Crew KMST3579

EDA BROWN_MAGICAL SOUP CURRY

The Work8

Bird Of Paradise

Nothing much to say here, as the title says it all. Hope you'll enjoy this sonic portrait of a spaceship crew saying goodbye to a few dozens Plutonian birds.
I made this out of a few recordings and experiments I had in my HD. More numbers will follow, sooner or later. I'm currently working on several tracks, aiming at putting an album together someday. 
I'd like to thank all you SC people who are still listening to my stuff even though I've spent a couple of years mostly on Pluto... I guess I'm finally taking off now, in a way or another. Hope you're all doing good, my friends.

Teth Sin : electric guitars, vocals, synthesizers, field recordings, sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Crew KMST3579 Bidding A Flock Of Plutonian Birds Farewell

This is how we disfunction when we stop pretending to be human or mimic musical structures. Let us in, let us show you the breakdown of your communication, your weakness. Thee ghost in the machine has delivered the malware, the glitch was intentional, your emotion has left you unguarded, relax and dissociate....

Frequency/Algorithm

A couple of months ago I had the chance to jam with a couple of friends on guitars at a dinner party. We played a few Stones covers, and the vibe was ok. Then suddenly someone named the Velvet Underground, so I started strumming and singing a classic number we used to perform pretty often when we were young, "I'm Waiting For My Man". I could really feel it, and when I got home I thought it was worth trying to record it. In the past we used to cover the Live 1969 version, but this time I tried to blend it with a couple of other renditions, namely the 1972 Transformer Tour performance and an acoustic demo recorded in 1965. Quite obviously, I ended up adding to this bizarre jumble my own touch. I completed most of the tracking in about a week, but it took me a long time before trying to record vocals. It somehow sounded dull and trivial to my ears, so I had lost interest in finishing the song. Then a couple of weeks ago I felt inspired and I did the vocals. I also added an organ and a Cretan lyra parts, to make the ending section sound a bit more exciting.
Hope you'll enjoy this studio jam, I think it sounds quite unusual if compared to the rest of my stuff, but at the end of the day it's not so bad to listen to.

Teth Sin : acoustic guitar, electric guitars, bass guitar, vocals, organ, drums, Cretan lyra

Original composition & lyrics by Lou Reed
Arrangement, mix, mastering, photo & cover artwork design by Teth Sin