Awesome Eda...these drums and voices are wonderful..

The percussion groove on this track is addictive !!

Listen to full EP on Bandcamp: https://karenvogt.bandcamp.com/track/we-travelled-from-star-to-star

Light from Far Away

We Travelled from Star to Star

We Travelled From Star To Star

EDA BROWN_GHOST ISLAND(EARLY WORKS  2017-2018)

Voilà Nico et Antonin partis sur une base vaguement dub, au final ça donne un truc, comment dire, post-something?

Recorded @ 147, July 22nd 2022, with:
- Nicolas Claus (guitar, bass, loops)
- Antonin De Bemels (groovebox)

Impro session "dubby"

Spice routes album is musical visualisations of travel roads for different spices. 

Those sailors of England… Among all they have shipped around the world, star Anise is one of the most innocent goods. Unloaded on European soil in the 16th century for the first time, the 3000-year-old medicine and spice soon began to be traded along the Great Tea Route from China

https://catalog.radijo-musikii.net/release/andra-ljos-spice-soutes

Star anise Rout

L'ampleur du souffle (2020)

To breathe, is to activate a certain space. Short breaths, deep breaths, dying breaths or sensual ones - they evoke variety of features and peculiarities that the breath embodies. Breath is also a precondition of voice, and further, of a spoken word. Paving the path for every physiological and philosophical activity, breath is essential to all we do and all that we are. 
Auditory situations in this piece are fluidly changing from one to another in a constant fluctuation and transfiguration of the musical material. Acoustic spaces inside of which the music is being situated, give room for the sounds to appear, to change and disappear, develop and transform, and inside of these spaces, the ear can swift freely from one sound object to another in a spatial and non-linear listening experience.

Commissioned for the Tingles & Clicks project by the Musikprotokoll 2020 and supported by the program "Creative Europe" of the European Union and SHAPE platform.

The work was presented in ambisonics, binaural and stereo formats. It was composed for an interactive environment, and the sections (structure, duration) were open. This is one of its renderings (structure and format-wise), made for the presentation at Radio Belgrade in 2020.

Presented at Musikprotokoll, Graz, at Radio Belgrade 3, CYNETART festival and Ö1 radio (Zeit-Ton radio show).

L'ampleur du souffle

from KR110: An Moku & Stefan Schimdt - Raum im Raum (tape / DL) out on june 16th 2023

Raum im Raum

Raum Im Raum

AN MOKU & STEFAN SCHMIDT - RiR °2

assumption of some

https://youtu.be/odNeOdM0mZE?si=AF0fTsIdrObwjKxC
https://open.spotify.com/album/3sjrVWAeKFlva5ybxGriMx?si=zkohJAP5QzukyiQVa7G9VA

Soul of India- Love

Quitratue

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Presented as a re-creation of two live sets performed in 2019, Patrick Gallagher deftly melds field recordings, a "fairly standard" synthesis toolkit, and prepared electric guitar into two peerless electro-acoustic compositions comprising his debut album for ENXPL (enmossed x psychic liberation).

As the album's title implies, "Set In the Bardo" embraces indeterminacy in all respects. An extreme range of timbrel variety and complexity is employed, from pure sine waves to nearly-incomprehensible sonic blasts. With a formal education in mathematics, Gallagher's astute arrangements modulate between smooth glissandos and abrupt interruptions, reflecting the compositional process used: salvaging hitherto-abandoned recordings and live snippets from the artist's archive. Post-processing was eschewed on the album in order to preserve the improvisatory nature of a live performance, giving an organic quality to the album which is often lost in academic compositions.

While "Set In the Bardo" was created in pre-pandemic times, it also functions well at this particular juncture of history. We have been 'set in the bardo' ourselves, and Gallagher has made an engrossing set of pieces - encapsulating and unfolding sonic uncertainties as we venture through trying times. Well worth many listening sessions; high volume and high fidelity during playback are recommended.

---

Patrick Gallagher is a sound artist and composer currently residing in Philadelphia, PA. He cut his teeth in the North Carolina avant-garde underground, perfecting his composition processes with numerous live performances as well as releases on Tone Log, Hot Releases, Refulgent Sepulchre, and other independent labels. 

releases January 29, 2021

mastering :: Jack Callahan

cover artwork :: Autumn Casey

design ++ layout :: Robin JM Vanderheyden

a portion of Side A was recorded live at Rhizome (Washington, DC) by Steve Sanford

all proceeds to The Youth Art & Self-Empowerment Project (Philadelphia, PA) :: www.yasproject.com

Set In The Bardo

Patrick Gallagher - Untitled [Set In The Bardo Side B Excerpt] (ENXPL05)

Eda Brown 
→New album :「Drifting Neo」

【Release Information】
Errata C20 series vol. 44:「Ghosts Autumn EP」
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Salsa Speakers(Eda Brown＆17"4)
→A new electronic project from Eda Brown and 17"4. Currently working on an EP.
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EDA BROWN_GHOST ISLAND(EARLY WORKS 2017-2018)

EDA BROWN

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