Snippets of the album 'The Gentle Insult' (Left to Write Music 001), all songs written and produced by Edgar van Asselt

pre-sales at: edgarvanasselt.bandcamp.com 
li.sten.to/edgar

Songs:

00.00-00.13: Captain Cartel
00.14:00.47: Smokes and Mirrors
00.47-01.06: Gentle Insult
01.06-01.39:   I Love it when a plan comes together

www.gentleinsult.com

Snippets Gentle Insult

Checkin' The Vibes

Personnel:
Maripepa Contreras - duduk (solo)
Angelo Ursini - clarinet (solo) 
Jan Dumée - ac. guitar
René ten Cate - vibraphone
Boris Oud - double bass
Ana Tudor - violin
Luis Mascaro - violin
Tamara Krželj - violoncello
Marijke van den Bergen - violoncello

Recorded, edited & mixed by Paul Power at Powersound Studio, The Netherlands June 2023

Produced by Jan Dumée
Co-produced by Maripepa Contreras & René ten Cate

Duduk Song - comp. arr. Maripepa Contreras - Contreras Dumée Project

Jitterburg Waltz (1942 - Fats Waller) - With Dennis Lichtman on clarinet, Josh Dunn on guitar, Kensuke Shoji on fiddle, Jen Hodge on bass and Krissie Nagy on vocals.

Krissie & The Kranks - Jitterbug Waltz

A track dedicated to one of my great piano mentors; Rob van Kreeveld. Rob passed away on dec 17th, 2023. Rest in peace maestro, your music will not be forgotten.

Lament (For Rob van Kreeveld)

Jerry Folk
https://soundcloud.com/jerryfolkmusic
https://twitter.com/JerryFolk
https://www.facebook.com/jerryfolkmusic

Lemaitre
https://soundcloud.com/serious-url
https://www.facebook.com/lemaitremusic
https://twitter.com/Lemaitremusic

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

Lemaitre - Wait (Jerry Folk Remix)

Classic Afrobeat groove straight from the Fela Kuti playbook, featuring driving percussion, soaring live saxophone, rhythmic Farfisa organ, and a full band radiating pure energy and soul

Late Night Lagos

This is a piece from the Antillean Dances book by Wim Statius Muller. It was given to me by a friend and I decided to learn to play the music. It's beautiful and melodic music.

Tristeza

time remembered

A solo piano interpretation of Antônio Carlos Jobim’s Desafinado — equal parts tribute, exploration, and quiet rebellion.

I open with Jobim’s original intro from the Inédito album (his private, unreleased sessions), keeping that delicate harmonic ambiguity intact before wandering into more personal territory.

The piece closes with a fade — a quasi-classical reimagining of the opening melody, like the ghost of a theme revisiting itself in a different room.

Recorded in one take, with all the imperfections left in. Just how Jobim would’ve liked it. Hopefully.

Desafinado

Waltz for Debby edgar en Bert

pianist, composer and producer. Dedicated at getting my own stuff out there. DIY guy, outside-the-box & on-the-fly guy, is fine as long's I know my 'why' guy

time remembered

edgarvanasselt

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