On «Blue Perfidia», Répéter leaves behind the hot desert heat of «Bad Twang» and further refines his recipe of moody tremolo guitar licks, complex man/machine percussion patterns and a weighty dub-inspired bass foundation. While the surf guitar still sets the tone, it is augmented by log drums, prepared turntables, damaged spring reverb and collaborator Finna's trumpet, providing a dangerous tropical escapist theme. From the urgency of «Your Ship Will Go Down» to the terrifying finale of Nippon-inspired «Drinking The Kool-Aid», there’s a narrative unfolding, where darkness will descend upon the jungle coastline.

All instruments by Répéter / Martin Yul Werner, 
except trumpet on «Pier Pressure» by Finna / René va plus. 

All songs written by Martin Yul Werner, 
except «Drinking The Kool-Aid» co-written by 19hertz / Emanuel Jauk. 

Recorded, arranged and mixed by Martin Yul Werner at Petri Aux in Graz, Austria. 
Mastered by Bob Macc at Subvert Central Mastering in Suffolk, UK. 

Cover Photo: Marine Studios - Marineland, Florida. 1950 (circa). State Archives of Florida, Florida Memory. 
Design & Layout by STND Graphics.

Provocative Cocktail Napkins

Oriental Bouzok Mix

This mix is not meant as a reference to the genre — I’m no expert. It’s simply a collection of tracks that resonate with me. Some draw from Islamic roots, others from the Middle East, North Africa, or the Mediterranean… traditional or experimental, all evoke an Arab imaginary.

The title pays homage to an album that first opened this world to me: Oriental Bouzok Musik by Matar Mohamed. After a long pause without recording, it felt right to borrow its name. This isn’t a technical session, but an immersive listen — meditative at times, more rhythmic at others.

Featuring Muslimgauze, Raed Yassin, Rizan Said, Alesia Cosmos, Malayeen, Matar Mohamed, Richard Hagopian, Baba Zula & Mad Professor, Berber Of Dra, Bilawal Belgium, Radio Tarifa, Saagara, Dead Can Dance, Moorish Dancers.

Thanks for listening : )

Oriental Bouzok Mix

es un invierno eterno no estar a tú lado

EDA BROWN_Yahn’s Elegy「ヤンの挽歌」 2025.08.29 Live at DELI

Anna Nacher & Marek Styczyński - Oszronione Słońce
Bitchin Bajas - Skylarking
Anagrams - Prescription
Jordi Santanach - III
Wayku - Suchiche
Marie Tjong Ayong - tiger balm
Karen Willems - Dragon Dance
Pieter Kock - Tokyo Hotel
Nels Cline - The 23
Oren Ambarchi, Johan Berthling & Andreas Werliin - Chahar
Asa Tone - 28°35’S 153°22’E
Saint Abdullah & Eomac feat. Jason Nazary - Without Any
DJ Narciso - 5 Do Jo
Big Hands - Rinascita
Troubadours - Realistic Avatar
Ciccio / 2MO - Spring
Dania - Personal Assistant
uza.zetangas - KERNEL_MODE_EXCEPTION_NOT_HANDLED
Piotr Kurek - Try To Be True
Troth - Thistle
Derek White - a thought occurred to me
Hidden Operator - Double Vision
Lukid - The Secret of Bell Making
Stella Z - Treefrog, Postman and Bell
Pelican Daughters - Dinmango
Mert Seger - Shapiri
Nboj Tespo - Call
Nicolini - Chissa
Ashaye - Dreaming (Jungle Mix)

Tower Of Echo w/ Taki Onqoy @ Paranoise Radio 10.10.25

Firste



with the goat のとを
sc: @teatimes57
twitter: twitter.com/teatimes57

from "our intelligence 5" by @sculptured_jp <3
album: tba
xfd: https://soundcloud.com/sculptured_jp/our-intelligence-5-xfd

＿＿＿＿＿＿＿
General Direction, Mgmt :: Artstate (@artstate_music)
Mastering :: SOZEN OTSUBO (@sozenotsubo)
Designing Direction :: suzu ki, icesawder (@icesawder)

のとを, 05 - eden

If you have cold feet, or you sneeze, or you cry, or you destroyed or lost a thing that you are attached to, try not to lose your faith in luck or in a good day that will come. Just like us! And like friends like us! New pretty mix is out, let it cheer you up! x x
___
Station Station est une webradio associative qui émet 24/24 et 7/7j, basée à La Station - Gare des Mines. Pour écouter le direct : www.stationstation.fr nous suivre : www.instagram.com/stationstation_radio/ - @stationstation - www.mixcloud.com/Station_Station_radio/stream/

Friends Like Us #60 w/Bad News From Cosmos

After a three-year hiatus, Répéter returns with a limited-edition 7” lathe cut—just 33 copies—shedding the sun-bleached surf-rock of past releases for the shadowy allure of Exotica. Channeling the psychedelic qualities of dub—deep bass, hypnotic percussion, and languid guitar weave a sonic tightrope walk: playfully surreal one moment, plunging into moody, hallucinatory depths the next.

‘Boredom at the Belly-free Buffet’ stars the towering, wild-man energy of Svenski Skilift—howling like a deranged bluesman and pounding congas with the reckless abandon of a cartoon savage let loose in a smoke-filled lounge bar. The track crackles with the raw, unpolished spirit of a 1950s jazz-blues band—walking bass, wailing vibraphone, and jagged guitar stabs—all anchored by a primitive, hypnotic rhythm, driven by insistent handclaps and a steady, almost tribal pulse. Yet beneath the primal stomp and the sweaty, neon-lit energy, there’s a gnawing emptiness—a sound that captures that unsettling ache of modern excess: drowning in plenty, yet starving for something real.

‘Too Many Lawyers’ is a dub-drenched lounge version loosely based on ‘The Lobbyist’ (released in 2017 on "In Fine Style" via Bokeh Versions) , where the wonky beat stumbles and lurches like a drunk spy trying to keep his cover. The rhythm feels deliberately unsteady—always on the verge of tripping over itself—while the bassline slinks through the mix, heavy with unspoken secrets. Tamborims flicker like coded messages, the vibraphone glints with suspicion, and the whole scene hums with the question: Is it paranoia, or are those suits at the bar looking right at you?  

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All instruments & production by Martin Werner, except congas & howls on 'Boredom at the Belly-free Buffet' by Sven von Fellenberg aka Svenski Skilift 
Mastering & Lathe Cut by Michael Lawrence / bladudflies.com
Artwork by Philipp Knöbl
Screen Printing by M.W. & Mona Köp-Werner 