league of remixers, producing some of the most stunning reworks of the last decade for artists as diverse as N*E*R*D, Brian Wilson, X-Press 2 & David Byrne, Jamie Lidell, Justin Timberlake, Felix da Housecat and The Killers – as well as work for cutting edge labels like Warp and Cocoon. 
He’s spent a small fortune carbon offsetting his airmiles with DJ & live appearances at Fabric / The End / Ministry of Sound (London), Space / Manumission / Ibiza Rocks (Ibiza), Cocoon (Frankfurt), Watergate / Cookies / Week End (Berlin), Razzmatazz (Barcelona), D-Edge (Sao Paolo), Womb / Ageha / Unit (Tokyo), Rex / Social Club / Paris Paris (Paris), LAX (LA), and Lux (Lisbon) – plus tours of Scandinavia, Australia, America, and all the major festivals, including Glastonbury, T In The Park, Benicassim, Parklife and Pukkelpop. Anu has also released Freeform Five’s debut album ‘Strangest Things’ on Atlantic records, two massive DJ mix albums, ‘Bisous Bisous II’ & ‘Misch Masch’ and contributed to several of Kitsuné’s genre defining compilations.
Following a relentless touring schedule, Anu decided to take a break from Freeform Five a few years back to concentrate on writing, producing & remixing for the likes of Ladyhawke, Santigold, William Orbit, Eve, Lana Del Rey, Deadmau5, Little Boots and Roisin Murphy amongst others. He also set up boundary-pushing label Perspex Recordings with releases from Chicago legend Derrick Carter, French rockers Poney Poney /Jamaica (produced by Xavier from Justice) and Swedish auteur ‘The Subliminal Kid’ (producer of Fever Ray & Matthew Dear) along with remixes by like minded friends such as Gabriel Ananda, Riton, Tomboy & Riva Starr. 
Anu has always thought outside the box. His remix of Isolee's 'Beau Mot Plage' redefined the art of remixing, juxtaposing the micro synthesis of the original with intricate Afro & Latin polyrhythms, creating a bona-fide house music classic. Remixes of Llorca's "Indigo Blues" and Isolee's "Brazil.com" fused west African kora, Indian orchestrations and classical harp within a house music template and on the Freeform Five track 'Eeeeaaooww' he merged disco licks with Bounty Killer's dancehall patois. 
Anu returned to the scene by collaborating with Gambian griot and master musician Juldeh Camara (a member of Robert Plant's Sensational Space Shifters band) for "Weltareh" on Eskimo recordings.  He also hooked up with Berlin's white hot Exploited crew for the jacking pure analog "Brandy Alexander." And now on "Leviathan" he teams up with the legendary Roisin Murphy for an exercise in irresistible vocal power and anthemic feel good house.
Tom Trago, Compuphonic and Cage & Aviary join the the stellar list of super talented artists who've been invited to remix Freeform Five tracks (following on from Tiefschwarz, Radioslave, Alter Ego, Lindstrom, Mylo, M.A.N.D.Y, Switch, Ewan Pearson, Jackson & His Computer Band, Prins Thomas and Maurice Fulton to name a few) along with a stunning re-work from Anu himself.

Soundcloud.com/Freeformfive
Facebook.com/Freeformfive
Twitter.com/Freeformfive

[CA: himmelfarb@feldman-agency.com]
[MGMT: management@skratchbastid.com]

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

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