Their production styles range from Trance to
Started his career as a Dj in 1989 attracted to Trance 90 .and the Trance of early 2000
in 2005 to begin his career as a music producer, to become what it is today... a recognized producer of Trance , in Europe.
Melodies full of sensitivity make his elaborate work an essential product for anyone looking for quality electronic music.
Your goal as a producer is to create a style of the more melodic with high content in electronic databases.
now enter their work in: Hiddeminside Music -Vengeance Records  - Exia Recordings - ReState Records - Tecnomind Music & Tecnomind Uplifting - soundcloud - Mixcloud -  - facebook - twitter - youtube - 
iTunes - Beatport - Spotify - Google play....
Sus estilos de produccion van desde el Trance hasta el EDM
Comienza su carrera como Dj en 1989 atraído por el techno 90 .y el Trance de principios del 2000
-en 2005 a comenzar su andadura como productor musical, hasta llegar a ser lo que es hoy...  un reconocido productor de Trance ,,en Europa.
-Melodías llenas de sensibilidad hacen de su elaborado trabajo un producto imprescindible para todo aquel que busque música electrónica de calidad.
-Su objetivo como productor es crear  un estilo de lo mas melódico con alto contenido en bases  electrónicas.
-actualmente ingresa sus trabajos en : Vengeance Records  - Exia Recordings - ReState Records - Tecnomind Music - Tecnomind Uplifting - soundcloud - Mixcloud -  - facebook - twitter - youtube

🙂 Premiere your music on Acid Only! 🙂

Acid Only is now open for premiere inquiries. If there is an unreleased acid track/jam/mix you'd like to submit, please send me a DM and we'll talk about it!

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🙂 What is Acid Only? 🙂

Acid Only is a free, donation-based initiative dedicated to help SoundCloud's acid heads to meet together, share their acid works, and reach a wider exposure.

To submit your acid track/jam/mix, just:
1) follow this channel (@acidonly), and
2) send me a DM with a SoundCloud link

If it's acid enough, I'll repost it!

Special thanks to my contributors:
@Speareworld
@joit-de
@Jim_Morton
@Parallaxenfehler
@Oksal
@Backslash-Zero
@Oneiro75
@DJClubSandwich
@NickHigginson1
@ManLovesMachine
@Mattrevolution
@Ayaxa-music
@Davepi23
@Me5cal-2
@GVE_nl
@Analogic-Density-Records
@Echoes1997
@CheapOrange
@Narumik
@ProAthleteDJ
EargasmX (@luka-heym)
@Eliminator303
@TheCloset
Roheit (@vollmaze)
@Albiovix
@6thFloorEuphorik
@Ardeor

Press Contact	Send demos to demos@abora-recordings.com 

Edge One is a club uplifting, tech, and techlifting label. Tracks are harder, edgier, techier, and often more acid than its sister label Abora's, with a more overriding focus on contemporary dancefloors and EDM festivals. Abora's music that is harder uplifting, tech, or techlifting will be released on Edge One.

DJ der Trance-Musik 🎶 Elektronischer magischer Sound

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Underground Producer | אדהן

cave aesthetic {waves of sound } | melodic and hard music

Followers of Edge One