K a L [L] a H is the new musical Dub project by Federico Dal Pozzo, sound designer and sound artist based in Paris.
The musical territory in which K a L [L] a H develops his sound is that of experimental and noisy Dub, detached from reggae but enriched by minimal, concrete and repetitive sounds. Live compositions are dilated and decomposed with the use of reverbs, delays and echoes typical of Dub mixing.
K a L [L] a H is Federico Dal Pozzo, sound artist/sound designer based in Paris. 
 He Graduated in “Audio Recording and Music Production” in Recording WorkShop (Chillicothe,Ohio_U.S.A.) and “WaveField Synthesis”with Hubert Westkemper (Milan, Italy).In 2014 He studied in Conservatory of Corfu (Gr) at “Summer Academy of Electroacoustic Music and Live Electronics” with Annette Vande Gorne and Theodoros Lotis; in 2016  “Intuitive Music” with Markus Stockhausen (Venice,Italy)
During the past few years he has played different sound performances using materials such as glass, water and ice and modifying their acoustic matter through generative codes (Max/Msp).
He collaborated with visual and sound artists around Europe (Lorenzo Abattoir, Mare di Dirac, Federico Pimpão/Error43, Alessandro Sciaraffa, Sofia Bertolemu, Emerge, Mauro Sambo,…)
He works as sound designer for contemporary dance and circus companies around Europe.
He worked in various italian and european Foundation for Audio-Installations and Live Performance (Fondazione Sandretto Re Rebaudengo, Castello di Rivoli,  Promotrice delle Belle Arti, Palazzo Grassi, Ex Mattatoio, The Others, Biennale Architettura 2018,…)

Músico, cantor e compositor. Brazilian singer-songwriter indie folk psicodelic rock rural experimental soundtrack independente alternativo lo-fi

Solange, tô aberta! (Solange, I'm open) is a project by Pêdra Costa in the format of a show, in the style of Baile Funk (originally from the suburbs of Rio de Janeiro, Brazil) that blends queer, punk, drag and post-porn with the sound and dance of Funk Carioca, Hardcore, Technobrega and Kuduro. It uses funk as a tool of political resistance. Distorting its initial form, it promotes a true explosion of cathartic dance and politics. It speaks of those bodies that want openness and space to exist, staging the unclassifiable and questioning sexuality, gender, identity and stereotypes.
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“Solange, estoy abierta!”, es un proyecto de Pêdra Costa en formato de show, estilo Baile Funk (originario de las periferias de Río de Janeiro, Brasil) que mezcla queer, punk, drag y post porno con el sonido y la danza del de Funk Carioca, Hardcore, Technobrega y Kuduro. Utiliza el funk como una herramienta política de resistencia desnaturalizando su forma inicial, promoviendo una verdadera explosión danzante, catártica y política; que pone en la escena el deseo de cuerpos que quieren espacio y apertura para existir y para que sus voces sean escuchadas. Habla sobre esos cuerpos (existiendo como uno de ellos) que no se inscriben, escenificando lo inclasificable, poniendo sobre la mesa cuestiones relacionadas con la sexualidad, el género, la identidad y los estereotipos, entre otras.
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Pêdra Costa is a Brazilian Performance Artist and Anthropologist. S/he is currently doing a Diploma at the Academy of Fine Arts Vienna and working with queer migrant artists internationally. Her work is informed by the aesthetics of post-porn and an investigation about decolonial concepts.
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Pêdra Costa ist ein/e brasilanische Performance-Künstler/in und Anthropolg/in. Er/sie arbeitet gegenwärtig an seinem/ihrem Diplom an der Akademie der bildenden Künste Wiens. Er/sie arbeitet mit queeren migrantischen Künstler_innen, Post-Porno und dekolonialer Praxis.

Cantora, compositora, educadora musical, curiosa, provocadora, performer, dançadeira, produtora, errante, instigada pelo som, pela escuta, ouvidos atentos, ativos, ávidos, vivos. Do som para o corpo, do corpo para a voz, a voz no corpo, corpo e voz no espaço.

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