intros and expe

intro hard

intro : teck ,hard,

inrto techno

Pleasers (INTRO TECHNO)

Sub Marine Crew "Strings Of Time" 
Live Trance Psychedelique Sitar
GOA Live Improvise

Recorded in 2022 at the Shunya, Arambol, GOA, India.

*******
Andrey - cajon
Shasha - guitar
Andrew - sitar
Nevin - bass
*******
GoanPsyWaves music channel - Psychedelic waves directly from Goa!
Recorded on ZOOM microphone
Instagram #goanpsywaves
℗ 2022 GoanPsyWaves

05-intro Sub Marine Crew "Strings Of Time" / Live Trance Psychedelique Sitar / GOA Live Improvise

A*S*Y*S Classic "Acid Space" 

Has been used for the A*S*Y*S Intro A*S*Y*S performance at Qlimax 2012.
 
Taken from the A*S*Y*S album "Acid Save Your Soul" (Tracid Traxxx 2005).

A*S*Y*S - Acid Space - (Qlimax Intro 2012)

Monday Ghosts steps out of the Techno-world. It is as much a cinematic story as it is a sonic journey. It's a lucid dream of vivid and emotive acoustics playing into an intricately woven tale that changes with every listening experience.

The track is available only digitally on iTunes together with Stephan Hinz's Throwl EP. 

Watch the video:
http://bit.ly/1yyoW12



iTunes

Stephan Hinz - Monday Ghosts

Come Undone

5like : DOWNLOAD
10like : TRAP/VIP Available on U&G soundcloud

U&G & CLDSH GRDP  presents "Drape Ü"- Silence

L'évolution d'un monde vu de l'intérieur, sous sa plus petite représentation cosmique.
Ses habitants grouillants, qui s'entassent, vont et viennent, échangent amour et haine. 

https://www.youtube.com/watch?v=6ZRCSc8kdJU

Noyau

Cѳɱɛɳtɑʀ y ɗɑʀ ʆikɛ ɛร ɑgʀɑɗɛcɛʀ
¡ADVERTENCIA!

(Escuchar con auriculares o equipo especial de audio. 
Haruhi Suzumiya Epicenter© no se hace responsable de cualquier daño al aparato auditivo del usuario,
así como de su equipo de audio no especializado en efecto de epicentro).

TODOS LOS DERECHOS DE AUTOR ESTÁN ÚNICAMENTE RESERVADOS A SUS RESPECTIVOS DUEÑOS. 
Haruhi Suzumiya Epicenter© UTILIZA EL AUDIO DE LOS MISMOS SIN FINES DE LUCRO.

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Tσdσs lσs Dεяεcнσs Rεsεяvαdσs.
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ORIGINAL

No Copyright Infringement Intend

►Haruhi Suzumiya Epicenter ★ Soundclound Suscribete¡

Super Mario Bros (INTRO) (Electro House Dutch) [Bass Boosted] By Haruhi Suzumiya Epicenter

'Providence' Out Now - 
Ninjashop / Stream / Download: https://nathanfake.lnk.to/providenceSO

Taken from 'Providence' released 10h March 2017 via Ninja Tune.

Listen to Ninja Tune New Releases on Spotify: http://ninjatune.lnk.to/new/spotify

Follow Nathan Fake -
Facebook: http://found.ee/nfake-fb
Twitter: http://found.ee/nfake-tw
Spotify: http://found.ee/nfake-sp
Soundcloud: http://found.ee/nfake-sc

Artwork by Matt Bateman http://flat-e.com

DEGREELESSNESS feat. Prurient / Now We Know

Nathan Fake - 'DEGREELESSNESS feat. Prurient'

Incident Prism - Sonar Discipline [IP001]
Release date: 11/03/2017
Bandcamp: https://incidentp.bandcamp.com/track/incident-prism-sonar-discipline
Spotify: https://open.spotify.com/artist/5ACLZ3vDBZjT64waeuYQr4
Facebook: https://www.facebook.com/Incident-Prism-280110632432366/
Instagram: https://www.instagram.com/incident_prism/?hl=fr
Youtube: https://www.youtube.com/watch?v=KRyKMF0RFUw

cover by:@wendyscovery

Incident Prism - Sonar Discipline

Reversed Polarity EP

Ouroboros (Original Mix)

Our sixth EP (EOM006), both vinyl and digital format.

The Nest

Buy Track

Preorder :https://special-request.bandcamp.com/album/through-the-looking-glass

When Paul Woolford adopted his Special Request alias again last year for the 'Belief System' album, we kind of lost our shit. The LP was one of our favourites of 2018 and once again cemented Woolford as a certified master of the scene.

At the end of the year we crowned Nina Kraviz as our DJ of the Year and ultimately it was an easy decision to make. Her sets are electric, her label, трип, is one of the most forward-thinking and genre-bending imprints in the world and her parties buck the formulaic trend that most follow.

When we found out that Nina was remixing 'Curtain Twitcher' by Special Request, we jumped at the chance to listen. When we realised she'd done not one but two remixes, well we were sold.

Here is the premiere of Kraviz's Alice Was Here remix and it's more of the brilliant same. A true meeting of magical minds.

Catch Nina at her трип party in Barcelona next week. Info here: https://www.facebook.com/events/1578558852236702/

More exclusive music

Premiere: Special Request 'Curtain Twitcher' (Nina Kraviz Alice Was Here Remix)

ERV003 - VAcid - @ghostakamskd

For our third Various Artists release (which correspond to our 2nd birthday), we decide to make a special acid one !

Including 11 acid tracks by 11 acid lovers, each track is a different vision of Acid that we wanted to share with you.

In the name of Dante and Virgil, enjoy this incredible release thanks to our dear artists Lifka, Koszmar, Matrheim, Maureille, Basswell, Pona, YA, Brulée, Ghost Effects, Trym and Monsieur Nobody

Download

Ghost Effects - Back to the Future (Original mix)

Monnom Black will mark its 17th release with its first various artist compilation presented on triple vinyl. Keeping with the label’s modus operandi, the compilation is packed with iconic, raw and uncompromising techno, featuring 13 artists new and old to the imprint, including a re-release of a classic Drax aka Thomas P. Heckmann track from 1993.

To coincide with the launch of the compilation, Monnom Black will hold its first highly-anticipated label party. Locking arms with the notorious underground Dutch promoters Reaktor, known for their challenging events and pushing the boundaries of what techno has to offer. Together they will celebrate with an electronic onslaught on New Year’s Eve in Amsterdam’s Elementstraat Warehouse. A location cut to the bone that perfectly encapsulates the label and promoters combined vision and ethos.

Dax J curates the night fusing the label together for a special moment in time, with the titan warehouse opening up two of its rooms hosting a monster line up with the likes of CJ Bolland, Regis as CUB, Thomas P. Heckmann, I Hate Models, UVB, Stranger, Zanias, Cressida, Inhalt Der Nacht, Raffaele Attanasio, Tommy Holohan and Remco Beekwilder.

https://monnomblack.bandcamp.com/album/the-world-of-monnom-black

The World Of Monnom Black

Buy Bandcamp

Stranger - Someone I know

Remix from an old projet directed by MacroAssembler which never saw the light. It's a piece that I like a lot and that I could not leave behind.

MacroAssembler - Paradise Lost (Catartsis vision)

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

The Nest

Edge of Motion